Fantastic Violin

~ Release by Vanessa‐Mae (see all versions of this release, 1 available)

Tracklist

▼Medium 1
#TitleRatingLength
1Storm
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Storm
writer:
Hill (English producer & songwriter) and V-Mae
3.53:47
2I Feel Love
cover recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Rick's Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell
7:01
3Classical Gas
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
cover recording of:
Classical Gas
composer:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
33:25
4Red Hot
recording of:
Red Hot
composer:
Vanessa‐Mae and Ian Wherry
3:22
5Happy Valley
programming:
Richard Cottle, Ozzy Henderson and Andy Hill (English producer & songwriter)
assistant engineer:
Erik Jordan (Engineer)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter), Pamela Nicholson and Vasko Vassilev
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
John Cameron (British composer, arranger and conductor) and David Arch (pianist, conductor, arranger and composer)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Happy Valley: The 1997 Re-unification Overture
lyricist:
Pamela Nicholson
composer:
Andy Hill (English producer & songwriter) and Vanessa‐Mae
publisher:
Chrysalis and PolyGram
3.356:37
6Bach Street Prelude
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Bach Street Prelude
writer:
Hill (English producer & songwriter) and V-Mae
is based on:
Violin Partita no. 3 in E major, BWV 1006
3.54:28
7Toccata and Fugue in D Minor
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
oboe:
Dick Morgan (US banjoist/guitarist) and Dick Morgan (Oboist) (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (UK flautist/saxophonist) (from 1993 until 1994)
trumpet:
Maurice Murphy (trumpet player) (from 1993 until 1994)
violin:
Vanessa‐Mae
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1993 until 1994)
recording of:
Toccata and Fugue in D minor (arr. Mike Batt)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Mike Batt
arrangement of:
Toccata und Fuge d-Moll, BWV 565
37:50
8I'm a Doun
recording of:
I'm a Doun for Lack o' Johnnie
lyricist:
Robby Burns
composer:
[traditional] (special purpose artist)
4:33
9Theme From 'Caravans'
recording of:
Theme From ‘Caravans’
composer:
Mike Batt
5:07
10Embrasse Moi (You Fly Me Up)
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
additional background vocals [backing vocals]:
Wendy Page
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Embrasse moi (You Fly Me Up)
writer:
Hill (English producer & songwriter) and Page
publisher:
Chrysalis
35:05
11Tequila Mockingbird
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Tequila Mockingbird
composer:
Mike Batt
23:28
12Aurora
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Aurora
writer:
Vanessa‐Mae and Ian Wherry
publisher:
Mautoglade and PolyGram
34:59
13Summer Haze
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Summer Haze
writer:
Hill (English producer & songwriter) and V-Mae
33:11
14Warm Air
programming:
Gareth Cousins
engineer:
Gareth Cousins (from 1993 until 1994)
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (UK flautist/saxophonist) (from 1993 until 1994)
violin:
Vanessa‐Mae (from 1993 until 1994)
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
arranger:
Mike Batt
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1993 until 1994)
recording of:
Warm Air
composer:
Mike Batt
23:42
15Classical Gas (Reggae version)
cover recording of:
Classical Gas
composer:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
3:47
16I'm a Doun for Lack O'Johnnie
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
recording of:
I'm a Doun for Lack o' Johnnie
lyricist:
Robby Burns
composer:
[traditional] (special purpose artist)
4:29