Top 100 80s

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Countries excluded (Spotify + Deezer + Apple Music)

(As of 2020-08-02).

  • Northern America: 🇺🇸 United States (us)

Countries where available (Spotify + Deezer + Apple Music)

(As of 2020-08-02).

  • Northern America: 🇧🇲 Bermuda (bm) 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx)
  • Central America: 🇧🇿 Belize (bz) 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇧🇶 Bonaire (bq) 🇨🇼 Curaçao (cw) 🇩🇲 Dominica (dm) 🇩🇴 Dominican Republic (do)🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇸🇽 Sint Maarten (sx) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg) 🇻🇮 Virgin Islands, U.S. (vi) 🇧🇸 Bahamas (bs) 🇩🇴 Dominican Republic (do) 🇹🇹 Trinidad and Tobago (tt)

* South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇫🇰 Falkland Islands (Malvinas) (fk) 🇬🇸 South Georgia and Sandwich Isl. (gs) 🇬🇾 Guyana (gy) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇸🇷 Suriname (sr) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve) 

  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se) 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇪🇭 Western Sahara (eh) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇲🇦 Morocco (ma) 🇸🇩 Sudan (sd) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇮 Cote D’Ivoire (ci) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇪 Kenya (ke) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇸 South Sudan (ss) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz) 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇧🇭 Bahrain (bh) 🇬🇪 Georgia (ge) 🇮🇱 Israel (il) 🇮🇶 Iraq (iq) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestinian Territory, Occupied (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇨🇳 China (cn) 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇲🇲 Myanmar (mm) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇹🇱 Timor-Leste (tl) 🇻🇳 Viet‐Nam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇭🇲 Heard Island & Mcdonald Islands (hm) 🇳🇫 Norfolk Island (nf) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇦🇸 American Samoa (as) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇬🇺 Guam (gu) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇲🇵 Northern Mariana Islands (mp) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
  • Antarctica: 🇦🇶 Antarctica (aq) 🇧🇻 Bouvet Island (bv)

