Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

▶CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
▶CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
▶CD 3: Cantatas 182, 12, 54, 172 (1714)
▶CD 4: Cantatas 21, 199 (1714)
▶CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
▶CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
▶CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
▶CD 8: Cantatas 75, 76, 24 (1723)
▶CD 9: Cantatas 167, 147, 186, 136 (1723)
▶CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
▶CD 11: Cantatas 77, 25, 119, 138 (1723)
▶CD 12: Cantatas 95, 148, 48, 109 (1723)
▶CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
▶CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
▶CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
▶CD 16: Cantatas 18, 66, 134, 67 (1724)
▶CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
▶CD 18: Cantatas 173, 184, 194 (1724)
▼CD 19: Cantatas 20, 2, 7, 135 (1724)
#TitleRatingLength
1"O Ewigkeit, du Donnerwort", BWV 20: 1. [Chorale:] "O Ewigkeit, du Donnerwort"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
choir vocals:
Collegium Vocale Gent (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, I. Chorale "O Ewigkeit, du Donnertwort" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
4:47
2"O Ewigkeit, du Donnerwort", BWV 20: 2. Recitative: "Kein Unglück ist in aller Welt zu finden"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
tenor vocals:
Jan Kobow (tenor) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, II. Recitativo (Tenore) "Kein Unglück ist in aller Welt zu finden" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
0:49
3"O Ewigkeit, du Donnerwort", BWV 20: 3. Aria: "Ewigkeit, du machts mir bange"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
tenor vocals:
Jan Kobow (tenor) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, III. Aria (Tenore) "Ewigkeit, du machst mir bange" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
3:13
4"O Ewigkeit, du Donnerwort", BWV 20: 4. Recitative: "Gesetzt es dau'rte der Verdammten Qual"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
bass vocals:
Peter Kooij (baritone) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, IV. Recitativo (Basso) "Gesetzt, es dau'rte der Verdammten Qual" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:19
5"O Ewigkeit, du Donnerwort", BWV 20: 5. Aria: "Gott ist gerecht in seinen Werke"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
bass vocals:
Peter Kooij (baritone) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, V. Aria (Basso) "Gott ist gerecht in seinen Werken" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
4:25
6"O Ewigkeit, du Donnerwort", BWV 20: 6. Aria: "O Mensch, errette deine Seele"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VI. Aria (Alto) "O Mensch, errette deine Seele" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
2:02
7"O Ewigkeit, du Donnerwort", BWV 20: 7. Chorale: "Solang ein Gott im Himmel lebt"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
choir vocals:
Collegium Vocale Gent (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil I, VII. Chorale "Solang ein Gott im Himmel lebt" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:08
8"O Ewigkeit, du Donnerwort", BWV 20: 8. Aria: "Wacht auf, wacht auf, verlornen Schafe"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
bass vocals:
Peter Kooij (baritone) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, VIII. Aria (Basso) "Wacht auf, wacht auf, verlorne Schafe" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
2:29
9"O Ewigkeit, du Donnerwort", BWV 20: 9. Recitative: "Verlass, o Mensch, die Wollust dieser Welt"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, IX. Recitativo (Alto) "Verlaß, o Mensch, die Wollust dieser Welt" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:17
10"O Ewigkeit, du Donnerwort", BWV 20: 10. Duet: "O Menschenkind"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2002-05)
tenor vocals:
Jan Kobow (tenor) (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, X. Aria (Duetto: Alto, Tenore) "O Menschenkind, hör auf geschwind" (in 2002-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
3:10
11"O Ewigkeit, du Donnerwort", BWV 20: 11. Chorale: "O Ewigkeit, du Donnerwort"
recording engineer:
Ulrich Schneider (recording engineer)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
editor:
Markus Heiland
choir vocals:
Collegium Vocale Gent (in 2002-05)
orchestra:
Collegium Vocale Gent (in 2002-05)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2002-05)
concertmaster:
Mira Glodeanu (Romanian violinist) (in 2002-05)
recorded at:
Stolberger Saal in Köln, Nordrhein-Westfalen, Germany (in 2002-05)
recording of:
Kantate, BWV 20, "O Ewigkeit, du Donnerwort": Teil II, XI. Chorale "O Ewigkeit, du Donnerwort" (in 2002-05)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 276)
