The Greatest Classical Show on Earth

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

▶CD 1
▼CD 2
Nr.TitelKünstlerBewertungLänge
1O Fortuna
Chorgesang:
Radio-Symphonie-Berlin Chor und Rundfunkchor Berlin
Orchester:
Radio-Symphonie-Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
Dirigent(in):
Riccardo Chailly (conductor)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carmina Burana2:33
2Jazz Suite No. 2 Waltz II
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Orchester:
Royal Concertgebouw Orchestra
Dirigent(in):
Riccardo Chailly (conductor)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite)
Komponist(in):
Дмитрий Дмитриевич Шостакович (composer)
Teil von:
Suite for Variety Orchestra
Dmitri Shostakovich3:41
3Adagio For Strings, Op.11
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Chris Hazell
Orchester:
Baltimore Symphony Orchestra (vom 1991-09-30 bis 1991-10-01)
Dirigent(in):
David Zinman (conductor) (vom 1991-09-30 bis 1991-10-01)
Tonmeister(in):
Simon Eadon (classical music engineer) (vom 1991-09-30 bis 1991-10-01)
aufgenommen bei:
Joseph Meyerhoff Symphony Hall in Baltimore, Maryland, Vereinigte Staaten (vom 1991-09-30 bis 1991-10-01)
recording of:
Adagio for Strings (vom 1991-09-30 bis 1991-10-01)
Orchestrator(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
Komponist(in):
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber8:40
4Fantasia On Greensleeves
Produzent(in):
Michael Bremner (producer/engineer)
Flöte:
William Bennett (flautist) (in 1971-05)
Orchester:
Academy of St Martin in the Fields (in 1971-05)
Dirigent(in):
Neville Marriner (conductor) (in 1971-05)
Tonmeister(in):
Stanley Goodall (engineer) (in 1971-05)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-05)
recording of:
Fantasia on “Greensleeves” (in 1971-05)
Komponist(in):
Ralph Vaughan Williams (English composer) (vom 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:17
5Spring (I Allegro) The Four Seasons
recording engineer:
Stanley Goodall (engineer) (in 1969-09)
Produzent(in):
Michael Bremner (producer/engineer)
Cembalo und Orgel:
Simon Preston (organist, conductor, composer) (vom 1969-09-08 bis 1969-09-10)
Geige / Violine:
Alan Loveday (violinist) (vom 1969-09-08 bis 1969-09-10)
Orchester:
Academy of St Martin in the Fields (vom 1969-09-08 bis 1969-09-10)
Dirigent(in):
Sir Neville Marriner (conductor) (vom 1969-09-08 bis 1969-09-10)
Tonmeister(in):
Tryggve Tryggvason (engineer/producer. Sometimes credited as Trygg/Tryggvi Tryggvason) und Stanley Goodall (engineer) (vom 1969-09-08 bis 1969-09-10)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (vom 1969-09-08 bis 1969-09-10)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (vom 1969-09-08 bis 1969-09-10)
Komponist(in):
Antonio Vivaldi (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi43:10
6Trumpet Voluntary
Blechblasinstrumente:
Philip Jones Brass Ensemble (in 1982-03)
Trompete:
Philip Jones (trumpeter) (in 1982-03)
Dirigent(in):
Elgar Howarth (English conductor, composer and trumpeter) (in 1982-03)
arranger:
John Iveson (trombonist and arranger)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1982-03)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1982-03)
Komponist(in):
Jeremiah Clarke
Arrangement von:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:45
7Kanon
recorded in:
Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
Techniker(in):
Stanley Goodall (engineer) (in 1982-02)
Produzent(in):
Michael Haas (classical music producer)
Orgel:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
Orchester:
Stuttgarter Chamber Orchestra (in 1984-02)
Dirigent(in):
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
aufgenommen bei:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1984-02)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (in 1984-02)
Komponist(in):
Johann Pachelbel (composer)
Arrangement von:
Canon and Gigue in D major, T. 377: I. Canon
recording of:
Canon and Gigue in D major, T. 377: I. Canon
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:28
8Nuns' Chorus Casannova
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (vom 1989-02-24 bis 1989-02-25)
Soprangesang:
Kiri Te Kanawa (soprano) (vom 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (vom 1989-02-24 bis 1989-02-25)
Dirigent(in):
Julius Rudel (conductor) (vom 1989-02-24 bis 1989-02-25)
Chorleiter(in):
Jerold Ottley (conductor) (vom 1989-02-24 bis 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (vom 1989-02-24 bis 1989-02-25)
live recording of:
Casanova: Nun’s Chorus & Laura’s Song (vom 1989-02-24 bis 1989-02-25)
Komponist(in):
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
zusätzliche(r) Komponist(in):
Ralph Benatzky
Librettist:
Rudolf Schanzer (Austrian librettist) und Ernst Welisch
Teil von:
Casanova
Johann Strauss II3:32
9Piano Sonata No.14 ''Moonlight'' (I Adagio Sostenuto)
