Gershwin 100

~ Release by Matt Catingub (see all versions of this release, 1 available)

Annotation

instrumental arrangements, alto sax, and piano (except perhaps for 9, 12) by Matt Catingub

Annotation last modified on 2014-01-21 07:30 UTC.

Tracklist

▼CD 1
#	Title	Rating	Length
1	Blues for Mr. G. recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States		5:16
2	I Got Rhythm recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: I Got Rhythm (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1930) composer: George Gershwin (composer) (in 1930) publisher: Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930) part of: An American in Paris (2015 Broadway musical) part of: Crazy for You (1992 musical) part of: Girl Crazy (1930 Musical) part of: When the Boys Meet the Girls (1965 film)		4:04
3	They Can't Take That Away From Me recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: They Can’t Take That Away From Me (from “Shall We Dance”) (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1937) composer: George Gershwin (composer) (in 1937) publisher: Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937) part of: An American in Paris (2015 Broadway musical) part of: Crazy for You (1992 musical) part of: Shall We Dance (1937 film soundtrack)		5:20
4	Soon recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: Matt Catingub (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub vocals arranger: Earl Brown (composer and arranger) recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: Soon (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1927) composer: George Gershwin (composer) (in 1927) publisher: New World Music Corp. (in 1929) part of: My One and Only (1983 Broadway Musical) part of: Strike up the Band (1927 Gershwin musical)		2:30
5	I've Got a Crush on You recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: Rosemary Clooney (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: I’ve Got a Crush on You (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1928) composer: George Gershwin (composer) (in 1928) publisher: New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) part of: Treasure Girl (1928 musical)		4:54
6	Summertime recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: Summertime (American songbook standard from 1935 opera Porgy and Bess) (from 1997-09-08 until 1997-09-11) lyricist: Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) lyrics quoted on: Doin’ Time version of: Porgy and Bess: Act I, Scene I. “Summertime” (Clara)		3:16
7	Your Eyes! Your Smile! recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States		3:53
8	Fascinating Rhythm recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: Matt Catingub (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub vocals arranger: Earl Brown (composer and arranger) recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: Fascinating Rhythm (for piano solo) (from 1997-09-08 until 1997-09-11) composer: George Gershwin (composer) (in 1924) arranger: George Gershwin (composer) arrangement of: Fascinatin’ Rhythm part of: George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)		3:30
9	Home Blues recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Michael Feinstein (from 1997-09-08 until 1997-09-11) and Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: Michael Feinstein (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States recording of: Home Blues (theme in "An American in Paris") (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1929) and Gus Kahn (in 1929) composer: George Gershwin (composer) (in 1928)		5:49
10	But Not for Me recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: But Not for Me (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1930) composer: George Gershwin (composer) (in 1930) publisher: WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present) sub-publisher: ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 part of: An American in Paris (2015 Broadway musical) part of: Crazy for You (1992 musical) part of: Girl Crazy (1930 Musical) part of: When the Boys Meet the Girls (1965 film)		5:33
11	Lady Be Good recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) guitar: John Pizzarelli (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: John Pizzarelli (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub vocals arranger: Earl Brown (composer and arranger) recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: Lady, Be Good (full musical) (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin composer: George Gershwin (composer) librettist: Guy Bolton and Fred Thompson (English librettist)		4:18
12	Slap That Bass recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Michael Feinstein (from 1997-09-08 until 1997-09-11) and Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: Michael Feinstein (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: Slap That Bass (from “Shall We Dance”) (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1937) composer: George Gershwin (composer) (in 1937) publisher: Gershwin Publishing Corp (in 1937) part of: Crazy for You (1992 musical) part of: Shall We Dance (1937 film soundtrack)		3:08
13	How Long Has This Been Goin' On? recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: How Long Has This Been Going On? (Funny Face, 1957 film) (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1928) composer: George Gershwin (composer) (in 1928) publisher: New World Music Co. (in 1927) part of: My One and Only (1983 Broadway Musical) part of: Rosalie		4:51
14	The Man I Love recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) drums (drum set): Louie Bellson (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States instrumental recording of: The Man I Love (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin (in 1924) composer: George Gershwin (composer) (in 1924) publisher: New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present) part of: An American in Paris (2015 Broadway musical) part of: Lady, Be Good (full musical) part of: New York, New York (soundtrack of the 1977 film)		4:47
15	There's a Boat That's Leavin' Soon for New York recording engineer: Leslie Ann Jones (recording engineer) (from 1997-09-08 until 1997-09-11) assistant engineer: Stephanie Glyden and Stephanie Gylden (engineer) engineer and mixer: Leslie Ann Jones (recording engineer) producer: Earl Brown (composer and arranger), Matt Catingub, Leslie Ann Jones (recording engineer) and Allen Sviridoff assistant mixer: Bob Levy bass: Kevin Axt (from 1997-09-08 until 1997-09-11) percussion: Kevin Winard (percussionist) (from 1997-09-08 until 1997-09-11) piano: Tom Garvin (from 1997-09-08 until 1997-09-11) saxophone: Albert Alva (saxophonist) (from 1997-09-08 until 1997-09-11), Gary Foster (woodwind instrumentalist) (from 1997-09-08 until 1997-09-11), Rusty Higgins (from 1997-09-08 until 1997-09-11), Sal Lozano (saxophonist) (from 1997-09-08 until 1997-09-11) and Don Shelton (clarinetist, flutist, alto saxophonist and jazz vocalist) (from 1997-09-08 until 1997-09-11) trombone: Andy Martin (jazz trombonist) (from 1997-09-08 until 1997-09-11), Bob McChesney (from 1997-09-08 until 1997-09-11) and Chauncey Welsch (from 1997-09-08 until 1997-09-11) trumpet: Wayne Bergeron (from 1997-09-08 until 1997-09-11), George Graham (trumpet) (from 1997-09-08 until 1997-09-11), Steve Huffsteter (from 1997-09-08 until 1997-09-11) and Frank Szabo (from 1997-09-08 until 1997-09-11) vocals: Matt Catingub (from 1997-09-08 until 1997-09-11) arranger: Matt Catingub vocals arranger: Earl Brown (composer and arranger) recorded at: Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1997-09-08 until 1997-09-11) mixed at: Skywalker Sound in Nicasio, California, United States cover recording of: Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (from 1997-09-08 until 1997-09-11) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) part of: Porgy and Bess: Act III, Scene II		3:39

Credits

Release

executive producer:	John Burk
alto saxophone and piano:	Matt Catingub (from 1997-09-08 until 1997-09-11)
vocals:	Matt Catingub (from 1997-09-08 until 1997-09-11)