| # | Title | Artist | Rating | Length |
|---|
| 1 | Addicted to Love | Robert Palmer | 4 | 4:01 |
| 2 | You Might Think | The Cars | 4.7 | 3:09 |
| 3 | That Was Yesterday | Foreigner | | 3:46 |
| 4 | Better Be Good to Me- percussion programming:
- Rupert Hine
- producer:
- Rupert Hine
- bass and keyboard:
- Rupert Hine
- drums (drum set):
- Trevor Morais
- guitar:
- Jamie West-Oram
- background vocals:
- Cy Curnin and Rupert Hine
- background vocals and lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984) and EMI Records Ltd. (in 2004)
- recorded at:
- Farmyard Studios in Buckinghamshire, England, United Kingdom
- recording of:
- Better Be Good to Me
- writer:
- Mike Chapman , Nicky Chinn and Holly Knight
- publisher:
- Arista Music, Inc. (ended), Careers Music, Inc. (ended), Land of Dreams Music Inc. (ended), BMG Music Publishing Ltd. and Universal Music–MGB Songs
- cover recording of:
- Better Be Good to Me
- writer:
- Mike Chapman , Nicky Chinn and Holly Knight
- publisher:
- Arista Music, Inc. (ended), Careers Music, Inc. (ended), Land of Dreams Music Inc. (ended), BMG Music Publishing Ltd. and Universal Music–MGB Songs
| Tina Turner | 3.65 | 5:12 |
| 5 | The Boys of Summer | Don Henley | 3.85 | 4:51 |
| 6 | Relax (Come Fighting) | Frankie Goes to Hollywood | 3.95 | 3:58 |
| 7 | Loverboy | Billy Ocean | | 5:19 |
| 8 | Didn’t We Almost Have It All | Whitney Houston | | 4:39 |
| 9 | This Could Be the Night- recording of:
- This Could Be the Night
- writer:
- Jonathan Cain, Paul Dean , Mike Reno and Bill Wray
- publisher:
- Chappell & Co., Inc. , EMI April Music Canada Ltd., EMI Blackwood Music (Canada) Ltd., Warner/Chappell Music Canada Ltd., April Music (Canada) Ltd. (from 1985 to ????), April Music Inc. (from 1985 to ????), Blackwood Music (Canada) Ltd. (from 1985 to ????), Bree Music (from 1985 to present), Dean of Music (from 1985 to present), Duke Reno Music (from 1985 to present), Frisco Kid Music (from 1985 to present) and Mel-Dav Music, Inc. (from 1985 to present)
| Loverboy | | 5:02 |
| 10 | Everybody Have Fun Tonight | Wang Chung | 4.5 | 4:10 |
| 11 | Missionary Man | Eurythmics | | 4:23 |
| 12 | Don’t Lose My Number- assistant engineer:
- Steve Chase
- engineer:
- Hugh Padgham
- producer:
- Phil Collins and Hugh Padgham
- additional keyboard [keyboards]:
- David Frank
- bass guitar [bass]:
- Lee Sklar
- drum machine [Linn], drums (drum set), keyboard [keyboards] and lead vocals [vocals]:
- Phil Collins
- guitar [guitars]:
- Daryl Stuermer
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1985), WEA International Inc. (in 1985) and Philip Collins Ltd. (in 2016)
- recorded at:
- Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- mixed at:
- The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Don’t Lose My Number
- lyricist and composer:
- Phil Collins
- publisher:
- Concord Music GmbH, Concord Sounds, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
| Phil Collins | 3.8 | 4:49 |
| 13 | Love Is a Battlefield | Pat Benatar | | 5:26 |
| 14 | Along Comes a Woman- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- vocals:
- Peter Cetera (in 1984)
- arranger:
- Peter Cetera and Mark Goldenberg
- phonographic copyright (℗) by:
- Warner Bros. Records and Warner Bros. Records Inc. (in 2010)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- Along Comes a Woman (in 1984)
- writer:
- Peter Cetera (in 1984) and Mark Goldenberg (in 1984)
- publisher:
- BMG Music Publishing Ltd., MCA Music Ltd., Double Virgo Music (in 1984), Fleedleedle Music (in 1984) and Music Corporation of America, Inc. (in 1984)
| Chicago | | 4:17 |
| 15 | The Heat Is On | Glenn Frey | | 3:50 |
| 16 | I Found Someone | Cher | | 3:41 |
