Rendez-vous With the Great Composers

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▶CD 5
▼CD 6
#TitleArtistRatingLength
1The Nutcracker Ballet Suite - Ouverture
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:17
2The Nutcracker Ballet Suite - Marche
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (March)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:47
3The Nutcracker Ballet Suite - Danse de la fee-dragee
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
arrangement of:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:09
4The Nutcracker Ballet Suite - Danse rusee trepak
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (an Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:15
5The Nutcracker Ballet Suite - Danse Arabe
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:39
6The Nutcracker Ballet Suite - Danse Chinoise
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:25
7The Nutcracker Ballet Suite - Danse des mirlitons
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
8The Nutcracker Ballet Suite - Valse des fleurs
orchestra:
Berlin Festival Orchestra (possibly another Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Pietro di la Corona (Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:08
9Romeo & Juliet "Fantasy Ouverture"
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (London orchestra, known as New Philharmonia Orchestra from 1964-1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (conductor), Alfred Scholz, Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:13
10Swan Lake Ballet Suite - 1. Szene
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:12
11Swan Lake Ballet Suite - Danse du cygne
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (conductor, pseudonym for Alfred Scholz) and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:36
12Swan Lake Ballet Suite - Danse Hongroise
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:52
13Swan Lake Ballet Suite - Danse Espagnole
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:25
14Swan Lake Ballet Suite - Danse Napolitaine
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (conductor, pseudonym for Alfred Scholz)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:07
15Swan Lake Ballet Suite - Mazurka
Пётр Ильич Чайковский3:53
16Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso
orchestra:
Camerata Labacensis, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Prague Festival Orchestra and The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (pseudonym for Alfred Scholz) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский9:58
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▶CD 10