St. Matthew Passion (1978 Decca recording)

~ Release by Johann Sebastian Bach; Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

▶CD 1: Part 1
▶CD 2: Part 1 (continued), Part 2
▼CD 3: Part 2 (continued)
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Recitative with Chorus: At that feast then
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
soprano vocals [Pilate's wife]:
Sandra Wilkes (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
2St. Matthew Passion, BWV 244: Chorale: O wondrous love, that suffers this correction!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1978-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
3St. Matthew Passion, BWV 244: Recitative: The governor answered
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:16
4St. Matthew Passion, BWV 244: Recitative: To all men Jesus good hath done
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:17
5St. Matthew Passion, BWV 244: Soprano Aria: For love my Saviour now is dying
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo flute:
Richard Adeney (flautist) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:14
6St. Matthew Passion, BWV 244: Recitative with Chorus: But they cried out the more
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:24
7St. Matthew Passion, BWV 244: Recitative: O gracious God!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:19
8St. Matthew Passion, BWV 244: Contralto Aria: If my tears be unavailing
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:46
9St. Matthew Passion, BWV 244: Recitative with Chorus: And then did the soldiers of the governor
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:30
10St. Matthew Passion, BWV 244: Chorale: O Sacred Head surrounded by crown of piercing thorn
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
11St. Matthew Passion, BWV 244: Recitative: And after they had mocked at him
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:28
12St. Matthew Passion, BWV 244: Recitative: In truth, to bear the cross
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:42
13St. Matthew Passion, BWV 244: Bass Aria: Come, healing cross
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo viola da gamba:
Adam Skeaping (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:09
14St. Matthew Passion, BWV 244: Recitative with Chorus: And when they came unto the place that is called Golgotha
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach3:52
15St. Matthew Passion, BWV 244: Recitative: The same was cast in His teeth by the robbers
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:16
16St. Matthew Passion, BWV 244: Recitative: Ah Golgotha! Unhappy Golgotha!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:47
17St. Matthew Passion, BWV 244: Contralto Aria with Chorus: See ye! See the Saviour's outstretched hands!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cor anglais [cor anglais I]:
Michael Dobson (oboist) (in 1978-09)
solo cor anglais [cor anglais II]:
Lorraine Wood (oboist) (in 1978-09)
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:49
18St. Matthew Passion, BWV 244: Recitative with Chorus: Now from the sixth hour
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (operatic bass / baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:47
19St. Matthew Passion, BWV 244: Chorale: Be near me Lord, when dying
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:45
20St. Matthew Passion, BWV 244: Recitative with Chorus: And then, behold, the veil of the temple was rent
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:06
21St. Matthew Passion, BWV 244: Recitative: At evening, hour of calm and peace
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:32
22St. Matthew Passion, BWV 244: Bass Aria: Make thee clean, my heart, from sin
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:48
23St. Matthew Passion, BWV 244: Recitative with Chorus: And Joseph took the body
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:51
24St. Matthew Passion, BWV 244: Recitative with Chorus: And now the Lord to rest is laid
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:18
25St. Matthew Passion, BWV 244: Chorus: In tears of grief, dear Lord, we leave thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:10