The Voice of Romance: The Columbia Original Album Collection

~ Uitgave van Johnny Mathis (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

▶cd 1: Johnny Mathis
▶cd 2: Wonderful Wonderful
▶cd 3: Warm
▶cd 4: Good Night, Dear Lord
▶cd 5: Swing Softly
▶cd 6: Merry Christmas
▶cd 7: Open Fire, Two Guitars
▶cd 8: Heavenly
▶cd 9: Faithfully
▶cd 10: The Ballads of Broadway
▶cd 11: The Rhythms of Broadway
▶cd 12: Johnny's Mood
▶cd 13: I'll Buy You a Star
▶cd 14: Live It Up!
▶cd 15: Rapture
▶cd 16: Johnny
▶cd 17: Romantically
▶cd 18: Up, Up and Away
▶cd 19: Love Is Blue
▶cd 20: Those Were the Days
▶cd 21: Johnny Mathis Sings the Music of Bert Kaempfert
▶cd 22: Love Theme from "Romeo And Juliet" (A Time for Us)
▶cd 23: Give Me Your Love for Christmas
▶cd 24: Raindrops Keep Fallin' on My Head
▶cd 25: Close to You
▶cd 26: Love Story
▶cd 27: You've Got a Friend
▶cd 28: Johnny Mathis in Person: Recorded Live at Las Vegas
▶cd 29: The First Time Ever (I Saw Your Face)
▶cd 30: Song Sung Blue
▶cd 31: Me and Mrs. Jones
▶cd 32: Killing Me Softly with Her Song
▶cd 33: I'm Coming Home
▶cd 34: The Heart of a Woman
▶cd 35: When Will I See You Again
▶cd 36: Feelings
▶cd 37: I Only Have Eyes for You
▶cd 38: Mathis Is...
▶cd 39: Hold Me, Thrill Me, Kiss Me
▶cd 40: You Light Up My Life
▶cd 41: That's What Friends Are For
▶cd 42: The Best Days of My Life
▶cd 43: Mathis Magic
▶cd 44: Different Kinda Different
▶cd 45: Friends in Love
▶cd 46: I Love My Lady
▶cd 47: A Special Part of Me
▶cd 48: Unforgettable – A Musical Tribute to Nat King Cole
▶cd 49: Live
▶cd 50: Right from the Heart
▶cd 51: The Hollywood Musicals
▶cd 52: Christmas Eve with Johnny Mathis
▶cd 53: Once in a While
▶cd 54: In the Still of the Night
▶cd 55: The Island
▼cd 56: In a Sentimental Mood: Mathis Sings Ellington
#TitelWaarderingDuur
1Overture - A Musical Tribute To Duke Ellington
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Byron Olson
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
?:??
2Lush Life
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Byron Olson
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Lush Life (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Billy Strayhorn (van 1933 tot 1938)
componist:
Gary Fuhrmann en Billy Strayhorn (van 1933 tot 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Reservoir Media Music, ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment) en Tempo Music Inc (vanaf 1949 tot nu)
deel van:
The Real Book (compilation of jazz standards, Volume I)
?:??
3Don't You Know I Care (Or Don't You Care to Know) / I Didn't Know About You
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
medley including a recording of:
Don't You Know I Care? (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Mack David (American lyricist and songwriter) (in 1944)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
medley including a recording of:
I Didn’t Know About You (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
is gebaseerd op:
Sentimental Lady
?:??
4Things Ain't What They Used To Be (Instrumental)
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
instrumentaal recording of:
Things Ain’t What They Used to Be (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Ted Persons
componist:
Mercer Ellington (in 1942)
?:??
5In A Sentimental Mood
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Byron Olson
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
In a Sentimental Mood (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Manny Kurtz en Irving Mills
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music en Sony/ATV Harmony
?:??
6What Am I Here For
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
What Am I Here For (van 1990-02-06 tot 1990-02-10)
componist:
Duke Ellington (US composer, pianist & jazz bandleader)
?:??
7I Got It Bad And That Ain't Good (Instrumental)
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
instrumentaal recording of:
I Got It Bad (and That Ain’t Good) (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Paul Francis Webster (in 1941)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
deel van:
The Real Book (compilation of jazz standards, Volume I)
