# | Title | Rating | Length |
---|
1 | I Can’t Explain | 4.5 | 2:07 |
2 | My Generation | 4.5 | 3:19 |
3 | The Kids Are Alright | | 3:07 |
4 | Substitute | 4.25 | 3:48 |
5 | Happy Jack | 4.15 | 2:12 |
6 | Pictures of Lily | 4.25 | 2:44 |
7 | I Can See for Miles- executive producer:
- Chris Stamp
- producer:
- Kit Lambert
- drums (drum set):
- Keith Moon
- guitar:
- Pete Townshend
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 1967)
- recorded at:
- CBS Studios in London , England, United Kingdom (from 1967-05-28 until 1967-05-29), Talent Masters Studios in New York, New York, United States (in 1967-07) and Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1967-09)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 258)
- recording of:
- I Can See for Miles (from 1967-05-28 until 1967-09)
- lyricist and composer:
- Pete Townshend
- publisher:
- Fabulous Music, Ltd. and TRO-Essex Music, Inc.
| 4.85 | 4:08 |
8 | Magic Bus | 3.35 | 3:18 |
9 | Pinball Wizard- recorded in:
- England, United Kingdom
- engineer:
- Damon Lyon-Shaw
- executive producer:
- Chris Stamp
- producer:
- Kit Lambert
- guitar:
- Pete Townshend (on 1969-02-07)
- lead vocals:
- Roger Daltrey (on 1969-02-07) and Pete Townshend (on 1969-02-07)
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom and Morgan Studios in Willesden, Brent, London , England, United Kingdom (on 1969-02-07)
- recording of:
- Pinball Wizard (on 1969-02-07)
- lyricist:
- Pete Townshend
- composer:
- Pete Townshend (in 1969)
- publisher:
- ABKCO Music, Inc. , Eel Pie Publishing Ltd., Fabulous Music, Ltd. and Towser Tunes, Inc.
| 4.65 | 3:04 |
10 | Behind Blue Eyes | 4.4 | 3:43 |
11 | Baba O’Riley- recording engineer, engineer and mixer:
- Glyn Johns
- additional producer:
- Keith Moon
- associate producer:
- Glyn Johns
- producer:
- The Who
- bass guitar and brass:
- John Entwistle (in 1971-05)
- drums (drum set) and percussion and percussion:
- Keith Moon (in 1971-05)
- guest violin:
- Dave Arbus (in 1971-05)
- guitar, organ, piano and synthesizer:
- Pete Townshend (in 1971-05)
- lead vocals:
- Roger Daltrey (in 1971-05) and Pete Townshend (in 1971-05)
- vocals:
- Pete Townshend and John Entwistle (in 1971-05)
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 1971)
- recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (in 1971-05)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 159) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 341)
- recording of:
- Baba O’Riley (in 1971-05)
- lyricist and composer:
- Pete Townshend
- publisher:
- ABKCO Music, Inc. , Eel Pie Publishing Ltd., Fabulous Music, Ltd. , Towser Tunes, Inc. and TRO Essex Japan, A-Division
| 4.6 | 5:03 |
12 | Won’t Get Fooled Again- recording engineer:
- Glyn Johns and Pete Townshend (synthesizer)
- associate producer:
- Glyn Johns
- producer:
- The Who
- mixer:
- Glyn Johns (on 1971-05-28)
- acoustic guitar and electric guitar, organ and synthesizer:
- Pete Townshend (in 1971-04)
- bass guitar:
- John Entwistle (in 1971-04)
- drums (drum set) and percussion:
- Keith Moon (in 1971-04)
- lead vocals:
- Roger Daltrey (in 1971-04)
- vocals:
- Pete Townshend and John Entwistle (in 1971-04)
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 1971)
- additionally recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (in 1971-04)
- recorded at:
- Rolling Stones Mobile Studio in United Kingdom (in 1971-04)
- mixed at:
- Island Studios in London , England, United Kingdom (on 1971-05-28)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 133) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 295)
- recording of:
- Won’t Get Fooled Again (in 1971-04)
- lyricist and composer:
- Pete Townshend
- publisher:
- ABKCO Music, Inc. , Fabulous Music, Ltd. and Towser Tunes, Inc.
| 4.7 | 8:35 |
13 | Love Reign O’er Me- associate producer:
- Glyn Johns
- producer:
- The Who
- recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (from 1972-06 until 1973-06) and Ramport Studios in Battersea, Wandsworth, London , England, United Kingdom (from 1972-06 until 1973-06)
- recording of:
- Love, Reign O’er Me (from 1972-06 until 1973-06)
- lyricist and composer:
- Pete Townshend
- publisher:
- ABKCO Music, Inc. , Fabulous Music, Ltd. , Songs of Windswept Pacific, Suolubaf Music and Towser Tunes, Inc.
| | 5:55 |
14 | Squeeze Box | 4.2 | 2:44 |
15 | Who Are You | | 3:29 |
16 | You Better You Bet | 4 | 5:40 |
17 | Eminence Front | 4.5 | 5:43 |
18 | Real Good Looking Boy- recording engineer:
- Myles Clarke (from 2003 until 2004) and Bob Pridden (from 2003 until 2004)
- producer:
- Simon Townshend
- bass:
- Greg Lake (from 2003 until 2004)
- drums (drum set):
- Zak Starkey (from 2003 until 2004)
- guitar:
- Pete Townshend (from 2003 until 2004) and Simon Townshend (from 2003 until 2004)
- keyboard:
- Simon Townshend (from 2003 until 2004)
- piano:
- John "Rabbit" Bundrick (from 2003 until 2004)
- background vocals:
- Pete Townshend (from 2003 until 2004)
- vocals:
- Roger Daltrey (from 2003 until 2004)
- phonographic copyright (℗) by:
- Polydor Ltd. (UK) (in 2004)
- recorded at:
- Eel Pie Studios in London , England, United Kingdom (from 2003 until 2004)
- recording of:
- Real Good Looking Boy (from 2003 until 2004)
- writer:
- Luigi Creatore, Hugo Peretti, Pete Townshend and George David Weiss
- publisher:
- ABG EPE Gladys Music, BMG Rights Management (France) , BMG Rights Management GmbH , Cherry Lane Music Publishing Company Inc., Eel Pie Publishing Ltd., Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Julian Aberbach, Halit Music, Spirit Biela Songs, Spirit Catalogue Holdings, Spirit Services Holdings SARL, Towser Tunes, Inc., シンコーミュージック・エンタテイメント A事業部 and 日音 Synch事業部
| 3 | 5:44 |
19 | It’s Not Enough | 4 | 4:05 |