Golden Greats

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleRatingLength
1Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney-related, NYC-based company), Southern Music (publisher) and Wren Music Co.
4.52:33
2That'll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
52:17
3Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Southern Music (publisher) and Wren Music Co.
42:22
4Everyday
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:08
5Oh, Boy
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
background vocals:
Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (on 1957-08-18)
lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1957-06-29 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
recording of:
Oh, Boy! (from 1957-07-01 until 1957-08-18)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
52:08
6Not Fade Away
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-05-27)
drums (drum set):
Jerry Allison (on 1957-05-27)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-27)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-05-27)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 107)
recording of:
Not Fade Away (on 1957-05-27)
writer:
Charles Hardin Holley (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (publishing and company credits), MPL Communications Inc. (Paul McCartney-related, NYC-based company), Peermusic (UK) Limited and Wren Music
4.52:22
7Raining in My Heart
producer:
Dick Jacobs
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
52:49
8Brown Eyed Handsome Man
recording engineer:
Norman Petty (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-12 until 1957-01)
cover recording of:
Brown Eyed Handsome Man (from 1956-12 until 1957-01)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:04
9Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
3.752:04
10Rave On
producer:
Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-26)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-26)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.251:49
11Think It Over
producer:
Norman Petty
bass:
Joe B. Mauldin (in 1958-02)
drums (drum set):
Jerry Allison (in 1958-02)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (in 1958-02)
piano:
Vi Petty (in 1958-02)
background vocals:
The Roses (in 1958-02)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (in 1958-02)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (in 1958-02)
recording of:
Think It Over (in 1958-02)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
41:47
12It's So Easy
producer:
Norman Petty
bass:
Joe B. Mauldin (from 1958-06 until 1958-08)
drums (drum set):
Jerry Allison (from 1958-06 until 1958-08)
guitar:
Tommy Allsup (from 1958-06 until 1958-08) and Buddy Holly (1950s rock & roll singer-songwriter) (from 1958-06 until 1958-08)
background vocals:
The Roses (from 1958-06 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (from 1958-06 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-06 until 1958-08)
recording of:
It’s So Easy (from 1958-06 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc. and MPL Communications Inc. (Paul McCartney-related, NYC-based company) (in 1958)
3.52:11
13It Doesn't Matter Anymore
recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Music Publishing Ltd. (PRS-affiliated)
2:07
14True Love Ways
producer:
Norman Petty
recording of:
True Love Ways (on 1958-10-20)
writer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
33:02
15Peggy Sue Got Married
recording of:
Peggy Sue Got Married
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
2:05
16Bo Diddley
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
cover recording of:
Bo Diddley
lyricist and composer:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (until 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Good Music Ltd.
52:21

Credits

Release

ASIN:UK: B000026E0K [info]