Now That’s What I Call the 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
CD 3
#TitleArtistRatingLength
1Angel Eyes (Home and Away)
recording of:
Angel Eyes (Home & Away)
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
Wet Wet Wet34:32
2Alone
assistant engineer:
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll and Toby Wright (producer & engineer)
engineer and producer:
Ron Nevison
bass guitar:
Mark Andes
drums (drum set):
Denny Carmassi
guitar:
Howard Leese
background vocals:
Howard Leese and Nancy Wilson (guitarist/singer of “Heart”)
lead vocals:
Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
music videos:
Alone by Heart
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, Billy Steinberg Music (from 1983 to present) and Denise Barry Music (from 1983 to present)
Heart3.53:39
3Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
composer:
Mark Lettieri
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Virgin Music (Publishers) Ltd., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears3.94:07
4The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios in Manhattan, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:53
5Crazy Crazy Nights
producer:
Ron Nevison
mixer:
Ron Nevison (from 1987-06 until 1987-07)
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987)
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California, United States (from 1987-06 until 1987-07)
recording of:
Crazy Crazy Nights
writer:
Adam Mitchell (Scottish-Canadian songwriter) and Paul Stanley (KISS frontman)
publisher:
Hori Productions America Inc., Piccadilly Music Corporation, ソニー・ミュージックパブリッシング A事業部 and 大洋音楽
KISS4.153:44
6Here I Go Again ’87
drums (drum set):
Denny Carmassi
guitar:
Dann Huff
keyboard and keyboard bass:
Bill Cuomo
background vocals:
Tommy Funderburk
vocals:
David Coverdale
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1994)
produced for:
Pogologo Productions
recording of:
Here I Go Again
writer:
David Coverdale and Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (ended), EMI Music Publishing (WP) Ltd., Seabreeze Music Ltd., Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), Windswept Pacific Music Ltd., WB Music Corp. (1929–2019) (until 2019-05-28), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), WC Music Corp. (from 2019-05-28 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Whitesnake4.353:53
7The Best
engineer:
Chris Lord‐Alge
producer:
Dan Hartman and Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
music videos:
The Best by Tina Turner
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:08
8Addicted to Love
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer-songwriter)
publisher:
Heavy Nova Music, Island Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Robert Palmer44:16
9Modern Love
assistant engineer:
Dave Greenberg (US engineer Sonopod/Boomtown)
engineer and mixer:
Bob Clearmountain
producer:
David Bowie and Nile Rodgers
assistant mixer:
David Bowie and Nile Rodgers
baritone saxophone:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (from 1983-01-03 until 1983-01-20)
bass:
Carmine Rojas (from 1983-01-03 until 1983-01-20)
drums (drum set):
Omar Hakim (from 1983-01-03 until 1983-01-20)
guitar:
Nile Rodgers (from 1983-01-03 until 1983-01-20)
piano:
Rob Sabino (from 1983-01-03 until 1983-01-20)
tenor saxophone:
Robert Aaron (from 1983-01-03 until 1983-01-20) and Stan Harrison (from 1983-01-03 until 1983-01-20)
trumpet:
Mac Gollehon (from 1983-01-03 until 1983-01-20)
background vocals:
Frank Simms (from 1983-01-03 until 1983-01-20), George Simms (from 1983-01-03 until 1983-01-20) and David Spinner (from 1983-01-03 until 1983-01-20)
lead vocals:
David Bowie (from 1983-01-03 until 1983-01-20)
horn arranger:
David Bowie and Nile Rodgers
recorded at:
Power Station Studios in Manhattan, New York, New York, United States (from 1983-01-03 until 1983-01-20)
recording of:
Modern Love (from 1983-01-03 until 1983-01-20)
lyricist and composer:
David Bowie
publisher:
Jones Music America and RZO Music Ltd
David Bowie4.354:47
10The Whole of the Moon
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.55:01
11Mary’s Prayer
performer:
Danny Wilson (Scottish pop group) (in 1987)
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer. Ex-Danny Wilson, Ex-Transister, Ex-King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Danny Wilson33:45
12Kiss Me
recording of:
Kiss Me
lyricist and composer:
Stephen Duffy
publisher:
EMI Music Ltd. (in 1985)
Stephen Duffy33:31
13Waiting for a Train
recording of:
Waiting for a Train
lyricist and composer:
Harry Vanda and George Young (Australian musician and producer)
Flash and the Pan3:43
14Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding - file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 60) and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008-today), EMI Music Publishing Ltd. (PRS-affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works)
Kate Bush44:57
15Alive and Kicking
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and EMI Publishing Ltd.
Simple Minds4:32
16Higher Love
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
Steve Winwood54:05
17Breakout
recording of:
Breakout
writer:
Andy Connell (in 1986), Corinne Drewery (in 1986) and Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Virgin Music Publishers and Virgin 10 Music Ltd.
Swing Out Sister3:37
18You Keep It All In
additional membranophone programming:
Mel Wesson
engineer:
Ian Grimble and Dave Meegan (producer)
producer:
Mike Hedges (UK producer/recording engineer)
bass guitar:
Sean Welch
drums (drum set):
David Stead
flugelhorn and trumpet:
John Thirkell
flute and saxophone:
Gary Barnacle
guitar:
Dave Rotheray
keyboard:
Mel Wesson
keyboard and piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
percussion:
Martin Ditcham
trombone:
Peter Thoms (trombone)
phonographic copyright (℗) by:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
You Keep It All In
lyricist:
Paul Heaton
composer:
Paul Heaton and Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South3.352:53
19HourglassSqueeze3.653:12
20Axel F
producer:
Harold Faltermeyer
synthesizer:
William Goldstein
arranger:
Louis Febre, William Goldstein and Peter Rotter (score composer)
phonographic copyright (℗) by:
Geffen Records (in 1984)
recorded at:
New Gold Studios in Los Angeles, California, United States (from 1988-02-01 until 1988-07-15)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer43:01

Credits

Release

ASIN:UK: B000VQQYKI [info]

Release Group

Wikidata:Q7065817 [info]