Tracklist

CD 1: Chairman Of The Board
CD 2: Sing Along With Basie
#TitleRatingLength
1Jumpin' At The Woodside
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
version of:
Jumpin’ at the Woodside (original instrumental)
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2Goin' To Chicago Blues
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
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3Tickle Toe
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Tickle Toe
composer:
Lester Young (saxophonist)
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4Let Me See
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Let Me See
composer:
Count Basie (pianist) and Harry “Sweets” Edison
?:??
5Every Tub
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Every Tub
writer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
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6Shorty George
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Shorty George (Basie/Gibson)
composer:
Count Basie (pianist) and Andy Gibson (trumpet, arranger, composer)
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7Rusty Dusty Blues
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
?:??
8The King
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
The King
lyricist:
Jon Hendricks
composer:
Count Basie (pianist)
?:??
9Swingin' The Blues
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Swingin’ the Blues
composer:
Count Basie (pianist) (in 1938) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1938)
?:??
10Li'L' Darlin'
engineered in:
New York, New York, United States (from 1958-05-26 until 1958-09-03)
producer:
Teddy Reig
vocals:
Jon Hendricks (from 1958-05-26 until 1958-09-03), Dave Lambert (Jazz vocalist) (from 1958-05-26 until 1958-09-03), Annie Ross (from 1958-05-26 until 1958-09-03) and Joe Williams (US jazz vocalist) (from 1958-05-26 until 1958-09-03)
performer:
Count Basie Band (from 1958-05-26 until 1958-09-03)
recording of:
Lil’ Darlin’
composer and arranger:
Neal Hefti
?:??
11Jumpin' At The Woodside
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1956-09-07)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
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12Shiny Stockings
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Shiny Stockings (original 1955 instrumental composition) (on 1956-09-07)
composer:
Frank Foster (saxophonist) (in 1955)
?:??
13How High The Moon
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
instrumental recording of:
How High the Moon (on 1956-09-07)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
?:??
14Nails
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Nails (on 1956-09-07)
composer:
Buster Harding
?:??
15Flute Juice
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
?:??
16One O' Clock Jump
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
One O’Clock Jump (on 1956-09-07)
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
?:??
17Well Alright, Okay, You Win
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
instrumental recording of:
Alright, Okay, You Win (on 1956-09-07)
writer:
Mayme Watts and Sid Wyche
?:??
18Roll'Em Pete
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Roll ’em Pete (on 1956-09-07)
writer:
Pete Johnson (US Boogie-woogie pianist) and Big Joe Turner
?:??
19The Comeback
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
The Comeback
composer:
Charles Frazier and Memphis Slim
?:??
20Blues Backstage
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Blues Backstage
composer:
Frank Foster (saxophonist)
publisher:
Lynnstorm Publ. Co.
?:??
21Corner Pocket
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
recording of:
Corner Pocket (on 1956-09-07)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
?:??
22Blee Blop Blues
recorded in:
Gothenburg, Västra Götaland, Sweden (on 1956-09-07)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-09-07)
baritone saxophone:
Charlie Fowlkes (on 1956-09-07)
bass:
Eddie Jones (US jazz double bassist) (on 1956-09-07)
drums (drum set):
Sonny Payne (on 1956-09-07)
guitar:
Freddie Greene (on 1956-09-07)
piano:
Count Basie (pianist) (on 1956-09-07)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-09-07) and Frank Wess (on 1956-09-07)
trombone:
Henry Coker (on 1956-09-07), Matthew Gee (jazz trombonist) (on 1956-09-07) and Benny Powell (on 1956-09-07)
trumpet:
Wendell Culley (on 1956-09-07), Reunald Jones (on 1956-09-07), Thad Jones (on 1956-09-07) and Joe Newman (US jazz trumpeter) (on 1956-09-07)
instrumental recording of:
Blee Blop Blues (on 1956-09-07)
lyricist:
Jon Hendricks
composer:
Count Basie (pianist) and A.K. Salim
?:??