Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

▶CD 1: Disc 01 - Oberto (Marriner, 1997)
▶CD 2: Disc 02 - Oberto (Marriner, 1997)
▶CD 3: Disc 03 - Un giorno di regno (Gardelli, 1973)
▶CD 4: Disc 04 - Un giorno di regno (Gardelli, 1973)
▶CD 5: Disc 05 - Nabucco (Gardelli, 1965)
▶CD 6: Disc 06 - Nabucco (Gardelli, 1965)
▶CD 7: Disc 07 – I Lombardi (Gardelli, 1972)
▶CD 8: Disc 08 – I Lombardi (Gardelli, 1972)
▶CD 9: Disc 09 – Ernani (Bonynge, 1987/1998)
▶CD 10: Disc 10 – Ernani (Bonynge, 1987/1998)
▶CD 11: Disc 11 - I due Foscari (Gardelli, 1977)
▶CD 12: Disc 11 - I due Foscari (Gardelli, 1977)
▶CD 13: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶CD 14: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
▶CD 15: Disc 15 - Alzira (Luisi, 2001)
▶CD 16: Disc 16 - Alzira (Luisi, 2001)
▶CD 17: Disc 17 - Attila (Gardelli, 1972)
▶CD 18: Disc 18 - Attila (Gardelli, 1972)
▶CD 19: Disc 19 - Macbeth (Abbado, 1976)
▶CD 20: Disc 20 - Macbeth (Abbado, 1976)
▶CD 21: Disc 21 – I masnadieri (Bonynge, 1982)
▶CD 22: Disc 22 – I masnadieri (Bonynge, 1982)
▶CD 23: Disc 23 - Jérusalem (Luisi, 1998)
▶CD 24: Disc 24 - Jérusalem (Luisi, 1998)
▶CD 25: Disc 25 - Jérusalem (Luisi, 1998)
▶CD 26: Disc 26 - Il corsaro (Gardelli, 1975)
▶CD 27: Disc 27 - Il corsaro (Gardelli, 1975)
▶CD 28: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
▶CD 29: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
▶CD 30: Disc 30 - Luisa Miller (Maazel, 1979)
▶CD 31: Disc 31 - Luisa Miller (Maazel, 1979)
▶CD 32: Disc 32 - Stiffelio (1979)
▶CD 33: Disc 33 - Stiffelio (1980)
▶CD 34: Disc 34 - Rigoletto (Chailly, 1989)
▶CD 35: Disc 35 - Rigoletto (Chailly, 1989)
▶CD 36: Disc 36 – Il trovatore (Mehta, 1990)
▶CD 37: Disc 37 – Il trovatore (Mehta, 1990)
▶CD 38: Disc 38 – La traviata (Pritchard, 1962)
▶CD 39: Disc 39 – La traviata (Pritchard, 1962)
▶CD 40: Disc 40 – I vespri siciliani (Levine, 1973)
▶CD 41: Disc 41 – I vespri siciliani (Levine, 1973)
▶CD 42: Disc 42 – I vespri siciliani (Levine, 1973)
▶CD 43: Disc 43 - Simon Boccanegra (Solti, 1989)
▶CD 44: Disc 44 - Simon Boccanegra (Solti, 1989)
▶CD 45: Disc 45 - Aroldo (Luisi, 2001)
▶CD 46: Disc 46 - Aroldo (Luisi, 2001)
▶CD 47: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
▶CD 48: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
▶CD 49: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 50: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 51: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
▶CD 52: Disc 52 – Don Carlo (Solti, 1965)
▶CD 53: Disc 53 – Don Carlo (Solti, 1965)
▶CD 54: Disc 54 – Don Carlo (Solti, 1965)
▶CD 55: Disc 55 - La forza del destino (Sinopoli, 1987)
▶CD 56: Disc 56 - La forza del destino (Sinopoli, 1987)
▶CD 57: Disc 57 - La forza del destino (Sinopoli, 1987)
▼CD 58: Disc 58 – Aida (Karajan, 1959)
#TitleRatingLength
1Aida: Preludio (Orchestra)
orchestra:
Wiener Philharmoniker (in 1959)
conductor:
Herbert von Karajan (conductor) (in 1959)
recording of:
Aida: Preludio (standard opening to the opera, ~4min) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida
part of:
Aida (German lyrics)
3:54
2Aida: Atto I, scena 1. “Si, corre voce che l'Etiope ardisca”
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
1:39
3Aida: Atto I, scena 1. “Se quel guerriero io fossi! … Celeste Aida”
tenor vocals and tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959)
conductor:
Herbert von Karajan (conductor) (in 1959)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
5:03
4Aida: Atto I, scena 1. “Quale insolita gioia”
producer:
John Culshaw
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” – “Dessa” (Amneris, Radamès) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Terzetto: “Vieni, o diletta appressati” – “Ohimé, di guerre fremere” (Amneris, Aida, Radamès)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
5:56
5Aida: Atto I, scena 1. “Alta cagion v'aduna”
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Il sacro suolo dell'Egitto” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Scena e pezzo d’assieme “Su! del Nilo al sacro lido” (Il Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
6:41
6Aida: Atto I, scena 1. “Ritorna vincitor!”
