Here's to My Lady

~ Release by Phil Woods (see all versions of this release, 3 available)

Tracklist

▼Hybrid SACD (CD layer) 1
#TitleRatingLength
1Superette
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
3:57
2Johnny Hodges
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
5:36
3Another Love Song
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
6:08
4Canadian Sunset
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
instrumental recording of:
Canadian Sunset (from 1988-12-20 until 1988-12-21)
lyricist:
Norman Gimbel
composer:
Eddie Heywood (pianist, composer and bandleader)
publisher:
Chappell-Morris Ltd. and Meridian Music
4:47
5Charles Christopher
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
4:54
6Butter
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Butter (from 1988-12-20 until 1988-12-21)
composer:
Jerry Dodgion
5:44
7Visions of Gaudi
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Visions of Gaudi (in 1988-12)
composer:
Tom Harrell
5:31
8Yours Is My Heart Alone
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
instrumental recording of:
Yours Is My Heart Alone (from “The Land of Smiles”, Harry B. Smith translation, 1940) (from 1988-12-20 until 1988-12-21)
composer:
Franz Lehár (composer)
librettist:
Ludwig Herzer and Fritz Löhner-Beda
translator:
Harry B. Smith
publisher:
Glocken Verlag Ltd.
translated version of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
part of:
The Land of Smiles
5:17
9Blue and Sentimental
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Blue and Sentimental (from 1988-12-20 until 1988-12-21)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
5:06
10Origins
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
3:38
11Here's to My Lady
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
instrumental recording of:
Here's to My Lady (from 1988-12-20 until 1988-12-21)
lyricist:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
4:53
12Waltz for Debby
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Waltz for Debby (instrumental) (from 1988-12-20 until 1988-12-21)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:18
13Just Us
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Just Us (in 1988-12)
composer:
Hal Galper
4:48
▶Hybrid SACD (SACD layer, 2 channels) 2
▶Hybrid SACD (SACD layer, multichannel) 3