Best of the 90s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistant engineer:
Jim Brumby (UK engineer) and Matt Hay
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set) [drums]:
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall and Nicole Patterson
vocals:
Robbie Williams
orchestra:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist)
recorded at:
Matrix Maison Rouge Studios in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
part of:
The Co-Op: Top 10 British Funeral Songs (number: 5)
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS-affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.64:26
2It Must Have Been Love
programming and producer:
Clarence Öfwerman
engineer:
Anders Herrlin and Alar Suurna
mixer:
Humberto Gatica
drums (drum set):
Pelle Alsing (from 1987 until 1990)
electric guitar [electric guitars]:
Jonas Isacsson (from 1987 until 1990)
keyboard [keyboards] and synclavier:
Clarence Öfwerman (from 1987 until 1990)
vocals:
Marie Fredriksson (from 1987 until 1990) and Per Gessle (Swedish singer and guitarist) (from 1987 until 1990)
remixer:
Humberto Gatica
phonographic copyright (℗) by:
EMI Svenska AB (not for release label use!) (in 1990)
recorded at:
Audio Sweden in Stockholm, Stockholms län, Sweden (from 1987 until 1990) and EMI Studios (Stockholm) in Stockholm, Stockholms län, Sweden (from 1987 until 1990)
mixed at:
Ground Control Studios in Santa Monica, California, United States
recording of:
It Must Have Been Love (from 1987 until 1990)
lyricist and composer:
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and Jimmy Fun Music
Roxette3.154:18
3Senza una donnaZucchero feat. Paul Young34:27
4WonderwallOasis4.14:15
5Creep
engineer, producer and mixer:
Paul Q. Kolderie and Sean Slade
bass guitar:
Colin Greenwood (from 1992-09 until 1992-11)
drums (drum set):
Philip Selway (from 1992-09 until 1992-11)
guitar:
Ed O’Brien (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
guitar, organ and piano:
Jonny Greenwood (English musician and score composer) (from 1992-09 until 1992-11)
vocals:
Ed O’Brien (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (from 1992-09 until 1992-11)
mixed at:
Fort Apache in Cambridge, Massachusetts, United States
music videos:
Creep by Radiohead
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 26), Indie 88: Top 500 Indie Rock Songs (number: 28) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 118)
recording of:
Creep (from 1992-09 until 1992-11)
lyricist:
Thom Yorke
composer:
Colin Greenwood, Jonny Greenwood (English musician and score composer), Albert Hammond, Mike Hazlewood, Ed O’Brien, Philip Selway and Thom Yorke
publisher:
EMI April Music Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
The Air That I Breathe
Radiohead4.353:57
6Nothing Compares 2 USinéad O’Connor4.355:04
7Zombie (album version)
assistant engineer and assistant producer:
Julie Gardiner
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar, electric guitar and background vocals:
Noel Hogan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
lead vocals:
Dolores O’Riordan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
The Cranberries4.45:07
8What’s Up? (album version)
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
part of:
Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Sony/ATV Harmony UK and Stuck in the Throat
4 Non Blondes3.64:52
9Narcotic (radio edit)
engineer and mixer:
O.L.A.F. Opal and Peter “Jem” Seifert
producer:
O.L.A.F. Opal, Stefan, Tim, Wolfgang and Wolle
bass:
Stefan
drums (drum set) [drums]:
Wolle
guitar [guit.]:
Tim and Wolfgang
keyboard [keys] and piano:
Wolfgang
additional vocals:
Stefanie Nerpel
vocals:
Tim and Wolfgang
phonographic copyright (℗) by:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former DE division of Virgin Records Ltd.) (in 1998)
recording of:
Narcotic
lyricist:
Tim Eiermann and Wolfgang Schrödl
composer:
Wolfgang Schrödl
publisher:
Devman Publishing (in 1998)
Liquido2.83:53
10Fly Away
programming, engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
Virgin Records America Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
Miss Bessie Music
Lenny Kravitz43:42
11Two Princes (album version)
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:14
12Friday I’m in Love (album version)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
part of:
50 First Dates
The Cure43:33
13Summer Son
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac, Kenny McDonald (engineer) and Sharleen Spiteri
programming:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Jan "Stan" Kybert (Producer / Mixer / Engineer), Johnny McElhone and Sharleen Spiteri
producer:
Johnny Mac
mixer:
Mark “Spike” Stent (producer, engineer)
additional percussion [beats]:
Ben Chapman
drums (drum set):
Richard Hynd
guitar:
Tony McGovern and Paul Smith (Silver Sun)
keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) and Johnny McElhone
background vocals:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens and Sharleen Spiteri
contains samples by:
Ally McErlaine (Scottish guitarist) (guitar)
phonographic copyright (℗) by:
Grand Central Records Ltd. and Mercury Records Ltd. (London) (for copyrights use only)
recorded at:
Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
mixed at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Mix Suite in London (Greater London), England, United Kingdom
recording of:
Summer Son
lyricist and composer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone and Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. and BMG 10 Music Ltd.
Texas3.34:02
14That Don’t Impress Me MuchShania Twain3.53:57
15Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated) and PolyGram Music Publishing Ltd.
Natalie Imbruglia4.14:04
16Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks44:11
17To Be With You (LP version)
engineer and mixer:
Kevin Elson and Tom Size (US audio engineer)
producer:
Kevin Elson
bass guitar [bass]:
Billy Sheehan
drums (drum set) [drums]:
Pat Torpey
guitar:
Paul Gilbert (hard rock/heavy metal guitarist (Mr. Big, Racer X, etc.))
lead vocals [vocals]:
Eric Martin (vocalist for Mr. Big)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
To Be With You
writer:
David Grahame and Eric Martin (vocalist for Mr. Big)
publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Mr. Big4.53:27
18Runaway Train (album version)
producer:
Michael Beinhorn
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
Soul Asylum4.454:22
19When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
recording of:
When You Say Nothing at All
writer:
Paul Overstreet and Don Schlitz
Ronan Keating2.554:16

Credits

Release

ASIN:DE: B01998RKPG [info]