Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

▶CD 1: Disc 01 - Oberto (Marriner, 1997)
▶CD 2: Disc 02 - Oberto (Marriner, 1997)
▶CD 3: Disc 03 - Un giorno di regno (Gardelli, 1973)
▶CD 4: Disc 04 - Un giorno di regno (Gardelli, 1973)
▶CD 5: Disc 05 - Nabucco (Gardelli, 1965)
▶CD 6: Disc 06 - Nabucco (Gardelli, 1965)
▼CD 7: Disc 07 – I Lombardi (Gardelli, 1972)
#TitleRatingLength
1I Lombardi: Preludio e Introduzione: “Oh nobile esempio!”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°1 Preludio (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
recording of:
I Lombardi: Atto I. N°2 Introduzione: “Oh nobile esempio!” (coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
6:35
2I Lombardi: Scena: “Qui nel luogo santo e pio“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°2 Scena “Qui nel luogo santo e pio” (Pagano, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
0:57
3I Lombardi: Quintetto: “T'assale un tremito!“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°2 Quintetto “T'assale un tremito!” (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:37
4I Lombardi: Scena: “Or s'ascolti“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [A Prior Of Milan]:
Keith Erwen (operatic tenor) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°2 Scena “Or s'ascolti” (Pagano, Pirro, Viclinda, Giselda, Arvino, Priore, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:33
5I Lombardi: Coro: “A te nell'ora infausta“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°3 Coro “A te nell'ora infausta” (coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
2:50
6I Lombardi: Recitativo: “Vergini!... il ciel per ora“
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°3 Recitativo “Vergini! … il ciel per ora” (Pagano, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
1:28
7I Lombardi: Aria: “Sciagurata! hai tu creduto“
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°3 Aria “Sciagurata! hai tu creduto” … “Molti fidi qui celati... Niun periglio” (Pagano, Pirro, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
6:52
8I Lombardi: Scena: “Tutta tremante ancor“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°4 Scena “Tutta tremante ancor” (Viclinda, Giselda, Arvino) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
2:23
9I Lombardi: Preghiera: “Salve Maria“
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°4 Preghiera “Salve Maria” (Giselda) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:41
10I Lombardi: Scena e Finale: “Vieni! Già pose Arvino”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°5 Scena e finale “Vieni! Già pose Arvino” (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
2:03
11I Lombardi: “Mostro d'averno orribile”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°5 “Mostro d'averno orribile“ (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:29
12I Lombardi: “Parricida!”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Giselda]:
Cristina Deutekom (soprano) (in 1971-07)
soprano vocals [Viclinda]:
Desdemona Malvisi (soprano) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto I. N°5 “Parricida!“ (Pagano, Pirro, Viclinda, Giselda, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto I (La Vendetta)
3:01
13I Lombardi: Coro: “È dunque vero?”
bass-baritone vocals [Acciano]:
Clifford Grant (operatic bass and actor) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°6 Coro “È dunque vero?” (Acciano, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
2:44
14I Lombardi: Scena: “O madre mia, che fa colei?”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
soprano vocals [Sofia]:
Montserrat Aparici (mezzo-soprano) (in 1971-07)
tenor vocals [Oronte]:
Plácido Domingo (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 Scena “O madre mia, che fa colei?” (Sofia, Oronte) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
1:11
15I Lombardi: Cavatina: “La mia letizia infondere”
mezzo-soprano vocals:
Montserrat Aparici (mezzo-soprano)
soprano vocals [Sofia]:
Montserrat Aparici (mezzo-soprano) (in 1971-07)
tenor vocals [Oronte]:
Plácido Domingo (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
6:50
16I Lombardi: “Come poteva un angelo”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
recording of:
I Lombardi: Atto II. N°8 Scena e marcia “E ancor silenzio!” … “Ma quando un suon terribile…” (Pagano, Pirro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
8:04
17I Lombardi: Duettino: “Sei tu l'uom della caverna?”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
bass vocals [Pirro]:
Stafford Dean (operatic bass) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°8 Duettino “Sei tu l'uom della caverna?” (Pagano, Arvino) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
1:57
18I Lombardi: Inno dei Crociati: “Stolto Allha!”
