Carmina Burana

~ Release by Carl Orff; Richard Cooke (see all versions of this release, 4 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Carmina Burana: O Fortuna producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:32
2	Carmina Burana: Fortune plango vulnera producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: Fortune plango vulnera (Poem, CB 16) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		2:43
3	Carmina Burana: Veris leta facies producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: I. Primo vere: III. Veris leta facies (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		4:01
4	Carmina Burana: Omnia sol temperat producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		1:59
5	Carmina Burana: Ecce gratum producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: I. Primo vere: V. Ecce gratum (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: I. Primo Vere	Carl Orff		2:28
6	Carmina Burana: Tanz producer: Oliver Davis and Matthew Dilley orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Uf dem Anger: VI. Tanz (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		1:44
7	Carmina Burana: Floret silva producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		3:26
8	Carmina Burana: Chramer gip die varwe mir producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		3:43
9	Carmina Burana: Rele swaz hie gat umbe chume, chum geselle min producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		5:15
10	Carmina Burana: Were diu weritalle min producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Uf dem Anger	Carl Orff		0:54
11	Carmina Burana: Estuans interius producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: II. In Taberna: XI. Estuans interius (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		2:25
12	Carmina Burana: Olim lacus colueram producer: Oliver Davis and Matthew Dilley solo tenor vocals: John Graham Hall (tenor) (from 1995-10 until 1997-07) vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: II. In Taberna: XII. Olim lacus colueram (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		3:23
13	Carmina Burana: Ego sum abbas producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) (from 1995-10 until 1997-07) vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: II. In Taberna: XIII. Ego sum abbas (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		1:45
14	Carmina Burana: In taberna quando sumus producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: II. In Taberna	Carl Orff		3:03
15	Carmina Burana: Amor volat undique producer: Oliver Davis and Matthew Dilley solo soprano vocals: Ann Archibald (classical soprano) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XV. Amor volat undique composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		1:53
16	Carmina Burana: Dies, nox et omnia producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		1:45
17	Carmina Burana: Stetit puella producer: Oliver Davis and Matthew Dilley solo soprano vocals: Ann Archibald (classical soprano) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XVII. Stetit puella composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:19
18	Carmina Burana: Circa mea pectora producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		1:55
19	Carmina Burana: Si puer cum puellula producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:12
20	Carmina Burana: Veni, veni, venias producer: Oliver Davis and Matthew Dilley orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		0:55
21	Carmina Burana: In trutina producer: Oliver Davis and Matthew Dilley solo soprano vocals: Ann Archibald (classical soprano) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		0:59
22	Carmina Burana: Tempus est locundum producer: Oliver Davis and Matthew Dilley solo baritone vocals: Peter Sidhom (baritone) solo soprano vocals: Ann Archibald (classical soprano) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:13
23	Carmina Burana: Dulcissime producer: Oliver Davis and Matthew Dilley solo soprano vocals: Ann Archibald (classical soprano) orchestra: Royal Philharmonic Orchestra conductor: Richard Cooke (chorus master/conductor) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recording of: Carmina Burana: III. Cour d’amours: XXIII. Dulcissime composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: III. Cour d’amours	Carl Orff		2:59
24	Carmina Burana: Ave formossima producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis	Carl Orff		1:59
25	Carmina Burana: O Fortuna producer: Oliver Davis and Matthew Dilley vocals: Royal Choral Society (from 1995-10 until 1997-07) orchestra: Royal Philharmonic Orchestra (from 1995-10 until 1997-07) conductor: Richard Cooke (chorus master/conductor) (from 1995-10 until 1997-07) balance engineer: Simon Rhodes (senior recording engineer at Abbey Road Studios) and Michael Sheady (engineer) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1995-10 until 1997-07) recording of: Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (from 1995-10 until 1997-07) composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) part of: Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis	Carl Orff		2:33

Carmina Burana

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