Music from the film ‘Beat Girl’

~ Release by John Barry / Adam Faith / Gillian Hills (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Beat Girl (main title)
recording of:
Beat Girl (main title)
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:51
2The Off Beat
recording of:
The Off Beat
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:36
3I Did What You Told Me
vocals:
Adam Faith
recording of:
I Did What You Told Me
writer:
Trevor Peacock
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:58
4Lindon Home Rock
recording of:
Lindon Home Rock
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:01
5Time Out
recording of:
Time Out
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:54
6The Sharks
recording of:
The Sharks
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:19
7The Beat Girl Song
vocals:
Adam Faith
recording of:
The Beat Girl Song
writer:
Trevor Peacock
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:41
8The City 2000 A.D.
recording of:
The City 2000 A.D.
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:26
9The Stripper
recording of:
The Stripper
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:47
10The Cave / Beat Girl / Kids Stuff
recording of:
The Cave / Beat Girl / Kids Stuff
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:37
11Made You
vocals:
Adam Faith
recording of:
Made You
writer:
Trevor Peacock
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:46
12Car Chase / Night Chase
recording of:
Car Chase / Night Chase
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:40
13Chicken
recording of:
Chicken
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:22
14Blues for Beatnicks
recording of:
Blues for Beatnicks
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:13
15It’s Legal
performer:
Shirley Anne Field
recording of:
It’s Legal
writer:
Hyam Maccoby
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra1:48
16The Immediate Pleasure
recording of:
The Immediate Pleasure
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra3:40
17Blondie’s Strip
recording of:
Blondie’s Strip
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:06
18End Shot / Slaughter in Soho / Beat Girl (main title)
recording of:
End Shot / Slaughter in Soho / Beat Girl (main title)
writer:
John Barry (English score composer)
part of:
Beat Girl (soundtrack to the 1960 film Beat Girl)
The John Barry Orchestra2:53
19Ma première cigarette
vocals:
Gillian Hills
orchestra:
Paul Mauriat et son orchestre (Paul Mauriat’s 1959–1964 orchestra)
Gillian Hills with Paul Mauriat & His Orchestra2:42
20Cou-couche panier
vocals:
Gillian Hills
orchestra:
Paul Mauriat et son orchestre (Paul Mauriat’s 1959–1964 orchestra)
recording of:
Coucouche panier
Gillian Hills with Paul Mauriat & His Orchestra2:20
21Le Paradis pour toi (A Kookie Little Paradise)
vocals:
Gillian Hills
orchestra:
Paul Mauriat et son orchestre (Paul Mauriat’s 1959–1964 orchestra)
Gillian Hills with Paul Mauriat & His Orchestra2:02
22Si tu veux que je te dise
vocals:
Gillian Hills
orchestra:
Paul Mauriat et son orchestre (Paul Mauriat’s 1959–1964 orchestra)
Gillian Hills with Paul Mauriat & His Orchestra2:27
23Cha cha stopGillian Hills with The Ramirez Cha Cha Band3:01
24Près de la cascade (By a Waterfall)Gillian Hills with Henri Salvador and The Ramirez Cha Cha Band2:20
25Hit & Miss
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar [lead guitar]:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
violin:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) and Bernard Monshin (session violinist)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1960-01-14)
recording of:
Hit & Miss (on 1960-01-14)
composer:
John Barry (English score composer), Freddie Poser (English composer, publisher & producer) and Russell Turner (BBC Producer)
publisher:
EMI Mills Music Limited (PRS for Music-affiliated)
John Barry Seven Plus Four2:03
26Beat for Beatnicks
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
instruments:
The John Barry Seven
saxophone:
Johnny Scott (saxophonist)
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
Dickie Hawdon
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Beat for Beatniks (on 1960-03-14)
composer:
John Barry (English score composer)
John Barry and His Orchestra2:10
27Big Fella
John Barry and His Orchestra2:15
28Walk Don’t Run
The John Barry Seven2:15
29Black Stockings
producer:
John Barry (English score composer)
alto saxophone:
Jimmy Stead
bass guitar:
Mike Peters (John Barry Seven)
drums (drum set):
Dougie Wright
electric piano:
Les Reed
guitar:
Vic Flick
tenor saxophone:
Dennis King (John Barry Seven)
trumpet:
John Barry (English score composer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Black Stockings (on 1960-11-11)
composer:
John Barry (English score composer)
The John Barry Seven2:22
30Christella
The John Barry Seven2:03
31Bees Knees
recording of:
Bee’s Knees (on 1959-05-10)
composer:
John Barry (English score composer)
The John Barry Seven and Bob Miller & The Millermen2:11
32What Do You Want
producer:
John Barry (English score composer) and John Burgess (British record producer)
vocals:
Adam Faith (on 1959-09-25)
conductor and performer:
John Barry (English score composer) (on 1959-09-25)
arranger:
John Barry (English score composer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-09-25)
recording of:
What Do You Want? (on 1959-09-25)
lyricist and composer:
Les Vandyke
Adam Faith1:37
33Poor Me
producer:
John Burgess (British record producer)
vocals:
Adam Faith
arranger:
John Barry (English score composer)
Adam Faith1:46
34Someone Else’s Baby
recording of:
Someone Else’s Baby (1960 song)
writer:
Perry Ford and Les Vandyke
Adam Faith2:04
35How About That
instruments:
The John Barry Seven
lead vocals:
Adam Faith
recording of:
How About That
lyricist and composer:
Les Vandyke
Adam Faith1:54
36Lonely Pup (In a Christmas Shop)
recording of:
Lonely Pup (In a Christmas Shop)
lyricist and composer:
Arthur Alexander (country soul singer)
Adam Faith1:48