The Art of Fugue, BWV 1080

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

CD 1
CD 2
#TitleRatingLength
1The Art of Fugue, BWV 1080: Contrapunctus inversus 12 a 4, in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080
2:20
2The Art of Fugue, BWV 1080: Contrapunctus inversus 12 a 4 in forma inversa
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080
2:24
3The Art of Fugue, BWV 1080: Contrapunctus inversus 13 a 3, in forma recta
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080
2:13
4The Art of Fugue, BWV 1080: Contrapunctus inversus 13 a 3, in forma inverso
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080
2:17
5The Art of Fugue, BWV 1080: Canon alla Ottava
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080
4:17
6The Art of Fugue, BWV 1080: Canon ala Decima in Contrapunto alla Terza
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080
4:46
7The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080
4:05
8The Art of Fugue, BWV 1080: Canon per Augmentationem in contrario motu
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
part of:
Die Kunst der Fuge, BWV 1080
3:50
9The Art of Fugue, BWV 1080: Fuga a 3 Soggetti
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080
8:13
10The Art of Fugue, BWV 1080: Fuga a 2 Claviere
harpsichord:
Michael Behringer (conductor, organist and harpsichordist) and Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1998-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080
2:08
11The Art of Fugue, BWV 1080: Alio modo Fuga a 2 Claviere2:17
12The Art of Fugue, BWV 1080a/1: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080
3:11
13The Art of Fugue, BWV 1080a/3: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080
2:49
14The Art of Fugue, BWV 1080a/2: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080
2:44
15The Art of Fugue, BWV 1080a/6a: Contrapunctus a 4 (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080
3:52
16The Art of Fugue, BWV 1080a/12: Canon per Augmentationem in contrario motu (from early version)
harpsichord:
Robert Hill (American harpsichordist)
recorded at:
Kirche zu St. Fides und Markus in Sölden, Baden-Württemberg, Germany (in 1998-06)
partial recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
part of:
Die Kunst der Fuge, BWV 1080
5:24

Credits

Release Group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 147–148) (order: 122)