| # | Title | Artist | Rating | Length |
|---|
| 1 | Good Vibrations- recording engineer:
- Bruce Botnick, Chuck Britz and Larry Levine
- engineer:
- Chuck Britz and Jim Lockert
- producer:
- The Beach Boys and Brian Wilson
- mixer:
- Derry FitzGerald
- lead vocals:
- Mike Love and Carl Wilson (from 1966-02 until 1966-06)
- vocals:
- Mike Love (from 1966-02 until 1966-06)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders in Los Angeles, California, United States (from 1966-02 until 1966-06)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 6) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 53)
- recording of:
- Good Vibrations (from 1966-02 until 1966-06)
- lyricist:
- Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. and Universal Music Publishing
- version of:
- Good Vibrations
| The Beach Boys | 4.2 | 3:37 |
| 2 | My Sharona | The Knack | 4.15 | 3:59 |
| 3 | Lola | The Kinks | | 4:05 |
| 4 | You're So Vain | Carly Simon | 4.85 | 4:17 |
| 5 | Electric Blue | Icehouse | | 4:21 |
| 6 | Sexual Healing | Marvin Gaye | 3.8 | 3:59 |
| 7 | Eagle Rock | Daddy Cool | | 4:10 |
| 8 | Pretty Woman | Roy Orbison | 4.3 | 3:00 |
| 9 | April Sun in Cuba | Dragon | | 3:26 |
| 10 | Ride Like the Wind | Christopher Cross | | 4:25 |
| 11 | Wild Thing | The Troggs | 4.6 | 2:36 |
| 12 | Black Magic Woman | Santana | 4.15 | 5:19 |
| 13 | Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Manhattan, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:53 |
| 14 | Rock On | David Essex | 4.35 | 3:24 |
| 15 | Africa | Toto | 4.1 | 4:53 |
| 16 | He Ain't Heavy, He's My Brother- producer:
- Ron Richards
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969) and The Hollies Ltd. (from 1969 until 1970)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1969-06-25)
- cover recording of:
- He Ain’t Heavy, He’s My Brother (on 1969-06-25)
- writer:
- Bob Russell and Bobby Scott
- publisher:
- Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation and ミュージック・セールス
| The Hollies | 4.2 | 4:19 |
| 17 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:03 |
| 18 | Blue Angel | Gene Pitney | | 2:49 |
| 19 | Most People I Know | Billy Thorpe | | 3:57 |
| 20 | Ebony Eyes | Bob Welch | | 3:33 |
