| # | Title | Artist | Rating | Length |
|---|
| 1 | Our House | Madness | 4.15 | 3:22 |
| 2 | All of Me | John Legend | 3.2 | 4:29 |
| 3 | I Alone | Līve | 4.3 | 3:53 |
| 4 | I Follow Rivers (Live@Giel!) | Triggerfinger | 5 | 3:37 |
| 5 | Bloed, zweet en tranen | André Hazes | | 3:59 |
| 6 | Save a Prayer | Duran Duran | | 3:45 |
| 7 | Broken Tonight | Armin van Buuren | | 2:56 |
| 8 | Denis- engineer:
- Rob Freeman
- producer:
- Richard Gottehrer
- bass guitar:
- Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
- drums (drum set):
- Clem Burke (from 1977-06 until 1977-07)
- electric guitar [lead guitar] and vibraphone:
- Chris Stein (from 1977-06 until 1977-07)
- electric guitar [rhythm guitar]:
- Frank Infante (from 1977-06 until 1977-07)
- farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
- Jimmy Destri (from 1977-06 until 1977-07)
- background vocals:
- Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
- lead vocals:
- Deborah Harry (from 1977-06 until 1977-07)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1977), Chrysalis Records, Inc. (in 1977, in 2001) and Chrysalis Records Ltd. (in 1978)
- recorded at:
- Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
- cover recording of:
- Denise (from 1977-06 until 1977-07)
- lyricist and composer:
- Neil Levenson
- publisher:
- Bright Tunes Music Corp., EMI Music Publishing Ltd. , Minder Music Ltd. and Taking Care of Business Music Inc.
| Blondie | 3.6 | 2:16 |
| 9 | The Way It Is | Bruce Hornsby & the Range | 3.75 | 4:56 |
| 10 | Home Again | Kensington | | 3:14 |
| 11 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 2 | 2:57 |
| 12 | Pretty | The Cranberries | 4 | 2:16 |
| 13 | The Times Are Changing | Di-rect | | 3:24 |
| 14 | Try | P!nk | 3.9 | 4:07 |
| 15 | Mr. Blue Sky- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set), other instruments [fire extinguisher] and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- background vocals:
- Bev Bevan (in 1977) and Kelly Groucutt (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005), Sony Music Entertainment Inc. (in 1977) and United Artists Music and Records Group, Inc. (in 1977)
- recorded at:
- Musicland Studios in München, Bayern, Germany (in 1977)
- mixed at:
- Musicland Studios in München, Bayern, Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 17)
- recording of:
- Mr. Blue Sky (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc. , EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- Concerto for a Rainy Day
| Electric Light Orchestra | 4.45 | 5:05 |
| 16 | A Town Called Malice | The Jam | 4.75 | 2:53 |
| 17 | Wouldn’t It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Whitechapel, Tower Hamlets, London , England, United Kingdom
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music (London) Ltd., Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.5 | 4:30 |
| 18 | Hedonism (Just Because You Feel Good) | Skunk Anansie | 4 | 3:25 |
