Ave Maria: Favourite Sacred Music

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Ave Maria, op. 52 no. 6, D. 839 producer: Wilhelm Hellweg (producer / engineer) piano: Dalton Baldwin (American pianist) (in 1975-08) soprano vocals: Elly Ameling (soprano) (in 1975-08) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1977) recorded at: Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1975-08) recording of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) (in 1975-08) lyricist: Sir Walter Scott (19th-century Scottish author) composer: Franz Schubert (composer) (in 1825) translator: Adam Storck part of: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)	Franz Schubert		5:43
2	Bist du bei mir, BWV 508 harpsichord: Leonard Hokanson (pianist) viola da gamba: Marçal Cervera (cellist, viola da gamba player) baritone vocals: Hermann Prey (baritone) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1973) recording of: Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach) lyricist: [unknown] (Special Purpose Artist – Do not add releases here, if possible.) composer: Gottfried Heinrich Stölzel (composer) previously attributed to: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 508)	Johann Sebastian Bach		2:17
3	Ave verum corpus, K. 618 producer: Vittorio Negri (conductor) organ: John Constable (pianist) (in 1971-04) choir vocals: London Symphony Chorus (in 1971-04) vocals: London Symphony Chorus (in 1971-04) orchestra: London Symphony Orchestra (in 1971-04) conductor: Sir Colin Davis (English conductor) (in 1971-04) chorus master: Arthur Oldham (chorus master) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1972) recorded at: Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1971-04) recording of: Ave verum corpus, K. 618 (for chorus, string and organ) (in 1971-04) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Köchelverzeichnis (original numbering) (number: 618) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618)	Wolfgang Amadeus Mozart		3:50
4	Panis angelicus tenor vocals: Frank Patterson (Irish tenor) orchestra: London Symphony Orchestra conductor: Christopher Seaman (conductor) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1976) recording of: Messe solennelle en la majeur, op. 12 : V. Panis Angelicus lyricist: St. Thomas Aquinas composer: César Franck (Belgian-born French composer) (in 1860) part of: Messe solennelle en la majeur, op. 12	César Franck		4:08
5	Wher'er You Walk tenor vocals: Frank Patterson (Irish tenor) orchestra: London Symphony Orchestra conductor: Christopher Seaman (conductor) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1976) recording of: Semele, HWV 58: Act II, no. 45. "Where'er You Walk" (Jupiter) composer: George Frideric Handel (German‐British baroque composer) (in 1743) librettist: William Congreve part of: Semele, HWV 58: Act II	George Frideric Handel		4:25
6	O Sleep, Why Dost Thou Leave Me tenor vocals: Frank Patterson (Irish tenor) orchestra: London Symphony Orchestra conductor: Christopher Seaman (conductor) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1973) recording of: Semele, HWV 58: Act II, no. 35. "Oh sleep, why dost thou leave me?" (Semele) composer: George Frideric Handel (German‐British baroque composer) (in 1743) librettist: William Congreve part of: Semele, HWV 58: Act II	George Frideric Handel		3:17
7	Flösst mein Heiland, flösst dein Namen (Christmas Oratorio, BWV 248) soprano vocals: Elly Ameling (soprano) (in 1973-02) orchestra: Symphonieorchester des Bayerischen Rundfunks (in 1973-02) conductor: Eugen Jochum (conductor) (in 1973-02) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1976) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1973-02) composed in: Leipzig, Sachsen, Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")	Johann Sebastian Bach		5:19
8	Exultate, jubilate, K. 165 soprano vocals: Elly Ameling (soprano) orchestra: English Chamber Orchestra conductor: Raymond Leppard (conductor and harpsichordist) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1970) recording of: Exsultate, jubilate, K. 158a/165 composer: Wolfgang Amadeus Mozart (classical composer) (in 1773) part of: Köchelverzeichnis (original numbering) (number: 165) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 158a)	Wolfgang Amadeus Mozart		16:53
9	O Divine Redeemer soprano vocals: Kiri Te Kanawa (soprano) orchestra: English Chamber Orchestra conductor: Barry Rose (organist / choirmaster) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1984) recording of: Repentir (“O Divine Redeemer”) composer: Charles Gounod (French composer)	Charles Gounod		6:02
10	Schlafendes Jesuskind tenor vocals: Frank Patterson (Irish tenor) orchestra: London Symphony Orchestra conductor: Christopher Seaman (conductor) phonographic copyright (℗) by: Philips Classics (See annotation to check it's really this label.) (in 1976) recording of: Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano) lyricist: Eduard Mörike (German Romantic poet, † 1875) composer: Hugo Wolf (in 1888) part of: Mörike-Lieder (for voice and piano)	Hugo Wolf		3:30
11	Ave Maria choir vocals: Wiener Sängerknaben tenor vocals: José Carreras (Spanish tenor) orchestra: Wiener Philharmoniker and Wiener Symphoniker conductor: Uwe Christian Harrer (chorus master) arranger: Job Maarse recording of: Ave Maria (catch-all for arrangements of the Bach / Gounod work) composer: Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) arrangement of: Ave Maria (Bach/Gounod) recording of: Ave Maria (Bach/Gounod) lyricist: [anonymous] (Special Purpose Artist) composer: Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853) is based on: Méditation sur le Premier Prélude de Piano de S. Bach is based on: The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude music quoted on: Weiss Heim	Charles Gounod / Job Maarse		2:46