Ben Webster Meets Oscar Peterson

~ Release by Ben Webster (see all versions of this release, 8 available)

Tracklist

▼Vinyl 1
#TitleRatingLength
1The Touch of Your Lips
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
The Touch of Your Lips (on 1959-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
6:19
2When Your Lover Has Gone
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
When Your Lover Has Gone (on 1959-11-06)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
3:59
3Bye-Bye, Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
6:44
4How Deep Is the Ocean?
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
How Deep Is the Ocean? (on 1959-11-06)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:35
5In the Wee, Small Hours of the Morning
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
In the Wee Small Hours of the Morning (on 1959-11-06)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
3:12
6Sunday
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Sunday (Frank Sinatra song) (on 1959-11-06)
writer:
Chester Conn, Benny Krueger (jazz saxophonist), Ned Miller (Nathan "Ned" Miller) and Jule Styne
publisher:
EMI United Partnership Ltd.
3:57
7This Can't Be Love
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (jazz bassist) (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
This Can’t Be Love (on 1959-11-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell
9:50