The Collection

~ Release by Norah Jones (see all versions of this release, 1 available)

Annotation

Norah Jones The Collection on Limited Edition 6 x Hybrid SACD Box Set

Set includes Five Individual Titles plus Exclusive Bonus Album of Cover Classics on Hybrid SACD!

All Mastered from the Original Sources by Kevin Gray at Cohearant Audio!

Norah Jones is the rare artist who has combined widespread critical acclaim with immense commercial success, winning nine Grammy Awards and selling 40 million albums in just a decade, while collaborating with artists from across the spectrum from jazz to hip hop, rock to country! Her pitch perfect voice combined with her choice of the finest musicians along with top-flight producers such as Arif Mardin, Danger Mouse and Jacquire King have made her releases go-to demonstration discs for audiophile stereo systems.

Now ten years into her already impressive career, she is releasing her fifth studio album Little Broken Hearts, produced by and co-written with five-time Producer of the Year Grammy nominee Danger Mouse, and to celebrate, Blue Note Records and Analogue Productions are collaborating to re-issue her entire catalog on limited edition audiophile 200g LP and Hybrid SACD editions.

The Hybrid SACD editions of the five albums, 2002's Come Away With Me, 2004's Feels Like Home, 2007's Not Too Late, 2009's The Fall and Norah's new album Little Broken Hearts, have all been re-mastered from the original sources by Kevin Gray at Cohearant Audio.

In addition to the individual releases, Analogue and Blue Note will produce a limited edition SACD box set comprising all five titles plus an exclusive bonus album titled Covers. Only available as part of these sets, Covers includes ten rare or unreleased interpretations of classics recorded throughout Norah's career. Artists covered include Bob Dylan, Johnny Cash, Tom Waits, Horace Silver, Wilco and more. The box set will be wrapped in a textured paper that feels like linen.

Features:
Limited Edition 6 x Hybrid SACD Box Set
Five individual titles plus exclusive bonus album of cover classics
Re-mastered from the original source by Kevin Gray at Cohearant Audio
Each album features original artwork and booklets
Set housed in a deluxe textured-paper sturdy box that feels like linen
Hybrid SACDs playable on ALL CD players

Annotation last modified on 2015-01-06 23:08 UTC.

Tracklist

Hybrid SACD 1: Come Away With Me
Hybrid SACD 2: Feels Like Home
Hybrid SACD 3: Not Too Late
#TitleRatingLength
1Wish I Could
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
cello [bowed cello]:
Jeffrey Zeigler (cellist - Kronos Quartet, Corigliano Quartet)
cello [pizzicato cello]:
Julia Kent (cellist)
lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wish I Could
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.654:18
2Sinkin’ Soon
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
banjitar [guitJo]:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set), friction drum [pots], slit drum and steelpan [pans]:
Andrew Borger
mandolin:
Kevin Breit
piano and lead vocals [vocals]:
Norah Jones
trombone:
J. Walter Hawkes
vocals:
Daru Oda and M. Ward
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Sinkin' Soon
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
4.654:38
3The Sun Doesn’t Like You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
chamberlin [chamberlin keyboards]:
Paul Bryan (Los Angeles-based musician)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
The Sun Doesn't Like You
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
2.552:59
4Until the End
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Until the End
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.653:56
5Not My Friend
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris
bass:
Lee Alexander (US bassist, songwriter & producer)
cymbal and marimba:
Andrew Borger
electric guitar [backwards electric guitar]:
Adam Levy (jazz guitarist)
piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not My Friend
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
3.52:54
6Thinking About You
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Tony Mason (60s US soul vocalist)
Hammond organ [Hammond B-3 organ]:
Devin Greenwood
tenor saxophone:
Rob Sudduth
trumpet:
Chuck MacKinnon
Wurlitzer electric piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Thinking About You
lyricist and composer:
İlhan Erşahin and Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Muthajones Music and Tatu Music
4.353:20
7Broken
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
cello [outro cellos]:
Julia Kent (cellist)
cello [pizzicato] and double bass [bowed basses]:
Lee Alexander (US bassist, songwriter & producer)
electric guitar and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Broken
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
43:21
8My Dear Country
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
Hammond organ [Hammond B-3 organ]:
Larry Goldings
piano and lead vocals [vocals]:
Norah Jones
tenor saxophone:
Bill McHenry
trombone [trombones]:
J. Walter Hawkes
tuba:
Jose Davila (tuba, trombone)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
My Dear Country
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
43:25
9Wake Me Up
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and reed organ [pump organ] and lead vocals [vocals]:
Norah Jones
bass and lap steel guitar [lap steel]:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Wake Me Up
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
42:46
10Be My Somebody
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Tony Scherr
Hammond organ [Hammond B-3 organ]:
Larry Goldings
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Richard Julian
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Be My Somebody
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
3.53:36
11Little Room
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
acoustic guitar and lead vocals [vocals]:
Norah Jones
bass:
Lee Alexander (US bassist, songwriter & producer)
whistle:
Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Little Room
lyricist and composer:
Norah Jones
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Muthajones Music
32:44
12Rosie’s Lullaby
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
electric guitar:
Adam Levy (jazz guitarist)
solo electric guitar:
Robbie McIntosh (English guitarist for The Pretenders)
Wurlitzer electric piano [Wurlitzer] and lead vocals [vocals]:
Norah Jones
vocals:
Adam Levy (jazz guitarist) and Daru Oda
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Rosie's Lullaby
lyricist and composer:
Norah Jones and Daru Oda
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Honk Shoo Music and Muthajones Music
43:56
13Not Too Late
recording engineer and engineer:
Tom Schick
artist & repertoire support:
Keith Karwelies (management) and Eli Wolf
assistant engineer:
Yohei Goto
producer:
Lee Alexander (US bassist, songwriter & producer)
mixer:
Lee Alexander (US bassist, songwriter & producer) and Tom Schick
creative direction:
Gordon H Jee
bass:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Andrew Borger
mellotron and piano and lead vocals [vocals]:
Norah Jones
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint "Blue Note") (in 2006)
recorded at:
Brooklyn Recording in Brooklyn, New York, New York, United States and The Coop in New York, New York, United States
mixed at:
The Coop in New York, New York, United States
recording of:
Not Too Late
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
publisher:
EMI Black Music (publisher; do NOT use as release label), EMI Blackwood Music Inc. (1989-07-24–present), Fumblethumbs Music and Muthajones Music
3.53:31
Hybrid SACD 4: The Fall
Hybrid SACD 5: …Little Broken Hearts
Hybrid SACD 6: Covers