Philips Original Jackets Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶CD 1: Bruch: Violin Concertos no. 1, op. 26, no. 2, op. 44
▶CD 2: Schubert Lieder
▶CD 3: Brahms: Piano Concerto no. 2
▶CD 4: Beethoven: Triple Concerto, op. 36
▶CD 5: Brahms: Violin Concerto
▶CD 6: Liszt: Late Piano Works
▶CD 7: Beethoven: Piano Concertos no. 4 & no. 5
▶CD 8: Beethoven: Violin Concerto
▶CD 9: Rossini: Stabat Mater
▶CD 10: Verdi: Il Corsaro
▶CD 11: Verdi: Il Corsaro
▶CD 12: Berlioz: Symphonie Fantastique
▶CD 13: Tippett: Concerto For Violin, Viola & Cello
▶CD 14: Tchaikovsky: Suite no. 3
▶CD 15: Bartók:The Miraculous Mandarin
▶CD 16: Fauré: Requiem; Pavane
▶CD 17: Verdi: Requiem
▶CD 18: Tchaikovsky: Symphony no. 5
▶CD 19: Stravinsky: The Rite Of Spring; Scriabin: The Poem Of Ecstasy
▶CD 20: Mozart: Divertimento in E-flat major, K.563
▶CD 21: Bruckner: Symphony no. 3
▶CD 22: Debussy: Trois Nocturnes; Jeux
▶CD 23: Mahler: Das Lied von Der Erde
▶CD 24: Haydn, Hummel, Hertel & Stamitz Trumpet Concertos
▶CD 25: Mozart: Piano Concerto In D minor, K.466; Piano Concerto In C minor, K.491
▶CD 26: Dmitri Hvorostovsky: Tchaikovsky & Verdi Arias
▶CD 27: Mozart: Exsultate Jubilate
▶CD 28: Rachmaninoff: Piano Concertos Nos.2 & 3
▶CD 29: Rimsky-Korsakov: Scheherazade
▶CD 30: Bartók, Debussy, Mozart - Music For 2 Pianos
▶CD 31: Grieg & Schumann Piano Concertos
▶CD 32: Bach: The Brandenburg Concertos Nos.4-6
▶CD 33: Messiaen: Quatuor Pour La Fin Du Temps
▶CD 34: Tchaikovsky: Symphony no. 3 - “Polish”
▶CD 35: Rossini: Il Barbiere di Siviglia
▶CD 36: Rossini: Il Barbiere di Siviglia
▶CD 37: Tchaikovsky & Sibelius Violin Concertos
▶CD 38: Vivaldi: Le Quattro Stagioni
▶CD 39: Strauss, R.: Four Last Songs
▼CD 40: Orff: Carmina Burana
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi, “O Fortuna”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:23
2Carmina Burana: Fortuna Imperatrix Mundi, “Fortune plango vulnera”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:43
3Carmina Burana: I. Primo vere, “Veris leta facies”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:34
4Carmina Burana: I. Primo vere, “Omnia Sol temperat”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:38
5Carmina Burana: I. Primo vere, “Ecce gratum”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:33
6Carmina Burana: Uf dem Anger, Dance
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:49
7Carmina Burana: Uf dem Anger, “Floret silva nobilis”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:17
8Carmina Burana: Uf dem Anger, “Chramer, gip die varwe mir”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Shinyukai Choir (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
tenor vocals:
John Aler (tenor) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:23
9Carmina Burana: Uf dem Anger, “Swaz hie gat umbe” - “Chume, chum geselle min”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:40
10Carmina Burana: Uf dem Anger, “Were diu werlt alle min”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:50
11Carmina Burana: II. In Taberna, “Estuans interius”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:21
12Carmina Burana: II. In Taberna, “Olim lacus colueram”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
tenor vocals:
John Aler (tenor) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:47
13Carmina Burana: II. In Taberna, “Ego sum abbas”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:30
14Carmina Burana: II. In Taberna, “In taberna quando sumus”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:57
15Carmina Burana: III. Cour d’amours, “Amor volat undique”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Staats‐ und Domchor Berlin (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:10
16Carmina Burana: III. Cour d’amours, “Dies, nox et omnia”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:30
17Carmina Burana: III. Cour d’amours, “Stetit puella”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:58
18Carmina Burana: III. Cour d’amours, “Circa mea pectora”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:55
19Carmina Burana: III. Cour d’amours, “Si puer cum puellula”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
choir vocals:
Shinyukai Choir (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
tenor vocals:
John Aler (tenor) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:06
20Carmina Burana: III. Cour d’amours, “Veni, veni, venias”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:58
21Carmina Burana: III. Cour d’amours, “In trutina”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:00
22Carmina Burana: III. Cour d’amours, “Tempus est iocundum”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:22
23Carmina Burana: III. Cour d’amours, “Dulcissime”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
soprano vocals:
Edita Gruberová (soprano) (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:49
24Carmina Burana: Blanziflor et Helena, “Ave formosissima”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff1:40
25Carmina Burana: Fortuna Imperatrix Mundi, “O Fortuna”
recording engineer:
Roger de Schot and Stan Taal
producer:
Michael Bremner (producer/engineer)
editor:
Erdo Groot (Sound engineer for recordings of classical music) and Albert Kos (engineer/editor)
choir vocals:
Shinyukai Choir (in 1988-06)
orchestra:
Berliner Philharmoniker (in 1988-06)
conductor:
Seiji Ozawa (conductor and composer) (in 1988-06)
chorus master:
Christian Grube (choral conductor) and Shin Sekiya (choirmaster)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
Berliner Philharmonie in Berlin, Germany (in 1988-06)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1988-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis
Carl Orff2:25
▶CD 41: Gershwin: Rhapsody in Blue; Piano Concerto In F; An American in Paris
▶CD 42: Schubert: String Quartet op. 161, D887
▶CD 43: Liszt: Piano Concerto no. 1; Piano Concerto no. 2
▶CD 44: Villa-Lobos & Castelnuovo-Tedesco Guitar Concertos; Rodrigo: Sones En La Giralda
▶CD 45: Mendelssohn: Elias
▶CD 46: Mendelssohn: Elias
▶CD 47: Prokofiev: Symphony-Concerto for Cello & Orchestra; Symphony no. 7
▶CD 48: Mozart: Requiem
▶CD 49: Mozart: Sonatas For Piano & Violin K.451 & K481
▶CD 50: Beethoven: Piano Sonatas Opp.109, 110 & 111
▶CD 51: Schoenberg: Piano Concerto
▶CD 52: Vivaldi: Concerti Da Camera
▶CD 53: Vivaldi: Concerti Da Camera
▶CD 54: Mozart: Serenade In B-flat, K.361 - “Gran Partita”
▶CD 55: Dvorak: Cello Concerto