Weihnachtsoratorium

~ Release by Johann Sebastian Bach; Gaechinger Cantorey, Hans-Christoph Rademann (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1I. Am 1. Weihnachtstage: Coro: Jauchzet, frohlocket, auf preiset die Tage
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:17
2I. Am 1. Weihnachtstage: Evangeliasta (Tenore): Es begab sich aber zu der Zeit
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Sebastian Kohlhepp
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:09
3I. Am 1. Weihnachtstage: Recitativo (Alto): Nun wird mein liebster Bräutigam
contralto vocals [Alto]:
Wiebke Lehmkuhl (Mezzo-soprano) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Wiebke Lehmkuhl (Mezzo-soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:54
4I. Am 1. Weihnachtstage: Aria (Altto): Bereite dich, Zion
contralto vocals [Alto]:
Wiebke Lehmkuhl (Mezzo-soprano) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Wiebke Lehmkuhl (Mezzo-soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:16
5I. Am 1. Weihnachtstage: Choral: Wie soll ich dich empfangen
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:13
6I. Am 1. Weihnachtstage: Evangelista: Und sie gebar ihren ersten Sohn
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Sebastian Kohlhepp
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:20
7I. Am 1. Weihnachtstage: Choral con Recitativo (Soprano e Basso): Er ist auf Erden kommen arm
bass vocals:
Michael Nagy (baritone) (from 2016-12-03 until 2016-12-04)
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
soprano vocals:
Regula Mühlemann (soprano) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Wiebke Lehmkuhl (Mezzo-soprano) and Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:21
8I. Am 1. Weihnachtstage: Aria (Basso): Großer Herr, o starker König
bass vocals:
Michael Nagy (baritone) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano) and Michael Nagy (baritone)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:35
9I. Am 1. Weihnachtstage: Choral: Ach mein herzliebes Jesulein
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:09
10II. Am 2. Weihnachtstage: Sinfonia
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:17
11II. Am 2. Weihnachtstage: Evangelista: Und es waren Hirten in derselben Gegend
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Sebastian Kohlhepp and Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:39
12II. Am 2. Weihnachtstage: Choral: Brich an, o schönes Morgenlicht
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:01
13II. Am 2. Weihnachtstage: Evangelista et Angelus (Tenore e Soprano): Und der Engel sprach zu ihnen
soprano vocals:
Regula Mühlemann (soprano) (from 2016-12-03 until 2016-12-04)
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Sebastian Kohlhepp and Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:44
14II. Am 2. Weihnachtstage: Recitativo (Basso): Was Gott dem Abraham verheißen
bass vocals:
Michael Nagy (baritone) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:43
15II. Am 2. Weihnachtstage: Aria (Tenore): Frohe Hirten, eilt, ach eilet
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:32
16II. Am 2. Weihnachtstage: Evangelista: Und das habt zum Zeichen
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Sebastian Kohlhepp and Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:24
17II. Am 2. Weihnachtstage: Choral: Schaut hin, dort liegt im finstern Stall
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:48
18II. Am 2. Weihnachtstage: Recitativo (Basso): So geht denn hin, ihr Hirten, geht
bass vocals:
Michael Nagy (baritone) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:50
19II. Am 2. Weihnachtstage: Aria (Alto): Schlafe mein Liebster, genieße der Ruh
contralto vocals [Alto]:
Wiebke Lehmkuhl (Mezzo-soprano) (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach9:26
20II. Am 2. Weihnachtstage: Evangelista: Und alsbald war da bei dem Engel
tenor vocals:
Sebastian Kohlhepp (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Sebastian Kohlhepp and Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:11
21II. Am 2. Weihnachtstage: Coro: Ehre sei Gott in der Höhe
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach2:20
22II. Am 2. Weihnachtstage: Recitativo (Basso): So recht, ihr Engel, jauchzt und singet
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:21
23II. Am 2. Weihnachtstage: Choral: Wir singen dir in deinem Heer
choir vocals:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
orchestra:
Gaechinger Cantorey (from 2016-12-03 until 2016-12-04)
conductor:
Hans-Christoph Rademann (choral conductor) (from 2016-12-03 until 2016-12-04)
performer:
Regula Mühlemann (soprano)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (from 2016-12-03 until 2016-12-04)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (from 2016-12-03 until 2016-12-04)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:12
24III. Am 3. Weihnachtstage: Coro: Herrscher des Himmels, erhöre das Lallen
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:43
25III. Am 3. Weihnachtstage: Evangelista: Und da die Engel von ihnen gen Himmel fuhren
tenor vocals:
Sebastian Kohlhepp
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Sebastian Kohlhepp and Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:08
26III. Am 3. Weihnachtstage: Chorus: Lasset uns nun gehen gen Betlehem
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:42
27III. Am 3. Weihnachtstage: Recitativo (Basso): Er hat sein Volk getröst'
bass vocals:
Michael Nagy (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:40
28III. Am 3. Weihnachtstage: Choral: Dies hat er alles uns getan
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:44
29III. Am 3. Weihnachtstage: Aria Duetto (Soprano e Basso): Herr, dein Mitleid, dein Erbarmen
bass vocals:
Michael Nagy (baritone)
soprano vocals:
Anna Lucia Richter (soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach7:31
30III. Am 3. Weihnachtstage: Evangelista: Und sie kamen eilend
tenor vocals:
Sebastian Kohlhepp
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Sebastian Kohlhepp and Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:20
31III. Am 3. Weihnachtstage: Aria (Alto): Schließe, mein Herze, dies seilige Wunder
contralto vocals [Alto]:
Wiebke Lehmkuhl (Mezzo-soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:36
32III. Am 3. Weihnachtstage: Recitativo (Alto): Ja, ja, mein Herz soll es bewahren
contralto vocals [Alto]:
Wiebke Lehmkuhl (Mezzo-soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:27
33III. Am 3. Weihnachtstage: Choral: Ich will dich mit Fleiß bewahren
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Regula Mühlemann (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:59
34III. Am 3. Weihnachtstage: Evangelista: Und die Hirten kehrten wieder um
tenor vocals:
Sebastian Kohlhepp
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Sebastian Kohlhepp and Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:25
35III. Am 3. Weihnachtstage: Choral: Seid froh dieweil
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil"
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach0:42
36III. Am 3. Weihnachtstage: Coro repetatur: Herrscher des Himmels, erhöre das Lallen
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
performer:
Anna Lucia Richter (soprano)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:48
▶CD 2