Tour of Duty 2: More Golden Popclassics From the 60’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Matrix: EOD CDT 01 PHON 854.410-2 01$
Etched in inner ring: 1
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Anmerkung zuletzt geändert am 2022-07-18 10:29 UTC.

Titelliste

▼CD 1
Nr.TitelKünstlerBewertungLänge
1Light My Fire
Techniker(in) und Mix:
Bruce Botnick
Produzent(in):
Paul A. Rothchild
Gitarre:
Robby Krieger (American guitarist, member of The Doors) (in 1966-09)
Keyboard:
Ray Manzarek (in 1966-09)
Schlagzeug:
John Densmore (in 1966-09)
vocals:
Jim Morrison (lead vocalist of the Doors) (in 1966-09)
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1967), Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1967, in 2017), Elektra (1950–1989, revived 2009‐06‐01; read annotations before use) (in 1971) und Rhino Entertainment Company (not for release label use!) (in 2017)
engineered at:
Sunset Sound Recorders in Hollywood, Los Angeles, California, Vereinigte Staaten
Musikvideos:
Light My Fire von The Doors
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 35) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 310)
recording of:
Light My Fire (in 1966-09)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部
The Doors4.27:07
2Go Back
phonographic copyright (℗) by:
Elektra (1950–1989, revived 2009‐06‐01; read annotations before use) (in 1970)
recording of:
Go Back
Texter und Komponist(in):
Michael Fennelly
publisher:
Kluger Holland und Palace Music Holland
Crabby Appleton42:58
3Reach Out, I’ll Be There
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recording of:
Reach Out, I’ll Be There
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (vom 2021-07-01 bis heute)
Four Tops53:00
4Need Your Love So Bad
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
cover recording of:
Need Your Love So Bad
Texter und Komponist(in):
Mertis John Jr. (older brother of Little Willie John)
publisher:
Fort Knox Music Co und Peter Maurice Music Co.
Fleetwood Mac43:52
5Eve of Destruction
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.53:36
6I Was Made to Love Her
Produzent(in):
Henry Cosby
Bass:
James Jamerson (in 1967)
E-Sitars:
Eddie Willis (in 1967)
Instrumente:
The Funk Brothers (in 1967)
Mundharmonika und Sologesang:
Stevie Wonder (in 1967)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (in 1967)
recording of:
I Was Made to Love Her (in 1967)
Verfasser(in):
Henry Cosby, Lula Mae Hardaway, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽
Stevie Wonder4.652:34
7After Midnight
Produzent(in):
Delaney Bramlett
Bassgitarre:
Carl Radle
elektronische Orgel:
Bobby Whitlock
Gitarre:
Eric Clapton
Gitarre [rhythm guitar]:
Delaney Bramlett
Klavier:
Leon Russell
Saxophon:
Bobby Keys (American saxophonist)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Trompete:
Jim Price (horn session musician)
vocals:
Eric Clapton und Bobby Whitlock
arranger:
Delaney Bramlett
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1970), RSO Records Ltd. (in 1970) und Universal International Music B.V. (company, do not use as label) (in 1970)
cover recording of:
After Midnight
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部
Eric Clapton43:08
8For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield feat. Stephen Stills and Neil Young42:37
9Mr. Tambourine Man
Produzent(in):
Terry Melcher
Bass:
Chris Hillman
Gitarre:
David Crosby
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds)
zwölfsaitige Gitarre:
Jim McGuinn
vocals:
David Crosby, Chris Hillman und Jim McGuinn
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (in 1965)
Texter und Komponist(in):
Bob Dylan (vom 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (vom 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
Byrds4.252:17
10Summertime Blues
recorded in:
Hollywood, Los Angeles, California, Vereinigte Staaten (in 1967)
Produzent(in):
Abe Kesh
Bass und Sologesang:
Dickie Peterson (in 1967)
Gitarre:
Leigh Stephens (in 1967)
Schlagzeug:
Paul Whaley (in 1967)
phonographic copyright (℗) by:
Mercury Inc. (copyrights use only) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 63)
cover recording of:
Summertime Blues (in 1967)
Verfasser(in):
Jerry Capehart und Eddie Cochran
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Elvis Presley Music, Gladys Music, Hill and Range Songs, Inc., Rightsong Music, Viva Music, Inc und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
11Good Lovin’
Produzent(in):
Tom Dowd, Arif Mardin und The Rascals (US soul & rock group, formerly known as The Young Rascals)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recording of:
Good Lovin’
Verfasser(in):
Rudy Clark (songwriter) und Arthur Resnick (songwriter, producer)
publisher:
Alley Music Corp., Carlin Music Corporation, Hudson Bay Music und Trio Music Company
The Rascals42:31
12Mama Told Me (Not to Come)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
cover recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer-songwriter and score composer)
