A Little Bit of Broadway

~ Release by Julie Andrews (see all versions of this release, 1 available)

Annotation

Audio Mixer: Mark Wilder
Liner Note: Max O. Preeo
Recording information: London, England / New York, NY (03/19/1957-05/02/1962)
Photographers: Stan Green; Stanley Green; Don Hustein; Friedman-Abeles ; Lester Glassner.
Unknown Contributor Role: Henri Ren‚
Arranger: Robert Mersey
In effect, this compilation is "The Best of Julie Andrews on Columbia Records, 1957-1962." It is drawn from five albums released during that period:
- the television soundtrack to Cinderella (1957);
- the original London (not Broadway, as the liner notes mistakenly say) cast album for My Fair Lady (1959);
- the original Broadway cast album for Camelot (1960);
- and two Julie Andrews solo albums, Broadway's Fair Julie (1962) and Don't Go in the Lion's Cage Tonight (1962).
(There is also a previously unreleased recording of No‰el Coward's "I'll Follow My Secret Heart" made during the sessions for Broadway's Fair Julie.) The conceit here is that this is all material from Broadway musicals, but that isn't actually true, since the solo recordings include revivals of such independent songs as "By the Light of the Silvery Moon," "Alexander's Ragtime Band," and "Burlington Bertie From Bow" (the last later performed by Andrews in the 1968 film Star!). Never mind that, though. Andrews's stage appearances ended for decades after Camelot, and this set affords the listener a chance to hear what she might have been like in, for example, Leonard Bernstein's West Side Story ("I Feel Pretty") and Wonderful Town ("A Little Bit in Love"), even if it's hard to imagine her ever being cast in such shows. Naturally, she brings her precise phrasing and clear voice to every performance, enthusiastically trying on such diverse material as Lane and Harburg's "How Are Things in Glocca Morra?" (from Finian's Rainbow) and Rodgers and Hart's "I Didn't Know What Time It Was" (from Too Many Girls). Of course, her familiar performances from the shows with which she is associated remain stellar, though listeners would have preferred the Broadway cast versions of the songs from My Fair Lady (even if they are in mono). ~ William Ruhlmann

Annotation last modified on 2014-01-08 04:15 UTC.

Tracklist

CD 1
#TitleRatingLength
1In My Own Little Corner
mixer:
Mark Wilder (US recording/mastering engineer)
vocals:
Julie Andrews (English actress/vocalist)
conductor:
Alfredo Antonini
arranger:
Robert Mersey
recording of:
In My Own Little Corner (on 1957-03-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Cinderella (Rodgers & Hammerstein musical)
3:46
2I Feel Pretty
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
West Side Story: I Feel Pretty
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (US composer & conductor)
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
part of:
West Side Story
1:59
3By the Light of the Silvery Moon
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
By the Light of the Silvery Moon
lyricist:
Edward Madden (in 1909)
composer:
Gus Edwards (in 1909)
publisher:
Remick Music
part of:
Two Weeks With Love (1950 film)
3:02
4The Lusty Month of May
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
The Lusty Month of May (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
3:00
5Baubles, Bangles and Beads
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
Baubles, Bangles and Beads (from “Kismet”)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. and Scheffel Music Corp
is based on:
String Quartet no. 2 in D major: II. Scherzo. Allegro
part of:
Kismet (full musical)
2:28
6I'll Follow My Secret Heart
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
Conversation Piece: Act One. I’ll Follow My Secret Heart
lyricist and composer:
Noël Coward
publisher:
Chappell & Co., Inc. (USA)
part of:
Conversation Piece: Act One
2:18
7Wouldn't It Be Loverly
orchestrator:
Robert Russell Bennett and Philip J. Lang
recording of:
Wouldn’t It Be Loverly (My Fair Lady) (on 1959-02-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
4:00
8Alexander's Ragtime Band
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
Alexander’s Ragtime Band
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:23
9A Little Bit in Love
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
Wonderful Town: Act I. A Little Bit in Love
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (US composer & conductor)
part of:
Wonderful Town
3:39
10How Are Things in Glocca Morra?
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow")
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA) and Glocca Morra Music Corp.
part of:
Finian’s Rainbow (1947 Broadway musical)
2:37
11How Can I Wait
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
How Can I Wait? (Paint Your Wagon)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Paint Your Wagon (full musical)
2:05
12A Lovely Night
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
A Lovely Night (on 1957-03-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Cinderella (Rodgers & Hammerstein musical)
2:10
13Burlington Bertie From Bow
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
Burlington Burtie From Bow
lyricist and composer:
William Hargreaves
3:18
14I Loved You Once in Silence
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
recording of:
I Loved You Once in Silence (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
part of:
Camelot (full musical)
3:06
15I Didn't Know What Time It Was
mixer:
Mark Wilder (US recording/mastering engineer)
arranger:
Robert Mersey
cover recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:37
16I Could Have Danced All Night
orchestrator:
Robert Russell Bennett and Philip J. Lang
recording of:
I Could Have Danced All Night (My Fair Lady) (on 1959-02-01)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
3:44