Suite bergamasque / Danse / Deux arabesques / Pour le piano / La plus que lente / L’Isle joyeuse / Masques

~ Release by Debussy; Tamás Vásáry (see all versions of this release, 4 available)

Tracklist

▼CD 1
#TitleRatingLength
1Suite bergamasque: Prélude: Moderato
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1969-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82a : I. Prélude (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
4:00
2Suite bergamasque: Menuet: Andantino
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1969-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82a : II. Menuet (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
3:29
3Suite bergamasque: Clair de lune: Andante très expressif
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1905)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
5:17
4Suite bergamasque: Passepied: Allegretto ma non troppo
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer) and Klaus Scheibe (editor/engineer) (in 1969-04: piano)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82a : IV. Passepied (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
3:32
5Danse (Tarantelle styrienne): Allegretto
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Tarantelle styrienne, L. 69, CD 77a (for piano) (in 1969-04)
premiered in:
Paris, Île-de-France, France (on 1900-03-10)
composer:
Claude Debussy (in 1890)
dedicated to:
Madame Philippe Hottinguer
premiered at:
[concert] (1900-03-10)
publisher:
Choudens (in 1891-11)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 69) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 77)
4:28
6Deux arabesques: Andantino con moto
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal (Plenarsaal der Akademie der Künste in Berlin) in Berlin, Germany (in 1969-04) and Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
3:45
7Deux arabesques: Allegretto scherzando
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Deux arabesques, L. 66, CD 74 : No. 2. Allegretto scherzando (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1891)
part of:
Deux arabesques, L. 66, CD 74 (for piano)
3:15
8Pour le piano: Prélude: Assez animé et très rythmé
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Pour le piano, L. 95, CD 95: I. Prélude. À Mademoiselle M.W. de Romilly. Assez animé et très rythmé - Tempo di cadenza - Tempo I (in 1969-04)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Mademoiselle Worms de Romilly
part of:
Pour le piano, L. 95, CD 95
3:59
9Pour le piano: Sarabande: Avec une élégance grave et lente
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (in 1969-04)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
4:42
10Pour le piano: Toccata: Vif
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (in 1969-04)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
3:47
11La plus que lente (Valse)
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
La plus que lente, L. 121, CD 128 (pour piano solo) (in 1969-04)
composer:
Claude Debussy (in 1910)
premiered at:
[concert] (1911-03-31)
publisher:
Durand et Cie (1909–1947) (in 1910-07)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 121) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 128)
3:46
12L’Isle joyeuse: Modéré et très souple
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
L’Isle joyeuse, L. 106, CD 109 (for piano) (in 1969-04)
composer:
Claude Debussy (from 1903 until 1904-08)
premiered at:
[concert] (1905-02-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 106) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 109)
5:45
13Masques: Très vif et fantasque
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Masques, L. 105, CD 110 (for piano) (in 1969-04)
composer:
Claude Debussy (from 1903 until 1904-07)
premiered at:
[concert] (1905-02-10)
publisher:
A. Durand et Fils (1891–1909) (in 1904-09)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 105) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 110)
4:46

Credits

Release

part of:Resonance (Deutsche Grammophon) (order: 68)
ASIN:DE: B00000E4H1 [info]
other databases:https://d-nb.info/352351918 [info]