part of:
Kantate, BWV 20 "O Ewigkeit, du Donnerwort"
1:10
12"Ach Gott, vom Himmel sieh darein", BWV 2: 1. Chorale: "Ach Gott, vom Himmel sieh darein"
choir vocals:
Monteverdi Choir (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
3:54
13"Ach Gott, vom Himmel sieh darein", BWV 2: 2. Recitative: "Sie lehren eitel falsche List"
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:07
14"Ach Gott, vom Himmel sieh darein", BWV 2: 3. Aria: "Tilg, o Gott, die Lehren"
alto vocals:
Daniel Taylor (Canadian countertenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
3:26
15"Ach Gott, vom Himmel sieh darein", BWV 2: 4. Recitative: "Die Armen sind verstoert"
bass vocals:
Stephen Varcoe (bass-baritone) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:46
16"Ach Gott, vom Himmel sieh darein", BWV 2: 5. Aria: "Durchs Feuer wird das Siber rein"
tenor vocals:
James Gilchrist (tenor) (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
5:05
17"Ach Gott, vom Himmel sieh darein", BWV 2: 6. Chorale: "Das wollst du, Gott bewahren rein"
choir vocals:
Monteverdi Choir (from 2007-07-02 until 2007-02-03)
orchestra:
English Baroque Soloists (from 2007-07-02 until 2007-02-03)
conductor:
Sir John Eliot Gardiner (from 2007-07-02 until 2007-02-03)
recorded at:
Basilique Saint-Denis in Saint-Denis, Seine-Saint-Denis, Île-de-France, France (from 2007-07-02 until 2007-02-03)
live recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (from 2007-07-02 until 2007-02-03)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
1:10
18"Christ unser Herr zum Jordan kam", BWV 7: 1. [Chorale:] "Christ unser Herr zum Jordan kam"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
7:49
19"Christ unser Herr zum Jordan kam", BWV 7: 2. Aria: "Merkt und hört, ihr Menschenkinder"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
5:40
20"Christ unser Herr zum Jordan kam", BWV 7: 3. Recitative: "Dies hat Gott klar"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:16
21"Christ unser Herr zum Jordan kam", BWV 7: 4. Aria: "Des Vaters Stimme ließ sich hören"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
4:58
22"Christ unser Herr zum Jordan kam", BWV 7: 5. Recitative: "Als Jesus dort nach seinen Leiden"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:01
23"Christ unser Herr zum Jordan kam", BWV 7: 6. Aria: "Menschen, glaubt doch dieser Gnade"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
4:00
24"Christ unser Herr zum Jordan kam", BWV 7: 7. Chorale: "Das Aug allein das Wasser sieht"
producer:
Wolf Erichson (engineer/producer)
baritone vocals:
Max van Egmond (bass-baritone) (in 1971-01)
choir vocals:
Choir of King’s College, Cambridge (in 1971-01)
countertenor vocals:
Paul Esswood (countertenor) (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
Sir David Willcocks (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht"
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Breitkopf 389 Choralgesänge (number: 44)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
1:20
25"Ach Herr, mich armen Sünder", BWV 135: 1. [Chorale:] "Ach Herr, mich armen Sünder"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": I. Coro "Ach Herr, mich armen Sünder" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
4:55
26"Ach Herr, mich armen Sünder", BWV 135: 2. Recitative: "Ach heile mich, du Arzt der Seelen"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
tenor vocals:
Gerd Türk (German tenor) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": II. Recitativo (Tenor) "Ach heile mich, du Arzt der Seelen" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:16
27"Ach Herr, mich armen Sünder", BWV 135: 3. Aria: "Tröste mir, Jesu, mein Gemüte"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
tenor vocals:
Gerd Türk (German tenor) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": III. Aria (Tenor) "Tröste mir, Jesu, mein Gemüte" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
2:59
28"Ach Herr, mich armen Sünder", BWV 135: 4. Recitative: "Ich bin von Seufzen müde"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
countertenor vocals:
Pascal Bertin (counter-tenor) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": IV. Recitativo (Alt) "Ich bin von Seufzen müde" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:07
29"Ach Herr, mich armen Sünder", BWV 135: 5. Aria: "Weicht, all ihr Übeltäter"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
bass vocals:
Peter Kooij (baritone) (from 2004-06-25 until 2004-06-29)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": V. Aria (Bass) "Weicht, all ihr Übeltäter" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
2:51
30"Ach Herr, mich armen Sünder", BWV 135: 6. Chorale: "Ehr sei ins Himmels Throne"
sound engineer:
Andreas Ruge (from 2004-06-25 until 2004-06-29)
producer:
Uli Schneider (producer/engineer)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 2004-06-25 until 2004-06-29)
