# | Title | Artist | Rating | Length |
---|
1 | With Arms Wide Open | Creed | 5 | 3:39 |
2 | Love Don’t Cost a Thing- recording engineer:
- Dan Hetzel and “Young” Dave Scheuer
- additional programming:
- Greg Lawson
- keyboard programming:
- Miklos Malek
- programming:
- Richie Jones
- assistant engineer:
- Ronald L. Martinez and David Swope
- additional producer:
- Peter Wade Keusch
- assistant producer:
- Richie Jones, Cory Rooney and Marc Russell
- producer:
- Ric Wake
- assistant mixer:
- Jim Annunziato
- mixer:
- Dan Hetzel and Richie Jones
- drums (drum set) and percussion:
- Richie Jones
- lead vocals:
- Jennifer Lopez
- additional arranger:
- Greg Lawson
- arranger:
- Richie Jones and Ric Wake
- phonographic copyright (℗) by:
- Epic Records (in 2000)
- recording of:
- Love Don’t Cost a Thing
- writer:
- Amille D. Harris, Georgette Franklin, Greg Lawson , Jeremy Monroe and Damon Sharpe
- publisher:
- EMI April Music Inc., G Q Romeo Music, J‐Rated Music, Neue Welt Musikverlag GmbH & Co. KG , Songs of Reach Music, Sony Music Entertainment (Germany) GmbH , Swette Ya’ Music, VMG Notation Copyrights, VMG Notation Worldwide and WC Music Corp. (from 2019 to present)
| Jennifer Lopez | 4.2 | 3:41 |
3 | She Bangs | Ricky Martin | 3 | 4:02 |
4 | If You’re Gone- additional recording engineer:
- Noel Golden
- assistant recording engineer:
- Greg Fogie , Shawn Grove and Robert Hannon
- recording engineer:
- Noel Golden
- additional engineer:
- Mark Dobson
- producer:
- Matt Serletic
- assistant mixer:
- Kevin Szymanski
- mixer:
- David Thoener
- additional editor:
- Shawn Grove
- editor:
- Mark Dobson
- orchestra:
- Atlanta Brass Society
- performer:
- Kyle Cook , Paul Doucette, Adam Gaynor, Rob Thomas and Brian Yale
- produced for:
- Melisma Productions, Inc.
- recorded at:
- East Iris Studios in Nashville, Tennessee, United States, Oceanway Studios in Nashville, Tennessee, United States and Tree Sound Studios in Atlanta, Georgia, United States
- mixed at:
- East Iris Studios in Nashville, Tennessee, United States
- recording of:
- If You’re Gone
- lyricist and composer:
- Rob Thomas
- publisher:
- U Rule Music, Bidnis, Inc. (from 2000 to ????) and EMI Blackwood Music Inc. (from 2000 to present)
| Matchbox Twenty | 3.75 | 4:35 |
5 | Babylon | David Gray | | 4:24 |
6 | Hurts So Bad | Danny K | | 4:10 |
7 | Cowboys & Kisses- recording engineer:
- Ethan Mates and Thomas R. Yezzi (lead vocals)
- miscellaneous support:
- Marc Russell (task: production coordinator)
- additional programming:
- Eric Kupper
- programming:
- Jive
- producer:
- The Shadowmen and Ric Wake
- assistant mixer:
- Jim Annunziatto
- mixer:
- Thomas R. Yezzi
- bass:
- Gary Haase
- drums (drum set) [drums]:
- Steve Wolfe
- guitar [guitars]:
- Rob Bailey
- background vocals:
- Anastacia , Craig Derry and Audrey Wheeler
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1999, in 2000)
- produced for:
- Tadow Entertainment, The Shadowmen Inc. and W&R Group
- recorded at:
- The Dream Factory in New York, New York, United States
- mixed at:
- Cove City Sound Studios in Glen Cove, New York, United States
- recording of:
- Cowboys & Kisses (in 2000)
- writer:
- Anastacia Newkirk , Charles Pennachio and Denny Kleiman
- publisher:
- BMG Music Publishing International, BMG Songs, Inc., EMI Blackwood Music Inc. , Fiction Songs Ltd., Pennachio Music, Poho Productions, Universal Music Corp. and Universal Music–MGB Songs
| Anastacia | 3 | 4:38 |
8 | Need to Be Next to You | Leigh Nash | | 4:05 |
9 | Independent Women, Part 1 | Destiny’s Child | 3.55 | 3:39 |
10 | Teenage Dirtbag | Wheatus | 3.4 | 4:02 |
11 | Pinch Me | Barenaked Ladies | 4.25 | 4:43 |
12 | Irresistible | The Corrs | | 3:37 |
13 | Who Let the Dogs Out | Baha Men | | 3:10 |
14 | All Hooked Up | All Saints | | 3:48 |
15 | Why, Part 2 | Collective Soul | | 3:37 |
16 | So Why So Sad? | Manic Street Preachers | | 3:53 |
17 | Smiley Skull of Faith | Springbok Nude Girls | | 3:48 |
18 | Things I've Seen | Spooks | | 3:58 |
19 | Demons | Fatboy Slim feat. Macy Gray | | 3:13 |
20 | Wassuup! | Da Muttz | | 3:08 |