| # | Title | Artist | Rating | Length |
|---|
| 1 | Poison- recording engineer:
- Sir Arthur Payson
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Manhattan, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., EMI Songs Ltd., MCA Music Ltd., Primary Wave Music Publishing, Songs of Universal, Inc., Sony/ATV Music Publishing Ltd., Universal , Universal Music Publishing Group, Universal PolyGram International Publishing, Inc. , Warner–Tamerlane Publishing Corp. , シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, SBK April Music Inc. (from 1989 to ????), Ezra Music Corp. (from 1989 to present) and Kat and Mouse Music (from 1989 to present)
| Alice Cooper | 4.5 | 4:33 |
| 2 | Eye of the Tiger- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Easy Action Music, Ensign Music Corporation, Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division, WB Music Corp. , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Survivor | 4.75 | 3:46 |
| 3 | Walk This Way | Run‐DMC feat. Aerosmith | 3.65 | 3:40 |
| 4 | The Final Countdown | Europe | 4.1 | 3:59 |
| 5 | Don’t Stop Believin’- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory
- drums (drum set) and percussion:
- Steve Smith
- guitar:
- Neal Schon
- keyboard and piano:
- Jonathan Cain
- background vocals:
- Jonathan Cain, Neal Schon and Ross Valory
- lead vocals:
- Steve Perry
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), Columbia Records (in 1981) and Sony Music Entertainment (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- Lacey Boulevard Music, Weedhigh‐Nightmare Music, ヤマハミュージックエンタテインメントホールディングス , 日音 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4.15 | 4:09 |
| 6 | We Built This City | Starship | 4 | 4:53 |
| 7 | You’re the Voice | John Farnham | 4.15 | 5:04 |
| 8 | Can’t Fight This Feeling | REO Speedwagon | 3.9 | 4:49 |
| 9 | Through the Barricades | Spandau Ballet | | 5:20 |
| 10 | The Way It Is | Bruce Hornsby & the Range | 4.35 | 4:00 |
| 11 | Africa | Toto | 3.5 | 4:23 |
| 12 | Down Under | Men at Work | 4.25 | 3:44 |
| 13 | Wishing (If I Had a Photograph of You) | A Flock of Seagulls | | 4:09 |
| 14 | Pretty in Pink | The Psychedelic Furs | 4.5 | 3:57 |
| 15 | Walk Like an Egyptian | The Bangles | 4.2 | 3:22 |
| 16 | Prince Charming | Adam & the Ants | | 3:15 |
| 17 | Fools Gold | The Stone Roses | 4.65 | 4:15 |
| 18 | E=MC² | Big Audio Dynamite | | 4:30 |
| 19 | (Feels Like) Heaven | Fiction Factory | 4 | 3:29 |
