Die kompletten Werke, Volume 1: Kantaten, BWV 1-10, 12, 13

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

CD1 Aufnahme: Gedächtniskirche Stuttgart. Februar/April 1980 (BWV 1, 3); Februar 1987 (BWV 2)
CD2 Aufnahme: Gedächtniskirche Stuttgart. Februar/Oktober 1979 (BWV 5); Dezember 1980 (BWV 4, 6)
CD3 Aufnahme: Gedächtniskirche Stuttgart. Februar 1979 (BWV 7); Februar/Oktober 1979 (BWV 8); Februar 1984 (BWV 9)
CD4 Aufnahme: Gedächtniskirche Stuttgart. Februar 1972 (BWV 12); Februar 1979 (BWV 10); März/November 1981 (BWV 13)

Annotation last modified on 2014-06-21 22:00 UTC.

Tracklist

▶CD 1: Kantaten BWV 1-3
▶CD 2: Kantaten BWV 4-6
▶CD 3: Kantaten BWV 7-9
▼CD 4: Kantaten BWV 10, 12, 13
#TitleArtistRatingLength
1Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren"
choir vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:55
2Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist"
soprano vocals:
Arleen Augér (soprano) (in 1979-02)
vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach6:47
3Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu"
tenor vocals:
Aldo Baldin (tenor) (in 1979-02)
vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:31
4Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl"
bass vocals:
Wolfgang Schöne (bass-baritone) (in 1979-02)
vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:59
5Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit"
alto vocals:
Margit Neubauer (mezzo-soprano) (in 1979-02)
tenor vocals:
Aldo Baldin (tenor) (in 1979-02)
vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:00
6Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten"
tenor vocals:
Aldo Baldin (tenor) (in 1979-02)
vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:16
7Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn"
choir vocals:
Gächinger Kantorei Stuttgart (in 1979-02)
orchestra:
Bach‐Collegium Stuttgart (in 1979-02)
conductor:
Helmuth Rilling (conductor) (in 1979-02)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1979-02)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:10
8Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:45
9Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach7:35
10Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:46
11Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:42
12Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:47
13Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 1972-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach4:50
14Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1972-02)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 1972-02)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:00
15Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen" (from 1981-03 until 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach6:17
16Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" (from 1981-03 until 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:26
17Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen"
alto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen" (from 1981-03 until 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1636)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach3:05
18Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu" (from 1981-03 until 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:31
19Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (from 1981-03 until 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach6:25
20Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1981-03 until 1981-11)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele" (from 1981-03 until 1981-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Fleming (poet) (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 295)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:04