Flügel und Klavier:
Vladimir Ashkenazy (Russian-Icelandic conductor and pianist) (in 1989-06)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1989-06)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
Teil von:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven5:25
10Romeo And Juliet (love theme)
Produzent(in):
John Culshaw (in 1960-06) und Erik Smith (British producer, pianist and harpsichordist) (in 1960-06)
Orchester:
Vienna Philharmonic Orchestra (in 1960-06)
Dirigent(in):
Herbert von Karajan (conductor) (in 1960-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1960-06)
teilweise recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (in 1960-06)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский33:11
11Warsaw Concerto
Klavier:
Cristina Ortiz (pianist)
Orchester:
Royal Philharmonic Orchestra
Dirigent(in):
Moshe Atzmon (conductor)
recording of:
Warsaw Concerto (Dangerous Moonlight)
Orchestrator(in):
Roy Douglas (British composer, pianist)
Komponist(in):
Richard Addinsell (composer)
Teil von:
Dangerous Moonlight (film soundtrack)
Richard Addinsell9:00
12'New World' Symphony (II Largo - excerpt)
Orchester:
Chicago Symphony Orchestra
Dirigent(in):
Sir Georg Solti (conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
Komponist(in):
Antonín Dvořák (composer) (vom 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák5:34
13Dance Of The Sugar-Plum Fairy The Nutcracker
Produzent(in):
John Culshaw
Orchester:
Wiener Philharmoniker (vom 1961-09-05 bis 1961-09-22)
Dirigent(in):
Herbert von Karajan (conductor) (vom 1961-09-05 bis 1961-09-22)
Tonmeister(in):
James Brown (Decca engineer, 1960s) (vom 1961-09-05 bis 1961-09-22) und Gordon Parry (engineer) (vom 1961-09-05 bis 1961-09-22)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (vom 1961-09-05 bis 1961-09-22)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (vom 1961-09-05 bis 1961-09-22)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy)
Komponist(in):
Пётр Ильич Чайковский (Russian romantic composer)
Arrangement von:
The Nutcracker, Op. 71: Dance of the Sugarplum Fairy, Extract (Arrangement for solo piano by Pauline Hall)
Teil von:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский1:34
14Concierto De Aranjuez (II Adagio - excerpt)
Gitarre:
Carlos Bonell (classical guitarist)
Orchester:
Orchestre symphonique de Montréal
Dirigent(in):
Charles Dutoit (conductor)
teilweise recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
music quoted on:
Alma vieja
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo5:28
15The Arrival Of The Queen Of Sheba Solomon
Produzent(in):
Michael Bremner (producer/engineer) (in 1965-04)
Orchester:
Academy of St Martin in the Fields (in 1965-04)
Dirigent(in):
Sir Neville Marriner (conductor) (in 1965-04)
Tonmeister(in):
Kenneth Wilkinson (engineer) (in 1965-04)
aufgenommen bei:
Decca Studios in West Hampstead, Camden, London (Greater London), England, Vereinigtes Königreich (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel3:08
16Hungarian Dance No.5
Orchester:
Royal Philharmonic Orchestra
Dirigent(in):
Walter Weller (violinist and conductor)
recording of:
Hungarian Dance for Orchestra no. 5 in G minor: Allegro - Vivace (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (in 1868)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
Hungarian Dances for Orchestra (catch-all for unknown and one-off orchestrations)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling)
Orchestrator(in):
Martin Schmeling
Komponist(in):
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:09
17Méditation Thaïs
Produzent(in):
James Mallinson (producer)
Geige / Violine:
Nigel Kennedy (violinist) (in 1983-12)
Orchester:
The National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1983-12)
Dirigent(in):
Richard Bonynge (conductor and pianist) (in 1983-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1984) und The Decca Record Company Ltd. (for copyrights use only!) (in 1992)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1983-12)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1983-12)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Thaïs: Acte II
Jules Massenet5:38
18Nessun dorma! Turandot
Chorgesang:
The John Alldis Choir (vom 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (vom 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (vom 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO) (vom 1972-08-10 bis 1972-08-25, am 1972-08-25)
Dirigent(in):
Zubin Mehta (conductor) (vom 1972-08-10 bis 1972-08-25)
Chorleiter(in):
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (vom 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (vom 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (vom 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA
Teil von:
Turandot: Atto III
Giacomo Puccini52:59