Available on Apple Music, but not iTunes

Annotation last modified on 2020-08-04 18:01 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1The Sun Always Shines on T.V.a‐ha55:02
2Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
recording of:
Too Shy
writer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
Kajagoogoo43:42
3Geno (2000 remaster)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
Dexys Midnight Runners3:27
4I Feel for You
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
cover recording of:
I Feel for You
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan45:43
5True (single edit)
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
music quoted on:
It’s True
Spandau Ballet3.655:28
6La bamba
producer:
Mitchell Froom
arranger:
Ritchie Valens
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
composer:
[traditional] (special purpose artist)
publisher:
EMI Longitude Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
La bamba
Los Lobos4.32:54
7Frankie
producer:
Nile Rodgers
recording of:
Frankie
lyricist and composer:
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:18
8Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
Alannah Myles4.34:47
9I Can’t Wait
recording of:
I Can’t Wait
lyricist and composer:
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3:39
10Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
Aztec Camera3.54:00
11What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:47
12Always
engineer:
Rory Young
producer:
David Lewis (member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page
arranger:
Gene Page
recording of:
Always
writer:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) and Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
13Jump to the Beat
recording of:
Jump to the Beat
Stacy Lattisaw5:17
14Mirror MirrorDollar3:31
15Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange
mixer:
Mike Shipley
bass:
Benjamin Orr
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp. and Lido Music, Inc.
part of:
50 First Dates
The Cars4.053:54
16Feel So RealSteve Arrington5:06
17The Living Daylights
producer:
a‐ha, John Barry (English score composer), Jason Corsaro, Magne Furuholmen and Paul Waaktaar-Savoy
vocals:
a‐ha
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
writer:
Paul Waaktaar-Savoy
publisher:
ATV Music and BMG Music
a‐ha44:14
18Each Time You Break My HeartNick Kamen34:34
19Gloria
recording engineer:
Jürgen Koppers (engineer, producer) and John Kovarek
producer:
Greg Mathieson and Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
lead vocals:
Laura Branigan (from 1981 until 1982)
arranger:
Greg Mathieson
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Rusk Sound Studios in Hollywood, Los Angeles, California, United States (from 1981 until 1982)
music videos:
Gloria (music video) by Laura Branigan
recording of:
Gloria (English version) (from 1981 until 1982)
lyricist and composer:
Giancarlo Bigazzi, Umberto Tozzi and Trevor Veitch
publisher:
Ed. Melodi s.r.l. Casa Editrice, S.I.A.E. Direzione Generale, Songs of Universal, Inc. and Sugar Song Publications, Inc.
translated version of:
Gloria (original Italian version)
Laura Branigan4:55
20Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph-Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph-Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:51
21Cupid / I’ve Loved You for a Long Time
edit of:
Medley: Cupid/I've Loved You For A Long Time by The Spinners
medley including a cover recording of:
Cupid
lyricist and composer:
Sam Cooke
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
medley including a recording of:
I've Loved You for a Long Time
lyricist and composer:
Michael Zager
The Spinners43:57
22Lean on Me (Ah‐li‐ayo)
recording of:
Lean on Me (Ah-li-ayo)
lyricist and composer:
Simon Toulson-Clarke
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Red Box4:26
23What’s the Colour of Money
recording of:
What's the Colour of Money?
writer:
Mark Rogers (Hollywood Beyond) and Jamie B. Rose
Hollywood Beyond43:28
24This Corrosion (2018 remaster)
producer:
Jim Steinman
bass guitar:
Patricia Morrison
drum machine:
Doktor Avalanche
lead vocals:
Andrew Eldritch
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1993)
recording of:
This Corrosion
lyricist and composer:
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy410:17
25Big in Japan (2019 remaster)
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Andreas Budde, Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Wednesday (Background Vocals) (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
music videos:
Big In Japan by Alphaville
recording of:
Big in Japan (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.154:45
26Waiting for a Girl Like You
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
フジパシフィック音楽出版 (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (from 2015-01-01 to present)
Foreigner4:49
27April Skies
producer:
Bill Price (UK producer/engineer)
vocals:
Jim Reid (Jesus and Mary Chain)
recording of:
April Skies
writer:
Jim Reid (Jesus and Mary Chain) and William Reid (guitarist, The Jesus and Mary Chain)
The Jesus and Mary Chain4.354:00
28The Killing Moon
recording engineer and producer:
David Lord (British composer, engineer and producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen4.655:48
29Rio (2009 remaster)
engineer and producer:
Colin Thurston
saxophone:
Andrew Kevin Hamilton (British saxophonist, composer and producer)
phonographic copyright (℗) by:
Tritec Music Ltd. (publisher and copyrights holder) (from 1982 to present)
recording of:
Rio
writer:
Simon Le Bon (Singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
Duran Duran4.75:37
30Don’t Get Me Wrong (2007 remaster)
Pretenders3:48
31International RescueFuzzbox3:29
32Superwoman
recording of:
Superwoman (from 1988-03 until 1988-04)
writer:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) and Daryl Simmons
