| # | Title | Artist | Rating | Length |
|---|
| 1 | We Will Rock You- engineer:
- Mike Stone
- assistant producer and co-producer:
- Mike Stone
- producer:
- Queen
- electric guitar:
- Brian May
- foot stomps [footstomps] and handclaps:
- John Deacon (from 1977-08 until 1977-09), Brian May (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (from 1977-08 until 1977-09)
- guitar:
- Brian May (from 1977-08 until 1977-09)
- background vocals:
- Brian May (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (from 1977-08 until 1977-09)
- lead vocals:
- Freddie Mercury (from 1977-08 until 1977-09)
- phonographic copyright (℗) by:
- Elektra Records (in 1977), Hollywood Records, Inc. (in 1977) and Queen Productions Ltd. (in 1977, in 2001, in 2011)
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom (from 1977-08 until 1977-09)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 338)
- recording of:
- We Will Rock You (from 1977-08 until 1977-09)
- lyricist and composer:
- Brian May
- publisher:
- Beechwood Music Corporation, EMI Music Publishing Ltd. and Queen Music Ltd.
- part of:
- We Will Rock You
- part of:
- We Will Rock You
| Queen | 3.9 | 2:04 |
| 2 | Another Brick in the Wall, Part 2 | Pink Floyd | | 3:12 |
| 3 | Money for Nothing | Dire Straits | 3.9 | 4:05 |
| 4 | How You Remind Me | Nickelback | 3.55 | 3:44 |
| 5 | Feel- programming:
- Jim Brumby and Richard Flack
- additional engineer:
- Jim Brumby
- assistant engineer:
- Chris Barrett , Tom Jenkins , Tim Lauber, John Morical, Christine Sirois and Yen-Hue Tan
- engineer:
- Richard Flack and Steve Price
- producer:
- Guy Chambers and Steve Power
- assistant mixer:
- J.D. Andrew
- mixer:
- Steve Power
- bass:
- Phil Spalding
- bass synthesizer:
- Guy Chambers
- drum machine [drum loops]:
- Richard Flack and Jony Rockstar
- drums (drum set) [drums]:
- Jeremy Stacey
- guitar [picky guitar]:
- Gary Nuttall
- piano:
- Andy Wallace
- slide guitar:
- Fil Eisler and Neil Taylor
- synthesizer:
- Dave Clayton
- background vocals [backing vocals]:
- Gary Nuttall and Zenia Santini
- lead vocals:
- Robbie Williams
- orchestra:
- London Session Orchestra
- conductor:
- Gavyn Wright
- chorus master:
- Anne Skates
- arranger:
- Guy Chambers
- orchestrator:
- Guy Chambers , Sally Herbert and Nick Ingman
- phonographic copyright (℗) by:
- Robert Williams (in 2002) and The In Good Company Co Ltd (in 2002)
- recorded at:
- Air Lyndhurst Recording Studios in Hampstead, Camden, London , England, United Kingdom, Angel Recording Studios in Islington, London , England, United Kingdom, Capitol Recording Studios in Hollywood, Los Angeles, California, United States, Conway Studios in Hollywood, Los Angeles, California, United States, Mayfair Recording Studios in London , England, United Kingdom, O'Henry Sound Studios in Burbank, California, United States and Tower of Power Studios in London , England, United Kingdom
- mixed at:
- The Record Plant in Hollywood, Los Angeles, California, United States
- music videos:
- Feel by Robbie Williams starring Daryl Hannah
- recording of:
- Feel
- writer:
- Guy Chambers and Robbie Williams
- publisher:
- BMG Music Publishing and EMI Music Publishing
| Robbie Williams | 4.2 | 4:24 |
| 6 | Message in a Bottle | The Police | 4.1 | 4:50 |
| 7 | Atomic- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- guest background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979), Chrysalis Records (in 1979) and Chrysalis Records Ltd. (in 1980)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Atomic (from 1979-05 until 1979-06)
- writer:
- Jimmy Destri and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| Blondie | 4 | 3:49 |
| 8 | Let’s Dance | David Bowie | 4.1 | 4:10 |
| 9 | Need You Tonight | INXS | 4.35 | 3:03 |
| 10 | The Reflex | Duran Duran | 3.8 | 4:23 |
| 11 | Running Up That Hill (A Deal with God)- assistant engineer:
- Pearse Dunne
- engineer:
- Haydn Bendall , James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker
- producer:
- Kate Bush
- mixer:
- Brian Tench
- balalaika:
- Paddy Bush
- bass:
- Del Palmer
- drums (drum set):
- Stuart Elliott
- guitar:
- Alan Murphy
- vocals:
- Kate Bush
- phonographic copyright (℗) by:
- EMI America Records (in 1985), EMI Korea (in 1985), EMI Records (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (in 1993), Universal Domestic Division (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
- recorded at:
- Wickham Farm Home Studio in Welling, Bexley, London , England, United Kingdom
- engineered at:
- Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 7), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 60) and Indie 88: Top 500 Indie Rock Songs (number: 279)
- recording of:
- Running Up That Hill
- lyricist and composer:
- Kate Bush
- publisher:
- EMI Music Publishing Germany GmbH , EMI Music Publishing Ltd. , Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. , Sony/ATV Music Publishing LLC and ソニー・ミュージックパブリッシング EMI外国事業部
| Kate Bush | 4 | 5:00 |
| 12 | Killer | Adamski | | 5:37 |
| 13 | West End Girls | Pet Shop Boys | 3.8 | 4:00 |
| 14 | Do You Really Want to Hurt Me | Culture Club | 3.9 | 4:24 |
| 15 | Tainted Love | Soft Cell | 3.9 | 2:42 |
| 16 | Mad World | Tears for Fears | | 3:31 |
| 17 | Take On Me | a‐ha | 4.45 | 3:47 |
| 18 | A Little Less Conversation | Elvis vs. JXL | 3.45 | 3:33 |
| 19 | Where Is the Love- assistant engineer:
- Christine Sirois
- engineer:
- Dylan Dresdow and Tal Herzberg
- executive producer:
- Ron Fair and will.i.am
- producer:
- Ron Fair and will.i.am
- mixer:
- Tony Maserati
- vocals:
- Allen Pineda, Fergie , Jaime Gomez , Justin Timberlake and will.i.am
- conductor:
- Ron Fair
- arranger:
- Ron Fair
- phonographic copyright (℗) by:
- Interscope Geffen (A&M) Records (in 2003)
- mixed for:
- Two Chord Music Inc.
- recording of:
- Where Is the Love?
- writer:
- Allan Pineda, Printz Board, J. Curtis, Mike Fratantuno, Jaime Gomez , George Pajon, Jr., Justin Timberlake and William Adams
- publisher:
- El Cubano Music, Jeepney Music, Nawasha Networks, Printz Polor Publishing, Tenman Tunes, Tuono Music and will.i.am Music
| The Black Eyed Peas | 4.05 | 4:35 |
