80s Mixtape: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Don’t You Want Me
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth))
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
The Human League43:54
2The Look of Love, Part One
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
SARM Studios in London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (The American arm of Virgin's publishing company)
ABC4.13:27
3Heart of Glass
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
version of:
Once I Had a Love
Blondie4:05
4The Breaks
recording of:
The Breaks
writer:
James B. Moore (producer, composer), Kurtis Walker, Lawrence Smith (US hip hop producer), Robert Arthur Ford, Jr. (hip hop writer and producer) and Russell W. Simmons
publisher:
Neutral Gray Music
Kurtis Blow4:40
5Pull Up to the Bumper
producer:
Chris Blackwell (Island Records) and Alex Sadkin
recording of:
Pull Up to the Bumper
writer:
Lowell “Sly” Dunbar, Grace Jones, Dana Manno and Robert “Robbie” Shakespeare
Grace Jones4:32
6Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (Member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; also referred to as Zang Tumb Tuum or Zang Tuum Tumb) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
recording of:
Relax
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd.
music quoted on:
Mope
Frankie Goes to Hollywood3.953:54
7Addicted to Love
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer-songwriter)
publisher:
Heavy Nova Music, Island Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Robert Palmer44:18
8Fade to Grey
producer:
Midge Ure and Visage (New Romantic band from London)
arranger:
Visage (New Romantic band from London)
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Island Music Ltd.
Visage4.653:48
9Just Like Heaven
producer:
David M. Allen (UK producer/engineer/remixer (mainly new-wave/synth-pop/goth)) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
mixer:
Bob Clearmountain
drums (drum set) and percussion:
Boris Williams
electric bass guitar:
Simon Gallup
electric guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson and Laurence Tolhurst
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
part of:
Indie 88: Top 500 Indie Rock Songs (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 108) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 483)
recording of:
Just Like Heaven
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Laurence Tolhurst and Boris Williams
The Cure4.43:29
10White Wedding
assistant engineer:
Steve Bates
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer-songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer-songwriter)
arranger:
Billy Idol (English rock singer-songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer-songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd. and Rare Blue Music Inc
Billy Idol4.84:08
11Do You Really Want to Hurt Me
engineer and producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
membranophone and percussion:
Jon Moss
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1982)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
Culture Club3.94:20
12Steppin’ Out
recording of:
Steppin’ Out
dedicated to:
New York, New York, United States
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson3:43
13Give It Up
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Give It Up
writer:
Deborah Carter (writer, backing vocalist) and Harry Wayne Casey
publisher:
EMI Songs Ltd.
KC & the Sunshine Band4.354:00
14Word Up!
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo4:16
15White Lines (Don’t Don’t Do It)
producer:
J. Chase and Sylvia Robinson
mixer:
Shameek
edit of:
White Lines (Don’t Do It) by Grandmaster Flash & Melle Mel
recording of:
White Lines (Don’t Don’t Do It)
writer:
Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
Four Hills Music Ltd and IQ Music Ltd.
is based on:
Cavern
Grandmaster Flash & Melle Mel34:27
16Ain’t Nothin’ Goin’ on but the Rent
recording of:
Ain’t Nothin’ Goin’ on but the Rent
writer:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:23
17Oh Yeah
recording of:
Oh Yeah
lyricist:
Dieter Meier (member of Yello)
composer:
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. and Neue Welt (in 1985)
Yello43:03
18Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (English guitarist from A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc.
A Flock of Seagulls4:09
19Temptation
producer:
B.E.F. and Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
orchestrator:
John Wesley Barker (Synthesizer player)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use!) (in 1983)
recording of:
Temptation
writer:
Glenn Gregory, Ian Craig Marsh and Martyn Ware
publisher:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.653:32
2099 Red Balloons
producer:
Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) and Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, for releases between 2005/03/09–2009/01/14) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
EMI Songs Ltd.
translated version of:
99 Luftballons
recording of:
99 Luftballons
lyricist:
Carlo Karges (in 1982)
composer:
Uwe Fahrenkrog-Petersen (in 1982)
Nena3.753:49
▶CD 2
▶CD 3
▶CD 4
▶CD 5

Credits

Release Group

part of:The Ultimate Collection (Union Square Music, "100 Hits") (order: 1)