Look at Yourself

~ Release by Uriah Heep (see all versions of this release, 18 available)

Tracklist

▶CD 1: Original LP Remastered
▼CD 2: An Alternative Look at Yourself
#TitleRatingLength
1I Wanna Be Free (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
I Wanna Be Free (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:19
2Tears in My Eyes (alternative mix extended)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Tears in My Eyes (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:55
3What Should Be Done (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
What Should Be Done (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:35
4Shadows of Grief (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Shadows of Grief (from 1970 until 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
9:33
5Look at Yourself (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Look at Yourself (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:14
6July Morning (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
July Morning (from 1970 until 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:18
7Why Fourteen Minutes (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Why Fourteen Minutes (from 1970 until 1971)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
14:16
8Love Machine (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Love Machine (from 1970 until 1971)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:55
9What’s Within My Heart (alternative mix)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
What's Within My Heart (from 1970 until 1971)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
5:34
10July Morning (alternative mix; live)
recorded in:
London (Greater London), England, United Kingdom (in 1971)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995) and Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
live recording of:
July Morning (in 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:28
11Look at Yourself (alternative single version)
mixer:
Mike Brown (mastering engineer) (from 1989 until 1995), Robert M. Corich (remastering engineer and record producer,) (from 1989 until 1995, from 1994 until 2002) and Ian Herron (from 1994 until 2002)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1993, in 2017)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
Look at Yourself (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
recording of:
Look at Yourself (in 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc. (USA, affiliated with BMI), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:18

Credits

Release

photography:Tony Evans (photographer)
liner notes:Ken Hensley (in 1971-07)
Joel McIver (British Book Author) (in 2017)
Robert M. Corich (remastering engineer and record producer,) (in 2017-04)
remastering:Andy Pearce (Mastering engineer) (in 2016)
Matt Wortham (Mastering engineer) (in 2016)
acoustic guitar and guitar:Mick Box (from 1970 until 1971)
Ken Hensley (from 1970 until 1971)
bass guitar:Paul Newton (UK bassist for Uriah Heep) (from 1970 until 1971)
organ and piano:Ken Hensley (from 1970 until 1971)
lead vocals:David Byron (from 1970 until 1971)
vocals:Ken Hensley (from 1970 until 1971)
design:Hugh Gilmour
copyrighted (©) by:Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2017)
mixed at:Cretin Studios in North Miami, Florida, United States (from 1989 until 1995)
CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom (from 1989 until 1995)
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1989 until 1995)
Discogs:https://www.discogs.com/release/10068697 [info]
ASIN:US: B01MYGVW0Z [info]