| # | Title | Artist | Rating | Length |
|---|
| C1 | Ryder Music | 50 Cent | 3 | 3:51 |
| C2 | Disco Inferno- recording engineer:
- Kameron Houff and Mauricio “Veto” Iragorri
- assistant engineer:
- Rouble Kapoor
- producer:
- Bang Out and C. Styles
- mixer:
- Dr. Dre and Mauricio “Veto” Iragorri
- additional keyboard:
- Mike Elizondo
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States and Sound Villa in Miami, Florida, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- Disco Inferno
- writer:
- Curtis Jackson, Phillip Pitts and Teraike Crawford
- publisher:
- 50 Cent Music, 700 Music, Club 700 Music, Kobalt Music Copyrights SARL, Songs of Universal, Inc., Universal Music Corp. and Universal Music Publishing
| 50 Cent | 3.5 | 3:34 |
| C3 | Just a Lil Bit- recording engineer:
- Kameron Houff and Steve “Steve B” Baughman
- assistant engineer:
- Robert “Roomio” Reyes and Rouble Kapoor
- producer:
- Scott Storch
- mixer:
- Dr. Dre and Mauricio “Veto” Iragorri
- additional keyboard:
- Mike Elizondo
- sitar:
- Mike Elizondo
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States and Sound Villa in Miami, Florida, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- Just a Lil Bit
- writer:
- Curtis Jackson and Scott Storch
- publisher:
- 50 Cent Music, Kobalt Music Copyrights SARL, Reservoir Media Music, Scott Storch Music, TVT Music and Universal Music Publishing
| 50 Cent | 4 | 3:57 |
| C4 | Gunz Come Out- recording engineer:
- Jared Lopez, Mauricio “Veto” Iragorri and Steve “Steve B” Baughman
- assistant engineer:
- Rouble Kapoor
- producer:
- Dr. Dre and Mike Elizondo
- mixer:
- Dr. Dre
- keyboard:
- Mike Elizondo
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States and RMP Studios in Orlando, Florida, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- Gunz Come Out
- writer:
- Andre Young , Curtis Jackson and Mike Elizondo
- publisher:
- 50 Cent Music, Ain’t Nothin’ Goin’ On but F*****’ Music, Blotter, Elvismambo Music, Music of Windswept, Universal Music Publishing and WB Music Corp.
| 50 Cent | 4 | 4:24 |
| C5 | My Toy Soldier- recording engineer:
- Tony Campana and Mike Strange
- additional producer:
- Luis Resto
- producer:
- Eminem
- mixer:
- Eminem and Steve King
- guest vocals:
- Tony Yayo
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at and mixed at:
- 54 Sound in Detroit, Michigan, United States
- recording of:
- My Toy Soldier
- writer:
- Curtis Jackson, Steve King , Marshall Mathers, Marvin Bernard and Luis Resto
- publisher:
- 50 Cent Music, Dirty Steve's Music, Resto World Music, Shroom Shady Music, Universal Music Publishing and Yayo Music Publishing
| 50 Cent feat. Tony Yayo | 3.5 | 3:44 |
| D1 | Position of Power- recording engineer:
- Chuck Reed and Adam Hawkins
- assistant engineer:
- Jeff Burns and Brad Winslow
- producer:
- Jonathan “J.R.” Rotem
- mixer:
- Steve “Steve B” Baughman
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Larrabee Sound North in Universal City, California, United States and Rock Central Studios in Los Angeles, California, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- Position of Power
- writer:
- Curtis Jackson and Jonathan Rotem
- publisher:
- 50 Cent Music, Jonathan Rotem Music, Southside Independent Music Publishing and Universal Music Publishing
| 50 Cent | 3 | 3:12 |
| D2 | Build You Up | 50 Cent feat. Jamie Foxx | 4 | 2:55 |
| D3 | God Gave Me Style- recording engineer:
- Adam Hawkins
- producer:
- Needlz
- mixer:
- Pat “Pat ’Em Down” Viala
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Larrabee Sound North in Universal City, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- samples:
- Each Day I Cry a Little by Eddie Kendricks
- recording of:
- God Gave Me Style
- writer:
- Leonard Caston , Curtis Jackson, Khari Cain and Terri McFaddin
- publisher:
- 50 Cent Music, Dry Rain Entertainment, Jobete Music Co., Inc., Stone Diamond Music Corporation and Universal Music Publishing
| 50 Cent | 3 | 3:01 |
| D4 | So Amazing- recording engineer:
- Adam Hawkins
- assistant engineer:
- Jeff Burns
- producer:
- Jonathan “J.R.” Rotem
- mixer:
- Steve “Steve B” Baughman
- guest vocals:
- Olivia
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- Larrabee Sound North in Universal City, California, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- recording of:
- So Amazing
- writer:
- Curtis Jackson, Jonathan Rotem and Jasmin Lopez
- publisher:
- 50 Cent Music, Blotter Music, BMG Songs, Inc., Jonathan Rotem Music, Pencess Publishing, Songs of Windswept, Southside Independent Music Publishing and Universal Music Publishing
| 50 Cent feat. Olivia | 4 | 3:16 |
| D5 | I Don’t Need ’em- recording engineer:
- Ky Miller and Ed Scratch
- assistant engineer:
- Rouble Kapoor
- producer:
- BuckWild
- mixer:
- Dr. Dre and Mauricio “Veto” Iragorri
- bass:
- Mike Elizondo and Eric Hudson
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- The Big House in Farmington, Connecticut, United States and The Stash House in The Bronx, New York, New York, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- samples:
- Nobody Knows by The SCLC Operation Breadbasket Orchestra and Choir feat. Ben Branch
- recording of:
- I Don’t Need ’Em
- writer:
- Anthony Best and Curtis Jackson
- publisher:
- 50 Cent Music, Still Diggin’ Music and Universal Music Publishing
| 50 Cent | 3.5 | 3:20 |
| D6 | Hate It or Love It (G-Unit remix)- recording engineer:
- Mauricio “Veto” Iragorri, Ky Miller and Steve “Steve B” Baughman
- assistant engineer:
- Rouble Kapoor and Steve Lininger
- producer:
- Cool & Dre
- mixer:
- Dr. Dre , Mauricio “Veto” Iragorri and Steve “Steve B” Baughman
- additional keyboard and bass:
- Mike Elizondo
- keyboard:
- Dave Cabrera
- guest vocals:
- Lloyd Banks , The Game , Tony Yayo and Young Buck
- lead vocals:
- 50 Cent
- phonographic copyright (℗) by:
- Aftermath Entertainment (in 2005), Interscope Records (in 2005) and Shady Records (in 2005)
- recorded at:
- G Unit Studios in New York, New York, United States and Record One in Sherman Oaks, Los Angeles, California, United States
- mixed at:
- Record One in Sherman Oaks, Los Angeles, California, United States
- samples:
- Rubber Band by The Trammps
- recording of:
- Hate It or Love It (G-Unit remix)
- writer:
- A. Felder, A. Lyon , C. Lloyd , C. Taylor, D. Brown , J. Taylor , M. Bernard , M. Valenzano , N. Harris and R. Baker
- publisher:
- 50 Cent Music, BlackWallStreet, Dade Co. Project Music, Inc., Each1Teach1, Golden Fleece Music, Lloyd Banks Music, Mouth Full O’ Gold Music, Mured Music, Universal Music Publishing , Yayo Music Publishing, Zomba Songs and Zomba Songs Inc.
- is based on:
- Hate It or Love It
| 50 Cent feat. The Game, Tony Yayo, Young Buck & Lloyd Banks | 5 | 4:23 |
