Las 100 canciones más Rolling de la historia

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

missing CD5

Annotation last modified on 2023-02-14 13:08 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1Subterranean Homesick Blues
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass guitar:
John Sebastian (on 1965-01-15)
drums (drum set):
Bobby Gregg (on 1965-01-15)
guitar:
Bob Dylan (on 1965-01-15), Al Gorgoni (on 1965-01-15), John Hammond (blues singer and guitarist) (on 1965-01-15), Bruce Langhorne (on 1965-01-15) and Kenny Rankin (on 1965-01-15)
harmonica:
Bob Dylan (on 1965-01-15)
keyboard:
Bob Dylan (on 1965-01-15) and Paul Griffin (American pianist, session musician) (on 1965-01-15)
piano:
Paul Griffin (American pianist, session musician) (on 1965-01-15) and Frank Owens (American pianist) (on 1965-01-15)
vocals:
Bob Dylan (on 1965-01-15)
remixer:
Michael Brauer (engineer)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 187) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 332)
recording of:
Subterranean Homesick Blues (on 1965-01-15)
lyricist:
Bob Dylan (from 1964-12 until 1965-01)
composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Warner/Chappell (from 1965 until 1993), Warner Bros. Music (publisher; do NOT use as release label) (in 1974) and Special Rider Music (from 1993 to present)
Bob Dylan4.252:19
2Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
recording of:
Brown Eyed Girl (from 1967-03 until 1967-11)
lyricist:
Van Morrison (in 1967)
composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country-specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal‐Songs of PolyGram International, Inc. and Web IV Music Inc. (in 1967)
Van Morrison3.33:04
3Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie)
drums (drum set):
Clark Pierson
guest bongos and congas:
Bobbye Hall
guest tambourine:
Sandra Crouch
guitar:
John Till (rock guitarist)
organ:
Ken Pearson
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
background vocals:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson and John Till (rock guitarist)
performer:
Full Tilt Boogie
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp.
Janis Joplin4.44:29
4Everyday I Have the Blues
recording of:
Everyday I Have the Blues
writer:
Aaron ‘Pinetop’ Sparks (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
B.B. King2:39
5First We Take Manhattan
recording engineer:
François Deschamps and Ian Terry (Canadian engineer & producer)
miscellaneous support:
Roscoe Beck
producer:
Leonard Cohen
mixer:
Frank Wolf (engineer at Skyline Recording)
lead vocals:
Leonard Cohen
vocals:
Anjani Thomas
performer:
Jeff Fisher
arranger:
Jeff Fisher
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
recording of:
First We Take Manhattan (in 1987)
lyricist and composer:
Leonard Cohen
publisher:
Sony/ATV Music Publishing, LLC (1995–2020)
Leonard Cohen4.65:59
6The House Is Rockin'
Stevie Ray Vaughan2:23
7Sunday Morning
recording engineer:
Omi Haden
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
background vocals:
Nico (Christa Päffgen, German singer, fashion model, actress)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1967)
recording of:
Sunday Morning
lyricist:
Lou Reed
composer:
John Cale (Velvet Underground founder) and Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground4.152:52
8Mr. Bojangles
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Cotillion Music Inc. (BMI), Gotillion Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Nitty Gritty Dirt Band5:14
9Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:57
10America
recording of:
America
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Pattern Music Ltd (publisher), Paul Simon Music and Universal/MCA Music Ltd. (not for release label use!)
Simon & Garfunkel3:29
11Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter (US jazz saxophonist and composer)
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
orchestrator:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Devonshire Sound Studios in Burbank, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Weather Report55:58
12The Weight
engineer:
Don Hahn (engineer) and Tony May (Engineer)
producer:
The Band and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Rock and Roll Hall of Fame - 500 Songs That Shaped Rock, Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 58) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80)
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music and ソニー・ミュージックパブリッシング A事業部
The Band44:35
13The Whole of the Moon
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.55:00
14Spanish Stroll
bass:
Rubén Sigüenza
guitar:
Willy DeVille and Louis X. Erlanger
membranophone:
Thomas R. "Manfred" Allen, Jr.
piano:
Bobby Leonards
lead vocals:
Willy DeVille
phonographic copyright (℗) by:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
lyricist and composer:
Willy DeVille
Mink DeVille3:32
15Nelson Mandela
producer:
Elvis Costello
recording of:
Free Nelson Mandela
lyricist and composer:
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Special A.K.A.4:34
16Feelin' All Right
cover recording of:
Feelin’ Alright
lyricist and composer:
Dave Mason (co-founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker4:09
17Stranger in Blue Suede Shoes
Kevin Ayers & The Whole World3:23
18Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer)
electric bass guitar:
Leon Wilkeson
electric guitar:
Allen Collins, Ed King (US guitarist, bassist & songwriter) and Gary Rossington
keyboard:
Billy Powell
background vocals:
Merry Clayton and Clydie King
lead vocals:
Ronnie Van Zant
phonographic copyright (℗) by:
Geffen Records (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
produced for:
Sounds of the South Productions
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc. and Leeds Music Corp.
Lynyrd Skynyrd4.354:41
19Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs)
electric guitar:
Chris Britton (The Troggs)
ocarina and lead vocals:
Reg Presley
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present) and April Music (publisher) (in 1981)
The Troggs4.62:36
20California Dreamin'
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
The Mamas & the Papas4.42:38
CD 2
CD 3
CD 4