?:??
8Something To Live For
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Byron Olson
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition) (van 1990-02-06 tot 1990-02-10)
tekstschrijver en componist:
Billy Strayhorn
?:??
9Solitude
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Byron Olson
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Solitude (for strings, Gould) (van 1990-02-06 tot 1990-02-10)
orkestrator:
Morton Gould (composer and conductor)
componist:
Duke Ellington (US composer, pianist & jazz bandleader)
arrangement van:
(In My) Solitude
?:??
10Perdido (Instrumental)
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Perdido (original instrumental version) (van 1990-02-06 tot 1990-02-10)
componist:
Juan Tizol
?:??
11Prelude to a Kiss
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
producent:
Mike Berniker
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc. (in 1990)
recording of:
Prelude to a Kiss (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Irving Gordon (US songwriter) (in 1938) en Irving Mills (in 1938)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. en Lafleur Music Ltd.
?:??
12In a Mellow Tone
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
In a Mellow Tone (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Milt Gabler (in 1939)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins
?:??
13Don't Get Around Much Anymore
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
cover recording of:
Don’t Get Around Much Anymore (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp., Sony/ATV Harmony, フジパシフィックミュージック SBK事業部 en ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
versie van:
Never No Lament
?:??
14Satin Doll (Instrumental)
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
instrumentaal recording of:
Satin Doll (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Johnny Mercer (in 1953)
aanvullend componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
componist:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc en WB Music Corp. (1929–2019)
?:??
15Come Sunday
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Come Sunday (van 1990-02-06 tot 1990-02-10)
componist:
Duke Ellington (US composer, pianist & jazz bandleader)
deel van:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
?:??
16Do Nothin' Till You Hear From Me
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Brad Dechter
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Do Nothin’ Till You Hear From Me (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) en Sony/ATV Harmony
versie van:
Concerto for Cootie
?:??
17Caravan (Instrumental)
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
instrumentaal recording of:
Caravan (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
Irving Mills (in 1937)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) en Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony en Lafleur Music Ltd. (vanaf 1995-12-12 tot nu)
?:??
18Day Dream
opgenomen in:
London (Greater London), England, Verenigd Koninkrijk (van 1990-02-06 tot 1990-02-10)
assisterend technicus:
Jerry O'Reardon
technicus:
Keith Grant (classical recording engineer)
piano:
Fred Hersch (van 1990-02-06 tot 1990-02-10)
vocalen:
Johnny Mathis (van 1990-02-06 tot 1990-02-10)
dirigent:
Harry Rabinowitz (van 1990-02-06 tot 1990-02-10)
remixer:
Tim Geelan
arrangeur:
Byron Olson
fonografisch auteursrecht (℗):
Jon Mat Records, Inc.
recording of:
Day Dream (van 1990-02-06 tot 1990-02-10)
tekstschrijver:
John Latouche (in 1941)
componist:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) en Billy Strayhorn (in 1941)
?:??
▶cd 57: Better Together: The Duet Album
▶cd 58: How Do You Keep the Music Playing?
▶cd 59: All About Love
▶cd 60: Because You Loved Me: The Songs of Diane Warren
▶cd 61: Mathis on Broadway
▶cd 62: The Christmas Album
▶cd 63: Isn't It Romantic: The Standards Album
▶cd 64: A Night to Remember
▶cd 65: Let It Be Me: Mathis in Nashville
▶cd 66: Sending You a Little Christmas
▶cd 67: Odds and Ends: That’s What Makes the Music Play
▶cd 68: Johnny Mathis Sings the Great New American Songbook

Relaties

Uitgave

ASIN:US: B071JQXPC7 [info]