The Originals: Höhepunkte

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Konzert für 2 Violinen, Streicher und Continuo d-moll, BWV 1043: 1. Vivace
producer:
Hans Weber (producer/engineer)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
violin:
David Oistrach (violinist) (in 1961-02) and Igor Oistrach (violinist) (in 1961-02)
orchestra:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
balance engineer:
Harald Baudis (sound engineer) (in 1961-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent, London (Greater London), England, United Kingdom (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (in 1961-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach4:19
2Symphonie Nr. 41 C-dur, KV 551 "Jupiter-Symphonie": 4. Molto allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (in 1962-03)
conductor:
Karl Böhm (Austrian conductor) (in 1962-03)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1962) and Polydor International GmbH (not for release label use!) (in 1962)
recorded at:
Jesus-Christus-Kirche (Dahlem) in Berlin, Germany (in 1962-03)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (in 1962-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart6:31
3Klaviersonate Nr. 8 c-moll, op. 13 "Pathétique": 1. Grave - Allegro di molto e con brio
producer:
Wolfgang Lohse (in 1965-01)
piano:
Wilhelm Kempff (pianist) (in 1965-01)
performer:
Wilhelm Kempff (pianist)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1965-01)
recorded at:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Germany (in 1965-01)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio (in 1965-01)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven7:24
4Symphonie Nr. 5 c-moll, op. 67: 1. Allegro con brio
engineer:
Wolf-Dieter Karwatky and Hans-Rudolf Müller
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:27
5Die schöne Müllerin, D 795: 18. Trockne Blumen
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (from 1966-07-02 until 1966-07-05)
recording of:
Die schöne Müllerin, D. 795: Nr. 18. Trockne Blumen (from 1966-07-02 until 1966-07-05)
lyricist:
Wilhelm Müller
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert3:21
6Waldszenen, op. 85: 7. Vogel als Prophet
producer:
Wolfgang Lohse
editor:
Günter Hermanns (producer/engineer)
piano:
Sviatoslav Richter (Sviatoslav Richter, pianist) (from 1956-11-26 until 1956-11-29)
balance engineer:
Alfred Steinke
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Rudolfinum (House of Artists) in Praha, Czechia (from 1956-11-26 until 1956-11-29)
recording of:
Waldszenen, op. 82: VII. Vogel als Prophet. Langsam, sehr zart (from 1956-11-26 until 1956-11-29)
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:50
7Konzert für Klavier und Orchester Nr. 1 Es-Dur: 2. Quasi adagio
engineer:
Heinz Wildhagen (engineer, producer) (in 1968-02)
piano:
Martha Argerich (Argentine pianist) (in 1968-02)
orchestra:
London Symphony Orchestra (in 1968-02)
conductor:
Claudio Abbado (conductor) (in 1968-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1968-02)
edit of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato by Martha Argerich, London Symphony Orchestra, Claudio Abbado
recording of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio (in 1968-02)
composer:
Franz Liszt (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124
Franz Liszt4:32
8Symphonie Nr.1 c-moll, op. 68: 3. Un poco allegretto e grazioso
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (from 1963-10-11 until 1963-10-12)
conductor:
Herbert von Karajan (conductor) (from 1963-10-11 until 1963-10-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1963-10-11 until 1963-10-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1963-10-11 until 1963-10-12)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso (from 1963-10-11 until 1963-10-12)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68
Johannes Brahms5:02
9Slawischer Tanz, op. 46 Nr. 7 c-moll: Allegro assai
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (for orchestra)
Antonín Dvořák3:23
10Variationen op. 33 über ein Rokoko-Thema für Violoncello und Orchester: Variazione VI. Andante
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
cello [violoncello]:
Mstislav Rostropovich (cellist) (on 1968-09-24)
orchestra:
Berliner Philharmoniker (on 1968-09-24)
conductor:
Herbert von Karajan (conductor) (on 1968-09-24)
balance engineer:
Günter Hermanns (producer/engineer) (on 1968-09-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1968-09-24)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33: Variazione VI. Andante (standard Fitzenhagen version) (on 1968-09-24)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1876-12 until 1877-03)
revised by:
Wilhelm Fitzenhagen
part of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
Пётр Ильич Чайковский3:02
11La Mer: 1. De l'aube à midi sur la mer
producer:
Otto Gerdes (conductor and producer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1964-03-09 until 1964-03-10)
conductor:
Herbert von Karajan (conductor) (from 1964-03-09 until 1964-03-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-03-09 until 1964-03-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1964-03-09 until 1964-03-10)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1964-03-09 until 1964-03-10)
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:37
12Der Feuervogel (Ballettsuite): Variation de l'oiseau de feu
producer:
Wolfgang Lohse
orchestra:
Radio-Sinfonie-Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Игорь Фёдорович Стравинский1:23
13Konzert für Klavier und Orchester Nr. 2: 3. Allegro molto
producer:
Otto Gerdes (conductor and producer), Günter Hermanns (producer/engineer) and Hans Weber (producer/engineer)
piano:
Géza Anda (pianist) (in 1959-09)
orchestra:
Deutsches Symphonie‐Orchester Berlin (fka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1959-09)
conductor:
Ferenc Fricsay (conductor) (in 1959-09)
balance engineer:
Werner Wolf (engineer/producer) (in 1959-09)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-09)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: III. Allegro molto (in 1959-09)
composer:
Béla Bartók (composer) (from 1930 until 1931)
part of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók6:18
14Gaspard de la nuit: 1. Ondine. Lent
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (classical composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:22
15Vier letzte Lieder: Im Abendrot
recording engineer:
Volker Martin
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (from 1973-02-13 until 1973-02-14)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss7:05

Credits

Release

part of:The Originals (Deutsche Grammophon/Archiv Produktion) (order: 68)
ASIN:DE: B0000269EH [info]