Essential Summer Classics (collectors cd)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Masques et Bergamasques, op. 112: Overture
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
recording of:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
composer:
Gabriel Fauré (French composer)
part of:
Masques et bergamasques, comédie musicale en 1 acte (original 8 part version)
recording of:
Suite, op. 112 "Masques et bergamasques": I. Overture: Allegro molto vivo
composer:
Gabriel Fauré (French composer)
is based on:
Masques et bergamasques, comédie musicale en 1 acte : I. Ouverture
part of:
Suite, op. 112 "Masques et bergamasques"
Gabriel Fauré3:41
2Carmen: Intermezzo
assistant engineer:
Richard Lee (engineer)
engineer:
Ralph Couzens (engineer/editor/producer)
producer:
Brian Couzens (engineer/editor/producer)
orchestra:
Ulster Orchestra
conductor:
Yan Pascal Tortelier (conductor and violinist)
recorded at:
Ulster Hall in Belfast, Belfast, County Antrim, County Down, Northern Ireland, United Kingdom
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:38
3Bassoon Sonata, op. 168: Allegro moderato
producer:
Paul Spicer (composer, conductor, organist and producer)
bassoon:
Dirk Meijer (from 2001-09-24 until 2001-09-27, from 2001-11-24 until 2001-11-27)
piano:
Jan van Liere (from 2001-09-24 until 2001-09-27, from 2001-11-24 until 2001-11-27)
balance engineer:
Henk la Roi
recorded at:
Providenzkirche in Heidelberg, Baden-Württemberg, Germany (from 2001-09-24 until 2001-09-27, from 2001-11-24 until 2001-11-27)
recording of:
Sonata for Bassoon and Piano, op. 168: I. Allegro moderato (from 2001-09-24 until 2001-11-27)
composer:
Camille Saint‐Saëns (composer)
part of:
Sonata for Bassoon and Piano, op. 168
Camille Saint‐Saëns2:42
4Violin Sonata no. 5: Allegro
piano:
Itamar Golan (pianist) (in 1992-06)
violin:
Maxim Vengerov (violinist) (in 1992-06)
recorded at:
Teldec Studio (Berlin) in Berlin, Germany (in 1992-06)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": I. Allegro (in 1992-06)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven9:01
5The Banks of Green Willow
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
The Banks of Green Willow, Idyll
composer:
George Butterworth (composer) (in 1913)
George Butterworth6:05
6String Quartet in D major, op. 64 “The Lark”: Allegro moderato
engineer:
János Buhus (engineer) (in 1992-05)
producer:
Ibolya Tóth (in 1992-05)
string quartet:
Kodály Quartet (from 1992-05-01 until 1992-05-03)
recorded at:
Unitarian Church in Budapest, Hungary (in 1992-05)
recording of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”: I. Allegro moderato (from 1992-05-01 until 1992-05-03)
composer:
Joseph Haydn (composer)
part of:
String Quartet in D major, op. 64 no. 5, Hob. III:63 “The Lark”
Joseph Haydn6:35
7Pavane, op. 50
flute:
Linda Chésis (in 1980-06)
orchestra:
Orchestre national du Capitole de Toulouse (in 1980-06)
conductor:
Michel Plasson (conductor) (in 1980-06)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie, France (in 1980-06)
recording of:
Masques et bergamasques, comédie musicale en 1 acte : VIII. Pavane (in 1980-06)
composer:
Gabriel Fauré (French composer)
is based on:
Pavane, op. 50 (for piano and chorus)
part of:
Masques et bergamasques, comédie musicale en 1 acte (original 8 part version)
Gabriel Fauré6:05
8Octet in E-flat major: Scherzo: Allegro
recording engineer:
Bob Auger (audio) (on 1984-11-29)
producer:
Christopher Palmer (arranger) (on 1984-11-29)
cello:
