Sacred Masterpieces and Cantatas

~ Release by Johann Sebastian Bach; Sir John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

CD 1: Christmas Oratorio, BWV 248, Part One, Two and Three
CD 2: Christmas Oratorio, BWV 248, Part Four, Five and Six
CD 3: St. Matthew Passion, BWV 244, Part One
CD 4: St. Matthew Passion, BWV 244, Part Two
CD 5: St. Matthew Passion, BWV 244, Part Two (cont.)
CD 6: St. John Passion, BWV 245, Part One and Two
CD 7: St. John Passion, BWV 245, Part Two (cont.)
CD 8: Mass, BWV 232
CD 9: Mass, BWV 232 (cont.)
CD 10: Magnificat, BWV 243; Jauchzet Gott in allen Landen, Cantata BWV 51
CD 11: Advent Cantatas, BWV 36, 61 & 62
CD 12: Christmas Cantatas, BWV 63, 64, 121 & 133
CD 13: New Year Cantata, BWV 16; Cantatas for the 21st and 23rd Sunday after Trinity, BWV 98 & 139
CD 14: Cantatas for the 3rd Sunday after Epiphany, BWV 72, 73, 111 & 156
CD 15: Cantatas for the Feast of the Purification of Mary (2 February), BWV 82, 83, 125 & 200
CD 16: Easter Cantatas, BWV 6 & 66
CD 17: Cantatas for Ascension Day, BWV 11, 37, 43 & 128
CD 18: Cantatas for the 1st day of Whitsun, BWV 34, 59, 74 & 172
CD 19: Cantatas for the 9th Sunday after Trinity, BWV 94, 105 & 168
#TitleArtistRatingLength
1Was frag' ich nach der Welt, BWV 94: I. Chorus: Was frag' ich nach der Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:44
2Was frag' ich nach der Welt, BWV 94: II. Aria (Basso): Die Welt ist wie ein Rauch und Schatten
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:24
3Was frag' ich nach der Welt, BWV 94: III. Chorale & Recitative (Tenor): Die Welt sucht Ehr' und Ruhm - Ein Stolzer baut die prächtigste
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:01
4Was frag' ich nach der Welt, BWV 94: IV. Aria (Alt): Betörte Welt, betörte Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach5:52
5Was frag' ich nach der Welt, BWV 94: V. Chorale & Recitative (Bass): Die Welt bekümmert sich - Was muss wohl doch der Kummer sein
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:33
6Was frag' ich nach der Welt, BWV 94: VI. Aria (Tenor): Die Welt kann ihre Lust und Freud
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:21
7Was frag' ich nach der Welt, BWV 94: VII. Aria (Sopran): Es halt es mit der blinden Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:10
8Was frag' ich nach der Welt, BWV 94: VIII. Chorale: Was frag ich nach der Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (on 2000-08-19)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:03
9Tue Rechnung! Donnerwort, BWV 168: I. Aria (Bass): Tue Rechnung! Donnerwort
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:10
10Tue Rechnung! Donnerwort, BWV 168: II. Recitative (Tenor): Es ist nur fremdes Gut
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:38
11Tue Rechnung! Donnerwort, BWV 168: III. Aria (Tenor): Kapital und Interessen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:04
12Tue Rechnung! Donnerwort, BWV 168: IV. Recitative (Bass): Jedoch, erschocknes Herz, leb und verzage
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:53
13Tue Rechnung! Donnerwort, BWV 168: V. Aria (Duett Sopran & Alt): Herz, zerreiß des Mammons Kette
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:09
14Tue Rechnung! Donnerwort, BWV 168: VI. Chorale: Stärk mich mit Deinem Freudengeist
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:15
15Herr, gehe nicht ins Gericht mit Deinem Knecht, BWV 105: I. Chorus: Herr, gehe nicht ins Gericht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:19
16Herr, gehe nicht ins Gericht mit Deinem Knecht, BWV 105: II. Recitative (Alt): Mein Gott, verwirf mich nicht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach0:56
17Herr, gehe nicht ins Gericht mit Deinem Knecht, BWV 105: III. Aria (Soprano): Wie zittern und wanken
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:41
18Herr, gehe nicht ins Gericht mit Deinem Knecht, BWV 105: IV. Recitative (Bass): Wohl aber dem, der seinen Bürgen weiß
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:44
19Herr, gehe nicht ins Gericht mit Deinem Knecht, BWV 105: V. Aria (Tenor): Kann ich nur Jesum mir zum Freunde machen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:18
20Herr, gehe nicht ins Gericht mit Deinem Knecht, BWV 105: VI. Chorale: Nun, ich weiß, Du wirst mir stillen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:12
CD 20: Cantatas for the 11th Sunday after Trinity, BWV 113, 179 & 199
CD 21: Cantatas for the 27th Sunday after Trinity, BWV 140 & for the Feast of the Visitation of Mary (2 July), BWV 147
CD 22: Cantatas BWV 106; 118/231 & 198