Die Zauberflöte

~ Release by Mozart; Nicolai Gedda, Gundula Janowitz, Walter Berry, Gerhard Unger, Lucia Popp, Elisabeth Schwarzkopf, Christa Ludwig, Ruth-Margret Pütz, Marga Höffgen, Franz Crass, Gottlob Frick, Wilhelm Pitz, Philharmonia Orchestra and Chorus, Otto Klemperer (see all versions of this release, 8 available)

Tracklist

▶CD 1
▼CD 2
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1Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 9. Marsch (Marsch der Priester)
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:07
2Die Zauberflöte, K. 620: Akt 2, Szene 1. Nr. 10. Arie und Chor "O Isis und Osiris"
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:17
3Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 11. Duett "Bewahret euch vor Weibertücken"
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:11
4Die Zauberflöte, K. 620: Akt 2, Szene 2. Nr. 12. Quintett "Wie? wie? wie? ihr an diesem Schreckensort?"
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass-baritone) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:27
5Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 13. Arie "Alles fühlt der Liebe Freuden"
producer:
Peter Andry (producer)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:24
6Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 14. Arie "Der Hölle Rache kocht in meinem Herzen"
producer:
Peter Andry (producer)
solo soprano vocals [Die Königin der Nacht]:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Lucia Popp (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
7Die Zauberflöte, K. 620: Akt 2, Szene 3. Nr. 15. Arie "In diesen heil'gen Hallen kennt"
producer:
Peter Andry (producer)
bass vocals [Sarastro]:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:49
8Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 16. Terzetto "Seid uns zum zweiten Mal willkommen"
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:57
9Die Zauberflöte, K. 620: Akt 2, Szene 4. Nr. 17. Arie "Ach, ich fühl's, es ist verschwunden!"
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
10Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 18. Chor der Priester "O Isis und Osiris, welche Wonne!"
producer:
Peter Andry (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:13
11Die Zauberflöte, K. 620: Akt 2, Szene 5. Nr. 19. Terzett "Soll ich dich, Teurer, nicht mehr seh'n?"
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:17
12Die Zauberflöte, K. 620: Akt 2, Szene 6. Nr. 20. Arie "Ein Mädchen oder Weibchen wünscht Papageno sich!"
producer:
Peter Andry (producer)
baritone vocals [Papageno]:
Walter Berry (bass-baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:19
13Die Zauberflöte, K. 620: Akt 2, Szene 7. Nr. 21. Finale "Bald prangt, den Morgen zu verkünden"
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:24
14Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Der, welcher wandelt diese Straße voll Beschwerden"
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:14
15Die Zauberflöte, K. 620: Akt 2, Szene 8. Nr. 21. Finale "Tamino mein! O welch ein Glück!"
producer:
Peter Andry (producer)
soprano vocals:
Gundula Janowitz (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Nicolai Gedda (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:00
16Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Papagena!"
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass-baritone) (from 1964-03-24 until 1964-04-10)
soprano vocals:
Ruth-Margret Pütz (soprano) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:49
17Die Zauberflöte, K. 620: Akt 2, Szene 9. Nr. 21. Finale "Pa-pa-ge-na!"
producer:
Peter Andry (producer)
baritone vocals:
Walter Berry (bass-baritone) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:37
18Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Nur stille!"
producer:
Peter Andry (producer)
soprano vocals:
Lucia Popp (soprano) (from 1964-03-24 until 1964-04-10)
tenor vocals:
Gerhard Unger (tenor) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:11
19Die Zauberflöte, K. 620: Akt 2, Szene 10. Nr. 21. Finale "Die Strahlen der Sonne"
producer:
Peter Andry (producer)
bass vocals:
Gottlob Frick (operatic bass) (from 1964-03-24 until 1964-04-10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1964-03-24 until 1964-04-10)
conductor:
Otto Klemperer (German-born conductor and composer, 1885-1973) (from 1964-03-24 until 1964-04-10)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1964-03-24 until 1964-04-10)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-03-24 until 1964-04-10)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1964-03-24 until 1964-04-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01