performer:
Bach Collegium Japan (from 2004-06-25 until 2004-06-29)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 2004-06-25 until 2004-06-29)
recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": VI. Choral "Ehr sei ins Himmels Throne" (from 2004-06-25 until 2004-06-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Breitkopf 389 Choralgesänge (number: 156)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
1:05
▶CD 20: Cantatas 10, 93, 107, 178 (1724)
▶CD 21: Cantatas 94, 101, 113 (1724)
▶CD 22: Cantatas 33, 78, 99, 8 (1724)
▶CD 23: Cantatas 130, 114, 96, 5 (1724)
▶CD 24: Cantatas 180, 38, 115, 139 (1724)
▶CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
▶CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
▶CD 27: Cantatas 124, 3, 111, 92 (1725)
▶CD 28: Cantatas 125, 126, 127 (1725)
▶CD 29: Cantatas 1, 6, 42 (1725)
▶CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
▶CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
▶CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
▶CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
▶CD 34: Cantatas 32, 13, 72, 43 (1726)
▶CD 35: Cantatas 146, 129, 39 (1726)
▶CD 36: Cantatas 88, 170, 187, 45 (1726)
▶CD 37: Cantatas 102, 35, 17, 19 (1726)
▶CD 38: Cantatas 27, 47, 169, 56 (1726)
▶CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
▶CD 40: Cantatas 82, 157, 84 (1727)
▶CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
▶CD 42: Cantatas 171, 156, 159, 120a (1729)
▶CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
▶CD 44: Cantatas 29, 140, 36 (1731)
▶CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
▶CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
▶CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
▶CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
▶CD 49: 4-Part Chorales, BWV 250-318 AC-GO
▶CD 50: 4-Part Chorales, BWV 319-381 GO-ME
▶CD 51: 4-Part Chorales, BWV 382-438 MI-WO
▶CD 52: Magnificat BWV 243, 243a
▶CD 53: Motets
▶CD 54: Mass in B minor (1 Mortensen)
▶CD 55: Mass in B minor (2 Mortensen)
▶CD 56: Mass in B minor (1 Brüggen)
▶CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
▶CD 58: Missas BWV 234-236
▶CD 59: St. John Passion (1724) (1 Gardiner)
▶CD 60: St. John Passion (1724) (2 Gardiner)
▶CD 61: St. John Passion (1749) (1 Suzuki)
▶CD 62: St. John Passion (1749) (2 Suzuki)
▶CD 63: St. Matthew Passion (1 Gardiner)
▶CD 64: St. Matthew Passion (2 Gardiner)
▶CD 65: St. Matthew Passion (1 McCreesh)
▶CD 66: St. Matthew Passion (2 McCreesh)
▶CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
▶CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
▶CD 69: Christmas Oratorio (1 Gardiner)
▶CD 70: Christmas Oratorio (2 Gardiner)
▶CD 71: Christmas Oratorio (1 Chailly)
▶CD 72: Christmas Oratorio (2 Chailly)
▶CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
▶CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
▶CD 75: Cantatas 36c, 205, 34a (1725-1726)
▶CD 76: Cantatas 207, 204, 216a (1726-1728)
▶CD 77: Cantatas 198, 201 (1727-1729)
▶CD 78: Cantatas 213, 214 (1733)
▶CD 79: Cantatas 211, 215 (1734)
▶CD 80: Cantatas 206, 30a (1736-1737)
▶CD 81: Cantatas 209, 210, 212 (1730s-1740s)
▶CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
▶CD 83: Cantatas 56, 82, 4
▶CD 84: Cantatas 31, 104, 57
▶CD 85: Cantatas 199, 173, 74, 151
▶CD 86: Easter Oratorio / Cantata 140
▶CD 87: Cantatas 170, 159, 102
▶CD 88: Cantatas 80, 52, 84, 209
▶CD 89: Cantatas 82, 158, 56
▶CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
▶CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
▶CD 92: Cantatas 92, 126, 182 (Easter)
▶CD 93: Cantatas 1, 4, 67, 104 (Easter)
▶CD 94: Cantatas 34, 68, 39 (Whitsun)
▶CD 95: Cantatas 30, 147 (Whitsun)
▶CD 96: Cantatas 76, 21 (Trinity)
▶CD 97: Cantatas 135, 10, 45, 105 (Trinity)
▶CD 98: Cantatas 51, 78, 8, 130 (Trinity)
▶CD 99: Cantatas 27, 5, 60, 26 (Trinity)
▶CD 100: St. Matthew Passion (1 Richter)
▶CD 101: St. Matthew Passion (2 Richter)
▶CD 102: St. Matthew Passion (3 Richter)
▶CD 103: Great Singers (1952-1965)
▶CD 104: Great Singers (1967-2011)
▶CD 105: Great Singers (Period Instruments)
▶CD 106: Organ Works (Introduction 1)
▶CD 107: Organ Works (Introduction 2)
▶CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
▶CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
▶CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
▶CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
▶CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
▶CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
▶CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
▶CD 115: Early Chorale Preludes / Chorale Partitas
▶CD 116: Chorale Preludes (Mühlhausen & Weimar)
▶CD 117: Breitkopf Collection, BWV 690-713
▶CD 118: Orgelbüchlein (Preston)
▶CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
▶CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
▶CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
