Magic 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

℗ & © «2018 Universal Music Operations Limited»
℗ «A Universal Music On Demand release; This Compilation»

Annotation last modified on 2021-07-16 08:54 UTC.

Tracklist

Digital Media 1
Digital Media 2
Digital Media 3
#TitleArtistRatingLength
1Everywhere
recording of:
Everywhere
lyricist and composer:
Christine McVie
publisher:
Bright Music Ltd. (publisher)
Fleetwood Mac3:45
2Summer of ’69
recording engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-22)
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-22)
drums (drum set) [drums]:
Pat (from 1984-03-27 until 1984-09-22)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-22)
guitar [lead guitar]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-22)
guitar [rhythm guitar] and background vocals [harmony vocal]:
Bryan (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
percussion:
Jim (from 1984-03-27 until 1984-09-22)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
mixed at:
Power Station in Manhattan, New York, New York, United States (on 1984-09-22)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 9) and The Downloader’s Music Source Book (number: 179)
recording of:
Summer of ’69 (from 1984-03-27 until 1984-09-22)
written in:
Vancouver, British Columbia, Canada (on 1984-01-25)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1984-01-25) and Jim Vallance (on 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
Bryan Adams4.33:36
3Englishman in New YorkSting4:28
4Jealous Guy
cover recording of:
Jealous Guy
lyricist and composer:
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., Fujipacific Music, Inc. Division 2, Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
revision of:
Child of Nature
Roxy Music4:46
5I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983)
mixed at:
Sarm East Studios in Whitechapel, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw4.53:25
6The Look
programming:
Anders Herrlin and Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (in 1988-08)
mixed at:
EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:58
7It Must Be Love
cover recording of:
It Must Be Love
lyricist and composer:
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:23
8Shout
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal and Ian Stanley
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.54:06
9She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (in 1988)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Fine Young Cannibals4.23:38
10You Make My Dreams
producer:
Daryl Hall and John Oates
vocals:
Daryl Hall and John Oates
arranger:
Daryl Hall and John Oates
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recording of:
You Make My Dreams
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Unichappell Music, Inc., フジパシフィックミュージック BMG事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Daryl Hall & John Oates4.053:09
11Don’t Get Me Wrong
engineer:
Bruce Lampcov
producer:
Bob Clearmountain and Jimmy Iovine
mixer:
Bob Clearmountain
bass:
Chucho Merchán
drums (drum set) and percussion:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Robbie McIntosh (English guitarist for The Pretenders)
piano and synthesizer:
Wix (UK / Paul Wickens)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK)
recording of:
Don’t Get Me Wrong
lyricist and composer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music and Hynde House of Hits Music
The Pretenders4.23:49
12Don’t Dream It’s Over
producer:
Mitchell Froom
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and EMI Music Publishing Ltd. (PRS-affiliated)
Crowded House3.94:00
13Shout to the Top
producer:
Paul Weller and Peter Wilson (UK Producer)
recording of:
Shout to the Top
lyricist and composer:
Paul Weller
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
The Style Council34:14
14Human (edit)
recording of:
Human
writer:
James Harris III and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The Human League3:50
15Bette Davis Eyes (radio edit)Kim Carnes3:45
16Breakout
producer:
Paul Staveley O’Duffy
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) and Mercury Records Ltd. (not for release label use!) (in 1986)
recording of:
Breakout (in 1986)
writer:
Andy Connell (in 1986), Corinne Drewery (in 1986) and Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Virgin Music Publishers and Virgin 10 Music Ltd.
Swing Out Sister3.83:48
17Happy Hour
engineer:
Bodger (engineer), Ted de Bono and Fred Kay (Audio engineer, BBC)
producer:
Dale Griffin (British drummer and producer) and John Williams (English A&R executive, producer, songwriter...)
bass guitar:
Norman Cook
chimes, harmonica and lead vocals:
P.d. Heaton
drums (drum set):
Hugh Whitaker
guitar:
Stan Cullimore
background vocals:
Norman Cook, Stan Cullimore, P.d. Heaton and Hugh Whitaker
vocals:
Norman Cook, Stan Cullimore and P.d. Heaton
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Happy Hour
lyricist:
P.d. Heaton
composer:
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.652:24
18I’m Gonna Be (500 Miles)The Proclaimers43:41
19Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble, Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards & Sarah Jane Morris3.44:33
20The Only Way Is Up
producer:
Coldcut (Matt Black & Jonathan More)
phonographic copyright (℗) by:
Big Life (in 1988)
produced for:
Ahead Of Our Time Productions
cover recording of:
The Only Way Is Up
writer:
Johnny Henderson (southern soul songwriter) and George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) and Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population3.54:04
Digital Media 4