Body Talk: Moonlit Nights

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Ooo Baby Baby
recording engineer:
Val Garay
producer:
Peter Asher
alto saxophone [alto sax]:
David Sanborn
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set) [drums]:
Russell Kunkel
electric guitar:
Dan Dugmore
piano:
Don Grolnick
background vocals:
Jim Gilstrap and John Lehman
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1978-05)
cover recording of:
Ooo Baby Baby
writer:
Warren “Pete” Moore and Smokey Robinson
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Linda Ronstadt53:19
2I Keep Forgettin’ (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
version of:
I Keep Forgettin’
Michael McDonald4.253:42
3James Ingram / Baby, Come to Me
Patti Austin3:38
4Hold On to the NightsRichard Marx4:38
5Until You Come Back to Me (That’s What I’m Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax, Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Sawandi Music and Stone Agate Music
Aretha Franklin4.353:27
6Dreams
assistant engineer:
Chris Morris (LA engineer & producer (late '70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham, Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. (holding: File NO Releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 9)
recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc. and Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.254:17
7Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4:53
8Bill Withers / Just the Two of UsGrover Washington, Jr.3.54:00
9Arthur’s Theme (Best That You Can Do)Christopher Cross3:57
10At This Moment
recording of:
At This Moment
lyricist and composer:
William P. McCord and Billy Vera
publisher:
Vera-Cruz Music Co and WB Music Corp. (1929–2019)
Billy Vera & The Beaters4:17
11I Don’t Have the Heart
James Ingram4:16
12Glory of Love
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント, ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Peter Cetera4:24
13My Eyes Adored YouFrankie Valli3:35
14When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54)
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:54
15Sad Eyes
Robert John3:34
16Don’t Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, MCA Music Ltd. and Snow Music
Linda Ronstadt & Aaron Neville33:36
17How Much I Feel
producer:
Freddie Piro
bass:
Joe Puerta
drums (drum set), percussion and background vocals:
Burleigh Drummond
guitar, keyboard and lead vocals:
David Pack
phonographic copyright (℗) by:
Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
lyricist and composer:
David Pack
publisher:
EMI Longitude Music
Ambrosia54:50
18I Honestly Love You
Olivia Newton‐John3:38

Credits

Release Group

part of:Body Talk (Time-Life Music) (number: 3) (order: 3)