Every Classical Tune You'll Ever Want

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▶CD 1
▼CD 2
#TitleArtistRatingLength
1Nessun Dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO) (from 1972-08-10 until 1972-08-25, on 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III
Giacomo Puccini52:58
2O Fortuna (Carmina Burana)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:36
3Jerusalem
recording engineer:
Jean-Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Jerusalem (orchestrated by Elgar) (in 1996-01)
orchestrator:
Edward Elgar (composer)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Hubert Parry (English composer)
orchestration of:
Jerusalem (anthem by Hubert Parry)
Sir Hubert Parry2:34
4Canon
producer:
James Mallinson (producer) (in 1977-10)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
balance engineer:
John Dunkerley (engineer) (in 1977-10)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (in 1977-10)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, T. 377: I. Canon
Johann Pachelbel4:31
5O Mio Bambino Caro
orchestra:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
instrumental recording of:
“O mio babbino caro” (from Gianni Schicchi) (catch‐all for arrangements)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
arrangement of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini4:04
6Greensleeves
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:25
7Now We Are Free
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator (Live in Prague)
Hans Zimmer4:14
8The Pearl Fishers Duet
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet6:31
9Pavane pour une infante défunte
recording of:
Pavane pour une infante défunte (orchestrated version)
orchestrator:
Maurice Ravel (classical composer) (in 1910)
composer:
Maurice Ravel (classical composer) (in 1899)
publisher:
Ed. Max Eschig
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel7:07
10Morning From Peer Gynt
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:11
11Gymnopedie No.1
piano:
Jean‐Yves Thibaudet (pianist)
recording of:
Première Gymnopédie: Lent et douloureux
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
music quoted on:
Happy Birthday but 13 classical composers are fighting over the last slice of cake
part of:
Gymnopédies
Erik Satie3:36
12The Humming Chorus
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (in 1974-01)
choir vocals:
Chor der Wiener Staatsoper (in 1974-01)
orchestra:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini2:58
13Santa Lucia
Teodoro Cottrau2:36
14Dance of the Knights
orchestra:
Kirov Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 1990-08)
conductor:
Valery Gergiev (conductor) (in 1990-08)
recording of:
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the Knights (in 1990-08)
composer:
Сергей Сергеевич Прокофьев (Russian composer)
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:24
15The Swan
recorded in:
München, Bayern, Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (producer / engineer)
cello:
Mischa Maisky (cellist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:12
16Pictures at an Exhibition - Promenade
producer:
Günther Breest (producer for classical music)
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: Promenade (orchestrated by Ravel, 1st promenade) (in 1976-04)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (orchestrated by Ravel)
Модест Петрович Мусоргский1:50
17Barcarolle
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1980-06-10 until 1980-09-30)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach
arrangement of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:32
18Dies Irae
partial recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:20
19Rule Brittanina
recording engineer:
Jean-Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (in 1996-01)
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Rule, Britannia! (orchestrated by Sargent) (in 1996-01)
orchestrator:
Sir Malcolm Sargent (conductor)
lyricist:
James Thomson (Scottish poet, 1700-1748)
composer:
Thomas Arne (composer) (in 1740)
publisher:
Oxford University Press
orchestration of:
Rule, Britannia!
Thomas Arne4:51

Credits

Release

ASIN:US: B000HT3KJM [info]