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
7:01
7Aida: Atto I, scena 2. “Possente, possente Fthà”
producer:
John Culshaw
bass vocals [Ramfis]:
Arnold van Mill (Dutch operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
soprano vocals [Una sacerdotessa]:
Eugenia Ratti (soprano)
vocals:
Eugenia Ratti (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
5:21
8Aida: Atto I, scena 2. “Mortal, diletto ai Numi”
producer:
John Culshaw
vocals:
Arnold van Mill (Dutch operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
5:21
9Aida: Atto II, scena 1. “Chi mai fra gl'inni e i plausi”
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
6:14
10Aida: Atto II, scena 1. “Fu la sorte dell'armi a' tuoi funesta”
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Giulietta Simionato (mezzo soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
7:04
11Aida: Atto II, scena 1. “Su! del Nilo al sacro lido”
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:46
12Aida: Atto II, scena 2. “Gloria all'Egitto”
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
3:40
13Aida: Atto II, scena 2. “Marcia e ballabile”
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
6:20
14Aida: Atto II, scena 2. “Vieni, o guerriero vindice”
producer:
John Culshaw
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:30
15Aida: Atto II, scena 2. “Salvator della patria”
producer:
John Culshaw
bass vocals [Il re] and bass vocals [Ramfis]:
Fernando Corena (operatic bass)
choir vocals:
Singverein der Gesellschaft der Musikfreunde Wien
tenor vocals [Radamès]:
Carlo Bergonzi (tenor)
vocals:
Fernando Corena (operatic bass) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. “Salvator della patria” – “Concedi in pria” (Il Re, Radamès, Ramfis, Sacerdoti) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
2:13
16Aida: Atto II, scena 2. “Che veggo!... Egli... Mio padre!”
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
0:56
17Aida: Atto II, scena 2. “Quest'assisa ch'io vesto vi dica”
producer:
John Culshaw
soprano vocals [Aida]:
Renata Tebaldi (soprano)
vocals:
Cornell MacNeil (American baritone) (in 1959-09)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
1:05
18Aida: Atto II, scena 2. “Ma tu, Re, tu signore possente”
producer:
John Culshaw
baritone vocals [Amonasro]:
Cornell MacNeil (American baritone) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1959-09)
partial recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1959)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
4:25
▶CD 59: Disc 59 – Aida (Karajan, 1959)
▶CD 60: Disc 60 - Requiem (1968)
▶CD 61: Disc 61 - Requiem (1968)
▶CD 62: Disc 62 – Don Carlos (Abbado, 1984)
▶CD 63: Disc 63 – Don Carlos (Abbado, 1984)
▶CD 64: Disc 64 – Don Carlos (Abbado, 1984)
▶CD 65: Disc 65 – Don Carlos (Abbado, 1984)
▶CD 66: Disc 66 - Otello (1954)
▶CD 67: Disc 67 - Otello (1954)
▶CD 68: Disc 68 - Falstaff (Solti, 1963)
▶CD 69: Disc 69 - Falstaff (Solti, 1963)
▶CD 70: Disc 70 - Opere sacre (Messa solenne) (2000)
▶CD 71: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
▶CD 72: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
▶CD 73: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
▶CD 74: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]