Here's to My Lady

~ Release by Phil Woods, Tommy Flanagan, George Mraz, Kenny Washington (see all versions of this release, 3 available)

Tracklist

▼Cassette 1
#TitleArtistRatingLength
A1Superette
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
Phil Woods3:57
A2Johnny Hodges
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
Phil Woods5:36
A3Another Love Song
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
Phil Woods6:08
A4Canadian Sunset
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
instrumental recording of:
Canadian Sunset (from 1988-12-20 until 1988-12-21)
lyricist:
Norman Gimbel
composer:
Eddie Heywood (pianist, composer and bandleader)
publisher:
Chappell-Morris Ltd. and Meridian Music
Phil Woods4:47
A5Charles Christopher
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
Phil Woods4:54
A6Butter
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Butter (from 1988-12-20 until 1988-12-21)
composer:
Jerry Dodgion
Phil Woods5:44
A7Visions of Gaudi
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Visions of Gaudi (in 1988-12)
composer:
Tom Harrell
Phil Woods5:31
B1Yours Is My Heart Alone
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
instrumental recording of:
Yours Is My Heart Alone (from “The Land of Smiles”, Harry B. Smith translation, 1940) (from 1988-12-20 until 1988-12-21)
composer:
Franz Lehár (composer)
librettist:
Ludwig Herzer and Fritz Löhner-Beda
translator:
Harry B. Smith
publisher:
Glocken Verlag Ltd.
translated version of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
part of:
The Land of Smiles
Phil Woods5:17
B2Blue and Sentimental
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Blue and Sentimental (from 1988-12-20 until 1988-12-21)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Phil Woods5:06
B3Origins
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
Phil Woods3:38
B4Here's to My Lady
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
instrumental recording of:
Here's to My Lady (from 1988-12-20 until 1988-12-21)
lyricist:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
Phil Woods4:53
B5Waltz for Debby
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Waltz for Debby (instrumental) (from 1988-12-20 until 1988-12-21)
composer:
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Phil Woods5:18
B6Just Us
assistant engineer:
Dennis Ferrante (from 1988-12-20 until 1988-12-21)
audio engineer:
Bob Katz (American engineer)
associate producer:
Jill Goodwin
executive producer:
Norman Chesky
producer:
David Chesky
double bass [bass]:
George Mraz (jazz bassist) (from 1988-12-20 until 1988-12-21)
drums (drum set):
Kenny Washington (drums) (from 1988-12-20 until 1988-12-21)
piano:
Tommy Flanagan (from 1988-12-20 until 1988-12-21)
reeds:
Phil Woods (US jazz woodwind player) (from 1988-12-20 until 1988-12-21)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1988-12-20 until 1988-12-21)
recording of:
Just Us (in 1988-12)
composer:
Hal Galper
Phil Woods4:48