Il trovatore

~ Release by Giuseppe Verdi; RCA Victor Symphony Orchestra, Renato Cellini (see all versions of this release, 2 available)

Annotation

** No Release Number or Release date entered, so cannot find cover art**
Manrico: Jussi Björling, tenor. Leonora: Zinka Milanov, soprano. Count di Luna: Leonard Warren, baritone. Azucena: Fedora Barbieri, mezzo-soprano. Ferrando: Nicola Moscona, bass. Inez: Margaret Roggero, mezzo-soprano. Ruiz: Paul Franke, tenor. An Old Gypsy: George Cehanovsky, baritone. A Messenger: Nathaniel Sprinzena, tenor.
Robert Shaw Chorale ~ Robert Shaw, director

Annotation last modified on 2017-01-29 16:35 UTC.

Tracklist

▼CD 1
#TitleArtistRatingLength
1Il trovatore: Atto I, scena 1. “All’erta, all’erta”
producer:
Mark Obert-Thorn (sound engineer)
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
chorus master:
Robert Shaw (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:54
2Il trovatore: Atto I, scena 1. “Di due figli vivea”
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:53
3Il trovatore: Atto I, scena 2. “Che più t’arresti?”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Ines] and mezzo-soprano vocals [Inez]:
Margaret Roggero (mezzo-soprano)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:35
4Il trovatore: Atto I, scena 2. “Tacea la notte placida”
producer:
Mark Obert-Thorn (sound engineer)
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
mezzo-soprano vocals [Inez]:
Margaret Roggero (mezzo-soprano)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi4:14
5Il trovatore: Atto I, scena 2. “Di tale amor che dirsi”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Ines] and mezzo-soprano vocals [Inez]:
Margaret Roggero (mezzo-soprano)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:33
6Il trovatore: Atto I, scena 2. “Tace la notte!”
producer:
Mark Obert-Thorn (sound engineer)
baritone vocals [Conte Luna] and baritone vocals [Count di Luna]:
Leonard Warren (baritone)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:02
7Il trovatore: Atto I, scena 2. “Deserto sulla terra”
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:27
8Il trovatore: Atto I, scena 2. “Non m’inganno”
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:57
9Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato”
producer:
Mark Obert-Thorn (sound engineer)
baritone vocals [Conte Luna] and baritone vocals [Count di Luna]:
Leonard Warren (baritone)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:29
10Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne spoglie” (Anvil Chorus)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:39
11Il trovatore: Atto II, scena 1. “Stride la vampa!”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:40
12Il trovatore: Atto II, scena 1. “Soli or siamo”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:55
13Il trovatore: Atto II, scena 1. “Condotta ell’era in ceppi”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:26
14Il trovatore: Atto II, scena 1. “Non son tuo figlio?”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:26
15Il trovatore: Atto II, scena 1. “Mal reggendo”
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:15
16Il trovatore: Atto II, scena 1. “Inoltra il piè”
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
tenor vocals [un messo]:
Nathaniel Sprinzena (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Inoltra il piè” (Manrico, Azucena, messenger)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:52
17Il trovatore: Atto II, scena 1. “Perigliarti ancor languente”
producer:
Mark Obert-Thorn (sound engineer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:48
18Il trovatore: Atto II, scena 2. “Tutto è deserto”
producer:
Mark Obert-Thorn (sound engineer)
baritone vocals [Conte Luna] and baritone vocals [Count di Luna]:
Leonard Warren (baritone)
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:27
19Il trovatore: Atto II, scena 2. “Il balen del suo sorriso”
producer:
Mark Obert-Thorn (sound engineer)
baritone vocals [Conte Luna] and baritone vocals [Count di Luna]:
Leonard Warren (baritone)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:18
20Il trovatore: Atto II, scena 2. “Quel suono! Oh, ciel!”
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:45
21Il trovatore: Atto II, scena 2. “Per me ora fatale”
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:54
22Il trovatore: Atto II, scena 2. “Ah! Se l’error t’ingombra”
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
choir vocals:
Robert Shaw Chorale
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:11
23Il trovatore: Atto II, scena 2. “Perché piangete?”
baritone vocals [Conte Luna]:
Leonard Warren (baritone)
choir vocals:
Robert Shaw Chorale
mezzo-soprano vocals [Ines]:
Margaret Roggero (mezzo-soprano)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:00
24Il trovatore: Atto II, scena 2. “E deggio e posso crederlo?”
producer:
Mark Obert-Thorn (sound engineer)
baritone vocals [Conte Luna] and baritone vocals [Count di Luna]:
Leonard Warren (baritone)
bass vocals [Ferrando]:
Nicola Moscona (operatic bass)
choir vocals:
Robert Shaw Chorale
mezzo-soprano vocals [Ines] and mezzo-soprano vocals [Inez]:
Margaret Roggero (mezzo-soprano)
soprano vocals [Leonora]:
Zinka Milanov (soprano)
tenor vocals [Manrico]:
Jussi Björling (tenor)
tenor vocals [Ruiz]:
Paul Franke (tenor)
orchestra:
RCA Victor Symphony Orchestra
conductor:
Renato Cellini (conductor)
chorus master:
Robert Shaw (conductor)
recorded at:
Manhattan Center in Manhattan, New York, New York, United States (from 1952-02-21 until 1952-03-16)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:48
▶CD 2