bass vocals [Pagano (Eremita)]:
Ruggero Raimondi (bass-baritone) (in 1971-07)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-07)
tenor vocals [Arvino]:
Jérôme Lo Monaco (tenor) (in 1971-07)
orchestra:
Royal Philharmonic Orchestra (in 1971-07)
conductor:
Lamberto Gardelli (conductor) (in 1971-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-07)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1971-07)
recording of:
I Lombardi: Atto II. N°8 Inno dei Crociati: “Stolto Allàh!” (Pagano, Arvino, coro) (in 1971-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
2:08
▶CD 8: Disc 08 – I Lombardi (Gardelli, 1972)
▶CD 9: Disc 09 – Ernani (Bonynge, 1987/1998)
▶CD 10: Disc 10 – Ernani (Bonynge, 1987/1998)
▶CD 11: Disc 11 - I due Foscari (Gardelli, 1977)
▶CD 12: Disc 11 - I due Foscari (Gardelli, 1977)
▶CD 13: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶CD 14: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶CD 15: Disc 15 - Alzira (Luisi, 2001)
▶CD 16: Disc 16 - Alzira (Luisi, 2001)
▶CD 17: Disc 17 - Attila (Gardelli, 1972)
▶CD 18: Disc 18 - Attila (Gardelli, 1972)
▶CD 19: Disc 19 - Macbeth (Abbado, 1976)
▶CD 20: Disc 20 - Macbeth (Abbado, 1976)
▶CD 21: Disc 21 – I masnadieri (Bonynge, 1982)
▶CD 22: Disc 22 – I masnadieri (Bonynge, 1982)
▶CD 23: Disc 23 - Jérusalem (Luisi, 1998)
▶CD 24: Disc 24 - Jérusalem (Luisi, 1998)
▶CD 25: Disc 25 - Jérusalem (Luisi, 1998)
▶CD 26: Disc 26 - Il corsaro (Gardelli, 1975)
▶CD 27: Disc 27 - Il corsaro (Gardelli, 1975)
▶CD 28: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
▶CD 29: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
▶CD 30: Disc 30 - Luisa Miller (Maazel, 1979)
▶CD 31: Disc 31 - Luisa Miller (Maazel, 1979)
▶CD 32: Disc 32 - Stiffelio (1979)
▶CD 33: Disc 33 - Stiffelio (1980)
▶CD 34: Disc 34 - Rigoletto (Chailly, 1989)
▶CD 35: Disc 35 - Rigoletto (Chailly, 1989)
▶CD 36: Disc 36 – Il trovatore (Mehta, 1990)
▶CD 37: Disc 37 – Il trovatore (Mehta, 1990)
▶CD 38: Disc 38 – La traviata (Pritchard, 1962)
▶CD 39: Disc 39 – La traviata (Pritchard, 1962)
▶CD 40: Disc 40 – I vespri siciliani (Levine, 1973)
▶CD 41: Disc 41 – I vespri siciliani (Levine, 1973)
▶CD 42: Disc 42 – I vespri siciliani (Levine, 1973)
▶CD 43: Disc 43 - Simon Boccanegra (Solti, 1989)
▶CD 44: Disc 44 - Simon Boccanegra (Solti, 1989)
▶CD 45: Disc 45 - Aroldo (Luisi, 2001)
▶CD 46: Disc 46 - Aroldo (Luisi, 2001)
▶CD 47: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
▶CD 48: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
▶CD 49: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 50: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 51: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 52: Disc 52 – Don Carlo (Solti, 1965)
▶CD 53: Disc 53 – Don Carlo (Solti, 1965)
▶CD 54: Disc 54 – Don Carlo (Solti, 1965)
▶CD 55: Disc 55 - La forza del destino (Sinopoli, 1987)
▶CD 56: Disc 56 - La forza del destino (Sinopoli, 1987)
▶CD 57: Disc 57 - La forza del destino (Sinopoli, 1987)
▶CD 58: Disc 58 – Aida (Karajan, 1959)
▶CD 59: Disc 59 – Aida (Karajan, 1959)
▶CD 60: Disc 60 - Requiem (1968)
▶CD 61: Disc 61 - Requiem (1968)
▶CD 62: Disc 62 – Don Carlos (Abbado, 1984)
▶CD 63: Disc 63 – Don Carlos (Abbado, 1984)
▶CD 64: Disc 64 – Don Carlos (Abbado, 1984)
▶CD 65: Disc 65 – Don Carlos (Abbado, 1984)
▶CD 66: Disc 66 - Otello (1954)
▶CD 67: Disc 67 - Otello (1954)
▶CD 68: Disc 68 - Falstaff (Solti, 1963)
▶CD 69: Disc 69 - Falstaff (Solti, 1963)
▶CD 70: Disc 70 - Opere sacre (Messa solenne) (2000)
▶CD 71: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
▶CD 72: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
▶CD 73: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
▶CD 74: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]