publisher:
January Music
recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer-songwriter and score composer)
publisher:
January Music
Three Dog Night4.653:19
13Layla
leitende(r) Produzent(in):
Tom Dowd
Produzent(in):
Derek and the Dominos
Bassgitarre:
Carl Radle (am 1970-09-09)
elektronische Orgel und Klavier:
Bobby Whitlock (am 1970-09-09)
Gitarre:
Duane Allman (am 1970-09-09) und Eric Clapton (am 1970-09-09)
Schlagzeug und Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1970-09-09)
Sologesang:
Eric Clapton (am 1970-09-09)
vocals:
Bobby Whitlock (am 1970-09-09)
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
RSO Records Ltd., London (in 1970) und Universal International Music B.V. (company, do not use as label) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-09-09)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 27) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 224)
recording of:
Layla (am 1970-09-09)
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部
Derek & the Dominos4.557:08
14A Natural Woman
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部
Aretha Franklin4.252:41
15Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
Verfasser(in):
Martin Quittenton und Rod Stewart
publisher:
Chappell Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), H. G. Music Inc, Rightsong Music Inc. und Unichappell Music, Inc.
Rod Stewart4.255:13
16The Game of Love
phonographic copyright (℗) by:
Phonogram Ltd. (in 1965)
recording of:
The Game of Love
Verfasser(in):
Clint Ballard, Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Skidmore Music
Wayne Fontana & The Mindbenders42:06
17Are You Ready?
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recording of:
Are You Ready?
Verfasser(in):
Charlie Allen (Pacific Gas & Electric vocalist) und John Hill (U.S. composer, producer, and songwriter)
publisher:
Hexagram Music und PG & E Music
Pacific Gas & Electric45:42
18When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-02-17)
Produzent(in):
Marlin Greene ('60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene ('60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54)
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Pronto Music, Inc. (publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell, Pronto Music (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:50
19To Love Somebody
Koproduzent(in):
Ossie Byrne
Produzent(in):
Robert Stigwood
Dirigent(in):
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1967), Maurice Gibb (in 1967) und Robin Gibb (in 1967)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (not for release label use!) (in 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1967) und RSO Records, Ltd. (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1967-04)
recording of:
To Love Somebody (in 1967-04)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. und Universal Music Careers
Teil von:
50/50
Bee Gees42:59
20I Feel Good (I Got You)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (am 1965-05-06) und Maceo Parker (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (am 1965-05-06)
Sologesang:
James Brown (“The Godfather of Soul”) (am 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.62:47
21Free Ride
Produzent(in):
Rick Derringer
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recording of:
Free Ride
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. (1989-07-24–present) und Silver Steed Music
Edgar Winter Group3:03
22(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (vom 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (vom 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (vom 1967-11-22 bis 1967-12-07) und Booker T. Jones (vom 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (vom 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (vom 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (vom 1967-11-22 bis 1967-12-07)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 38) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (vom 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division, Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
Otis Redding4.452:41

Nennungen

Veröffentlichung

mastering:Gert van Hoeyen
Zusammensteller:J. Groenewoud
design:MaCo/KKP (design studio)
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
vertrieben von:Phonogram B.V.
copyrighted (©) by:Magnum (Dutch Joint Venture from 1990-1997) (in 1991)
phonographic copyright (℗) by:PolyGram Nederland B.V. (in 1991)
vermarkted von:Magnum (Dutch Joint Venture from 1990-1997)
Stamm-Pressung von:CDT Berlin
mastered at:T‐Centre (mastering studio) in Baarn, Utrecht, Niederlande, Kingdom of the Netherlands
gepresst bei:Europe Optical Disc in Tilburg, Noord-Brabant, Niederlande, Kingdom of the Netherlands
Discogs:https://www.discogs.com/release/719308 [Info]
ASIN:DE: B007CJXE5U [Info]

Veröffentlichungsgruppe

Teil von:Tour of Duty (Nummer: 2) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/60997 [Info]