Strictly Instrumental

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼12" Vinyl 1
#TitleArtistRatingLength
A1Zambesi
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
trumpet:
Kenny Baker (UK trumpeter) (from 1976-12 until 1977-02)
orchestra:
Kenny Baker & His Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Zambesi (instrumental) (from 1976-12 until 1977-02)
composer:
Nico Carstens (accordionist and composer) and Anton de Waal (composer of Afrikaans songs)
Nico Carstens, Anton de Waal?:??
A2Unchained Melody
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
trumpet:
Tony Fisher (trumpeter) (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Unchained Melody (from 1976-12 until 1977-02)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Musik Verlags GmbH, North Melody Publishing, Unchained Melody Publishing, LLC and 日音 Synch事業部
Alex North?:??
A3Forgotten Dreams
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
piano:
Ronnie Price (from 1976-12 until 1977-02)
orchestra:
The Neil Richardson Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Forgotten Dreams (from 1976-12 until 1977-02)
composer:
Leroy Anderson (until 1954-06-02)
Leroy Anderson?:??
A4The Blue Danube
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
violin [violins]:
Sidney Sax (violinist) (from 1976-12 until 1977-02)
orchestra:
The Olympic Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
An der schönen blauen Donau, op. 314 (from 1976-12 until 1977-02)
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II?:??
A5Begin the Beguine
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
clarinet:
Keith Bird (Saxophonist) (from 1976-12 until 1977-02)
tenor saxophone:
Duncan Lamont (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Begin the Beguine (from 1976-12 until 1977-02)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Cole Porter?:??
A6Lonely Ballerina
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
violin [violins]:
Sidney Sax (violinist) (from 1976-12 until 1977-02)
orchestra:
The Olympic Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Lonely Ballerina (from 1976-12 until 1977-02)
additional composer:
Mantovani
composer:
Michael Carr (songwriter)
Michael Carr, Paul Lambrecht?:??
A7April in Portugal
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
guitar:
Brian Daly (guitarist) (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
April in Portugal (from 1976-12 until 1977-02)
lyricist:
José Galhardo and Jimmy Kennedy (Irish songwriter)
composer:
Raul Ferrão
arrangement of:
Coimbra
Raul Ferrão?:??
A8Strictly Instrumental
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
trumpet:
Kenny Baker (UK trumpeter) (from 1976-12 until 1977-02)
orchestra:
Kenny Baker & His Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Strictly Instrumental (from 1976-12 until 1977-02)
writer:
Edgar Battle, Bennie Benjamin, Sol Marcus and Edward Seiler
Edgar Battle, Bennie Benjamin, Sol Marcus?:??
A9Because They’re Young
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
guitar:
Vic Flick (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Because They’re Young (from 1976-12 until 1977-02)
writer:
Domenick Costa, Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
Domenick Costa, Wally Gold, Aaron Schroeder?:??
A10Till
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
piano:
Ronnie Price (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
Till (from 1976-12 until 1977-02)
lyricist:
Pierre Buisson
composer:
Charles Danvers
translator:
Carl Sigman
translated version of:
Prière sans espoir
Charles Danvers?:??
B1Holiday for Strings
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
violin [violins]:
Sidney Sax (violinist) (from 1976-12 until 1977-02)
orchestra:
The Olympic Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
Holiday for Strings (from 1976-12 until 1977-02)
lyricist:
Sammy Gallop
composer:
David Rose (songwriter, pianist and orchestra leader)
David Rose?:??
B2Charmaine
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
violin [violins]:
Sidney Sax (violinist) (from 1976-12 until 1977-02)
orchestra:
The Olympic Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
Charmaine (from 1976-12 until 1977-02)
lyricist:
Louis Leazer
composer:
Ernö Rapée
publisher:
Lew Pollack Music, Miller Music Corp., Rapee Music Corp. and Belwin, Inc. (on 1926-12-31)
Lew Pollack, Ernö Rapée?:??
B3Canadian Sunset
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
orchestra:
The Neil Richardson Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
Canadian Sunset (from 1976-12 until 1977-02)
lyricist:
Norman Gimbel
composer:
Eddie Heywood (pianist, composer and bandleader)
publisher:
Chappell-Morris Ltd. and Meridian Music
Eddie Heywood?:??
B4Cara mia
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
trumpet:
Tony Fisher (trumpeter) (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
Cara mia (from 1976-12 until 1977-02)
writer:
Lee Lange and Tulio Trapani
Lee Lange, Tulio Trapani?:??
B5Tonight
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
piano:
Ronnie Price (from 1976-12 until 1977-02) and Neil Richardson (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
West Side Story: Tonight (Maria, Tony) (from 1976-12 until 1977-02)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (US composer & conductor) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
music quoted on:
West Side Story: End Credits (2021 motion picture)
music quoted on:
West Side Story: Finale (2021 motion picture version)
part of:
West Side Story
Leonard Bernstein?:??
B6Swedish Rhapsody
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
orchestra:
The Neil Richardson Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Swedish Rhapsody (Midsummer Vigil) (from 1976-12 until 1977-02)
composer:
Hugo Alfvén (composer and conductor)
arranger:
Percy Faith
version of:
Swedish Rhapsody no. 1, op. 19 “Midsommarvaka”
Hugo Alfvén?:??
B7Love Is Blue
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
piano:
Neil Richardson (from 1976-12 until 1977-02)
orchestra:
The Neil Richardson Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
instrumental recording of:
Love Is Blue (from 1976-12 until 1977-02)
lyricist:
Pierre Cour
composer:
André Popp
translator:
Bryan Blackburn
publisher:
Intersong U.S.A. (publisher), Radio-Tele-Music GmbH and Radmus Publishing Inc.
translated version of:
L’amour est bleu
André Popp?:??
B8Tales From the Vienna Woods
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
orchestra:
The Neil Richardson Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Geschichten aus dem Wienerwald, op. 325 (from 1976-12 until 1977-02)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 325)
Johann Strauss II?:??
B9Roulette
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
piano:
Ronnie Price (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Roulette (from 1976-12 until 1977-02)
composer:
Trevor Stanford (pianist, composer)
Trevor Stanford?:??
B10Marching Strings
recording engineer:
Keith Grant (classical recording engineer) (from 1976-12 until 1977-02)
producer:
Brian Matthew (Broadcaster and Saturday Club Host)
orchestra:
Hamilton “Pops” Concert Orchestra (from 1976-12 until 1977-02)
arranger:
Neil Richardson
phonographic copyright (℗) by:
Warwick Records (in 1977)
produced for:
Warwick Records
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1976-12 until 1977-02)
recording of:
Marching Strings (BBC Top of the Form theme) (from 1976-12 until 1977-02)
composer:
Marshall Ross (orchestra leader, music director, composer, arranger)
Marshall Ross?:??

Credits

Release

manufactured in:Great Britain
printed in:Great Britain
design:Joe Howarth (designer)
manufactured by:Garrod & Lofthouse Ltd. (printer and manufacturer of sleeves for the recording industry)
distributed by:Multiple Sounds Distributors Ltd.
Discogs:https://www.discogs.com/release/5756785 [info]
ASIN:UK: B01J4G8V9W [info]
UK: B078N6964J [info]