▶CD 122: Clavier-Übung III (1) (Preston)
▶CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
▶CD 124: Free Works of Unproven Authenticity
▶CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
▶CD 126: Keyboard Works (Introduction 1: Harpsichord)
▶CD 127: Keyboard Works (Introduction 2: Piano)
▶CD 128: Early Fugues & Capriccios
▶CD 129: Early Suites & Sonatas
▶CD 130: Toccatas, BWV 910-916
▶CD 131: Virtuoso Fantasias & Fugues
▶CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
▶CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
▶CD 134: English Suites 1-3 (Dreyfus)
▶CD 135: English Suites 4-6 (Dreyfus)
▶CD 136: French Suites 1-4 (Hogwood)
▶CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
▶CD 138: Partitas 1, 2, 6 (Rousset)
▶CD 139: Partitas 3-5 (Rousset)
▶CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
▶CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
▶CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
▶CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
▶CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
▶CD 145: Goldberg Variations (Rousset)
▶CD 146: Goldberg Variations (Esfahani)
▶CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
▶CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
▶CD 149: French Suites 1-3 (Perahia)
▶CD 150: French Suites 4-6 (Perahia)
▶CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
▶CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
▶CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
▶CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
▶CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
▶CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
▶CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
▶CD 158: Goldberg Variations (Schiff)
▶CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
▶CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
▶CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
▶CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
▶CD 163: Orgelbüchlein (Walcha)
▶CD 164: Brandenburg Concertos 1-6 (Goebel)
▶CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
▶CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
▶CD 167: Orchestral Suites 1-3 (Goebel)
▶CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
▶CD 169: Orchestral Suites 1-4 (Pinnock)
▶CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
▶CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
▶CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
▶CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
▶CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
▶CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
▶CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
▶CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
▶CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
▶CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
▶CD 180: Concertos (Alternative Instrumentations)
▶CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
▶CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
▶CD 183: Suites for "Lute"
▶CD 184: Cello Suites 1, 3, 5 (Watkin)
▶CD 185: Cello Suites 2, 4, 6 (Watkin)
▶CD 186: Violin Sonatas BWV 1014-1018
▶CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
▶CD 188: 5 Flute Sonatas / Partita for Solo Flute
▶CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
▶CD 190: Musical Offering / Canons (Goebel)
▶CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
▶CD 192: The Art of Fugue (Aimard)
▶CD 193: The Art of Fugue (1742) (Gilbert)
▶CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
▶CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
▶CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
▶CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
▶CD 198: Cello Suites 1-3 (Fournier)
▶CD 199: Cello Suites 4-6 (Fournier)
▶CD 200: Solo & Chamber Works (Alternative Instrumentations)
▶CD 201: Clavier-Büchlein W. F. Bach (1)
▶CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
▶CD 203: Notenbüchlein A. M. Bach (1725) (1)
▶CD 204: Notenbüchlein A. M. Bach (1725) (2)
▶CD 205: Schemelli Gesangbuch BWV 439-474
▶CD 206: Schemelli Gesangbuch BWV 475-507
▶CD 207: Bach: Early Influences
▶CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
▶CD 209: Concertos at Weimar (Vivaldi)
▶CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
▶CD 211: The Bach Family
▶CD 212: Bach & Other Composers (c. 1715-1730)
▶CD 213: Bach & Other Composers (c. 1730-1742)
▶CD 214: Bach & Other Composers (1742-1750)
▶CD 215: Bach Renewed (From Bach's Sons to Mahler)
▶CD 216: Bach Reimagined (Chaconne & Passacaglia)
▶CD 217: Bach Orchestrated (Reger to Stokowski)
▶CD 218: Inspired by Bach (Gounod to Pärt)
▶CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
▶CD 220: Bach & The Virtuoso Piano (The 20th Century)
▶CD 221: Bach à la Jazz
▶CD 222: New Colours of Bach
▶DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]