Sebastian Comberti (UK cellist) (on 1984-11-29) and Josephine Horder (on 1984-11-29)
viola:
Sally Beamish (composer and violist) (on 1984-11-29) and Gustav Clarkson (viola) (on 1984-11-29)
violin:
Paul Barritt (violinist) (on 1984-11-29), Miranda Fulleylove (violinist) (on 1984-11-29), Robin Ireland (on 1984-11-29) and Rachel Isserlis (on 1984-11-29)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1984-11-29)
recording of:
Octet in E-flat major, op. 20: III. Scherzo: Allegro leggerissimo (on 1984-11-29)
composer:
Felix Mendelssohn (composer) (in 1825)
part of:
Octet in E-flat major, op. 20
Felix Mendelssohn4:28
9Capriol Suite - Pavane, Bransle
recording engineer:
Antony Howell (engineer) (from 1997-04-21 until 1997-04-24) and Julian Millard (engineer) (from 1997-04-21 until 1997-04-24)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer) (from 1997-04-21 until 1997-04-24)
cello:
Louise Hopkins (from 1997-04-21 until 1997-04-24) and Christopher van Kampen (from 1997-04-21 until 1997-04-24)
double bass:
Peter Buckoke (double bass player) (from 1997-04-21 until 1997-04-24)
viola:
Roger Chase (from 1997-04-21 until 1997-04-24), Garfield Jackson (violist) (from 1997-04-21 until 1997-04-24) and Louise Williams (violist) (from 1997-04-21 until 1997-04-24)
violin:
Joan Atherton (violinist) (from 1997-04-21 until 1997-04-24), Alan Brind (violinist) (from 1997-04-21 until 1997-04-24), Miffi Hirsch (from 1997-04-21 until 1997-04-24), Fiona McCapra (from 1997-04-21 until 1997-04-24), Steven Morris (violinist) (from 1997-04-21 until 1997-04-24), Helen Paterson (from 1997-04-21 until 1997-04-24), Ralph de Souza (violinist) (from 1997-04-21 until 1997-04-24) and Elizabeth Wexler (from 1997-04-21 until 1997-04-24)
violin [leader]:
Leo Phillips (violinist) (from 1997-04-21 until 1997-04-24)
orchestra:
The Nash Ensemble (from 1997-04-21 until 1997-04-24)
conductor:
Martyn Brabbins (conductor) (from 1997-04-21 until 1997-04-24)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1997-04-21 until 1997-04-24)
recording of:
Capriol Suite: II. Pavanne (from 1997-04-21 until 1997-04-24)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite
recording of:
Capriol Suite: IV. Bransles (from 1997-04-21 until 1997-04-24)
composer:
Peter Warlock (composer)
orchestration of:
Capriol Suite: IV. Bransles (for piano duet)
part of:
Capriol Suite
Peter Warlock4:11
10La Source
harp:
Judy Loman (harpist) (from 1998-04-10 until 1998-04-16)
recorded at:
Saint John Chrysostom Church in Newmarket, Ontario, Canada (from 1998-04-10 until 1998-04-16)
recording of:
La Source, op. 44 (Étude for Harp)
composer:
Alphonse Hasselmans (in 1898)
Alphonse Hasselmans3:58
11Sonata no. 1 in G major: Vivace ma non troppo
piano:
Milana Chernyavska (pianist)
violin:
Elisabeth Batiashvili (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2001)
recording of:
Sonate Nr. 1 G-Dur für Klavier und Violine, op. 78 „Regenlied-Sonate“: I. Vivace ma non troppo
composer:
Johannes Brahms (German composer) (from 1878 until 1879)
part of:
Sonate Nr. 1 G-Dur für Klavier und Violine, op. 78 „Regenlied-Sonate“
Johannes Brahms10:49
12Symphony no. 4, “Italian”: I. Allegro vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Walter Weller (violinist and conductor)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn10:40

Credits

Release

producer and mastering:Ivor Humphreys
copyrighted (©) by:Classic FM plc (in 2003)
glass mastered by:www.vdcgroup.com (CD/DVD/Blu‐ray manufacturer)
Discogs:https://www.discogs.com/release/14922474 [info]