Ultimate Seventies: 1976

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Rock’n Me
assistant engineer:
Win Kutz
engineer:
Mike Fusaro
executive producer:
John Palladino
producer:
Steve Miller (leader of Steve Miller Band)
mixer:
Jim Gaines
bass:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar and lead vocals [vocals]:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Records, Sailor Productions (in 2006) and Haworth Enterprises (in 2016)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
recording of:
Rock’n Me
lyricist and composer:
Steve Miller (leader of Steve Miller Band)
publisher:
P and P Songs Limited and Sailor Music
Steve Miller Band4.753:10
2Takin’ It to the StreetsThe Doobie Brothers4.53:48
3Fooled Around and Fell in Love
producer:
Elvin Bishop and Bill Szymczyk
recording of:
Fooled Around and Fell in Love
lyricist and composer:
Elvin Bishop
Elvin Bishop4.52:59
4Sara Smile
recording of:
Sara Smile
writer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc.
Daryl Hall and John Oates4.253:12
5Say You Love Me
recording engineer:
Keith Olsen (US producer and engineer)
engineer:
David DeVore
producer:
Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks and Keith Olsen (US producer and engineer)
acoustic guitar, banjo, electric guitar, guitar and resonator guitar:
Lindsey Buckingham (in 1975-02)
bass guitar:
John McVie (in 1975-02)
drums (drum set) [drums] and percussion:
Mick Fleetwood (in 1975-02)
keyboard [keyboards] and synthesizer:
Christine McVie (in 1975-02)
vocals:
Lindsey Buckingham (in 1975-02), Christine McVie (in 1975-02) and Stevie Nicks (in 1975-02)
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975)
recording of:
Say You Love Me (in 1975-02)
lyricist and composer:
Christine McVie
Fleetwood Mac4.354:01
6Play That Funky Music
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Play That Funky Music (in 1976)
lyricist and composer:
Robert W. Parissi
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. and Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.353:18
7You Should Be Dancing
co-producer:
Albhy Galuten and Karl Richardson
producer:
Bee Gees
additional guest percussion:
Stephen Stills (from 1976-01 until 1976-06)
bass:
Maurice Gibb (from 1976-01 until 1976-06)
brass [Boneroo Horns]:
Neal Bonsanti (from 1976-01 until 1976-06), Peter Graves (trombonist) (from 1976-01 until 1976-06), Ken Faulk (trumpet player) (from 1976-01 until 1976-06), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (from 1976-01 until 1976-06) and Whit Sidener (from 1976-01 until 1976-06)
drums (drum set):
Dennis Bryon (Welch drummer, author) (from 1976-01 until 1976-06)
guitar [rhythm guitar] and lead vocals:
Barry Gibb (from 1976-01 until 1976-06)
keyboard and synthesizer:
Blue Weaver (from 1976-01 until 1976-06)
percussion:
Joe Lala (from 1976-01 until 1976-06)
solo electric guitar:
Alan Kendall (from 1976-01 until 1976-06)
background vocals:
Maurice Gibb (from 1976-01 until 1976-06) and Robin Gibb (from 1976-01 until 1976-06)
phonographic copyright (℗) by:
Barry Gibb (in 1976), Maurice Gibb (in 1976) and Robin Gibb (in 1976)
phonographic copyright (℗) by:
Robert Stigwood Organisation Ltd. (from 1976 to present), Polydor Ltd. (UK) (not for release label use! aka Polydor Ltd. or Polydor Ltd. (London), fka Polydor Records Ltd.) (in 1976), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1976) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1976)
recording of:
You Should Be Dancing (from 1976-01 until 1976-06)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Gibb Brothers Music, Casserole Music Corp. (from 1976 to present) and Unichappell Music (from 1976 to present)
The Bee Gees4.754:18
8Show Me the Way
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
Peter Frampton3.53:37
9Don’t Go Breaking My Heart
recorded in:
Toronto, Ontario, Canada (in 1976-05)
producer:
Gus Dudgeon
bongos, congas and tambourine:
Ray Cooper (percussionist) (in 1976-05)
drums (drum set):
Roger Pope (in 1976-05)
electric bass guitar:
Kenny Passarelli (Bass, piano) (in 1976-05)
electric guitar:
Davey Johnstone (in 1976-05)
Rhodes piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
background vocals:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) and Kiki Dee (in 1976-05)
guest vocals:
Kiki Dee (in 1976-05)
lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
orchestrator:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
lyricist:
Carte Blanche (aka. Bernie Taupin, Onions)
composer:
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Rocket Music Ltd. and Universal‐Songs of PolyGram International, Inc.
music quoted on:
Hold Me Closer
Elton John and Kiki Dee3.554:26
10Tonight’s the Night (Gonna Be Alright)
producer:
Tom Dowd
tenor saxophone:
Jerry Jumonville
spoken vocals [multilingual vocal appliances]:
B. E.
vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1993) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2009)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Muscle Shoals Sound Studio in Sheffield, Alabama, United States
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
Rod Stewart4.253:55
11Love to Love You Baby
recording of:
Love to Love You Baby
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Sweet Summer Night Music and WB Music Corp. (1929–2019)
Donna Summer54:57
12Still the One
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
Orleans53:57
13Hello Old Friend
recording of:
Hello Old Friend
lyricist and composer:
Eric Clapton
Eric Clapton53:05
14Get Closer
engineer:
Joe Bogan
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals and Crofts53:59
1550 Ways to Leave Your Lover
recording engineer:
Glenn Berger and Burt Szerlip
engineer:
Phil Ramone
producer:
Phil Ramone and Paul Simon (of Simon & Garfunkel)
acoustic guitar:
Paul Simon (of Simon & Garfunkel)
bass guitar [bass]:
Tony Levin (US rock bassist/chapman stick)
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Hugh McCracken and John Tropea
organ:
Kenny Ascher
percussion:
Ralph MacDonald
background vocals:
Patti Austin, Valerie Simpson and Phoebe Snow
vocals:
Paul Simon (of Simon & Garfunkel)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1975, in 1981, in 2004)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975) and Warner Music H.K. Ltd. (in 1997)
recording of:
50 Ways to Leave Your Lover
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部, DeShufflin Limited (in 1975) and Paul Simon Music (in 1975)
Paul Simon3.853:40
16That’ll Be the Day
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set):
Michael Botts
electric guitar:
Andrew Gold and Waddy Wachtel
handclaps:
Linda Ronstadt
wood block:
Peter Asher
background vocals:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) and Andrew Gold
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976)
cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
Linda Ronstadt52:34
17Welcome Back
recording of:
Welcome Back (70’s Song by John Sebastian)
lyricist and composer:
John Sebastian
John Sebastian52:54
18Dream Weaver
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
Gary Wright53:44
19All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (in 1975)
produced for:
CAM Productions
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Round Hill Works, Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:55
20The Rubberband Man
The Spinners4.653:33

Credits

Release Group

part of:Ultimate Seventies (A Compilation of the Seventies) (number: 1976) (order: 7)