Karyn White35:47
33You Might Need Somebody
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather and Dean Parks (American session guitarist)
horn:
Chuck Findley, Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) and Larry Williams (Trumpet player)
keyboard:
Leon Pendarvis
percussion:
Lenny Castro
background vocals:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas and Phyllis St. James
horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
strings arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
composer:
Nan O'Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Randy Crawford4:18
34I’m Gonna Be (500 Miles)The Proclaimers43:39
35Everybody SalsaModern Romance3:22
36Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music
Anita Baker3.254:26
37Cry Boy Cry
recording of:
Cry Boy Cry
writer:
Andy O (member of Blue Zoo) and Tim Parry (guitarist)
Blue Zoo4:27
38Love Will Tear Us ApartJoy Division4.53:27
39Money’s Too Tight (to Mention) (2008 remaster)
assistant engineer:
Chris Dickie
engineer and mixer:
Femi Jiya
producer:
Stewart Levine (record producer and saxophonist)
bass:
Tony Bowers (in 1985)
drums (drum set) and percussion:
Chris Joyce (in 1985)
guitar:
Sylvan (in 1985)
keyboard and background vocals:
Fritz McIntyre (in 1985)
trumpet:
Tim Kellett (in 1985)
lead vocals:
Mick Hucknall (lead singer of Simply Red) (in 1985)
performer:
Simply Red (in 1985)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 1985) and Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1985)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1985)
later releases:
Money’s Too Tight (to Mention) by Simply Red
cover recording of:
Money’s Too Tight (to Mention) (in 1985)
writer:
Billy Valentine (United States soul funk singer), John Valentine (Valentine Brothers) and Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red54:13
40Electric Youth
recording engineer:
Don Feinberg
keyboard and membranophone programming:
Fred Zarr
engineer:
Bill Esses and Matt Malles
producer:
Fred Zarr
mixer:
Bob Rosa, Tom Vercillo and Fred Zarr
acoustic guitar and electric guitar:
Ira Siegel
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Carrie Johnson and Libby Johnson
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1989)
recording of:
Electric Youth
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson3.54:57
41Lip Up Fatty
producer:
Roger Lomas
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Lip Up Fatty
writer:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) and Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Bad Manners42:46
42Life in a Northern TownThe Dream Academy4.354:17
43Legs (2008 remaster)
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
lead vocals:
Billy Gibbons
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.44:34
44Hand Held in Black and WhiteDollar3:23
45The Last Film
Kissing the Pink3:26
46Buzz Buzz a Diddle It
Matchbox2:55
47Half a Minute
engineer and mixer:
Phil Harding (engineer, producer and remixer)
producer:
Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
keyboard:
Danny White (keyboardist)
percussion:
Robin Jones (Brazilian percussion)
vocals:
Basia and Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographic copyright (℗) by:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
writer:
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) and Danny White (keyboardist)
Matt Bianco3.353:50
48Kokomo
engineer and mixer:
Keith Wechsler
producer:
Terry Melcher
accordion:
Van Dyke Parks (from 1988-03-22 until 1988-04-06)
acoustic guitar:
Jeffrey Foskett (from 1988-03-22 until 1988-04-06)
alto saxophone:
Joel Peskin (from 1988-03-22 until 1988-04-06)
bass:
Rod Clark (UK bassist) (from 1988-03-22 until 1988-04-06)
drums (drum set):
Jim Keltner (from 1988-03-22 until 1988-04-06)
slide guitar [electric slide guitar]:
Ry Cooder (from 1988-03-22 until 1988-04-06)
background vocals:
Al Jardine (from 1988-03-22 until 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (from 1988-03-22 until 1988-04-06), Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
lead vocals:
Mike Love (Beach Boys) (from 1988-03-22 until 1988-04-06) and Carl Wilson (Beach Boys) (from 1988-03-22 until 1988-04-06)
performer:
The Beach Boys (American rock band) (on 1988-03-22)
music videos:
Kokomo by The Beach Boys
recording of:
Kokomo (in 1988)
writer:
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher and John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division, Spirit One Music, Touchstone Pictures Music and Songs Inc. and Yamaha Music EH(CM)
The Beach Boys4.453:38
49Just Like Paradise
programming:
Brett Tuggle
engineer:
Magic Moreno, Doug Parry and Steve Vai
co-producer:
Steve Vai
producer:
David Lee Roth
bass guitar:
Billy Sheehan
drums (drum set) and percussion:
Gregg Bissonette (US jazz & rock drummer)
guitar:
Steve Vai
keyboard:
Brett Tuggle
additional background vocals:
Tommy Funderburk and Tom Kelly (songwriter)
background vocals:
Gregg Bissonette (US jazz & rock drummer), Billy Sheehan and Brett Tuggle
lead vocals:
David Lee Roth
recording of:
Just Like Paradise
writer:
David Lee Roth and Brett Tuggle
David Lee Roth4.54:05
50Let It Roll
recording of:
Let It Roll
writer:
Vaughan Mason
Doug Lazy5:42
51Temptation
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
New Order3.47:00
52Devotion (extended version)Ten City6:52
53Twisted
Keith Sweat4:21
54Ain’t Nobody
additional synthesizer:
James Newton Howard (American score composer)
alto saxophone:
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
bass:
Bobby Watson (bassist)
drums (drum set):
John “JR” Robinson (session drummer)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) and Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
guitar:
Tony Maiden
keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) and David “Hawk” Wolinski
percussion:
Paulinho da Costa
tenor saxophone:
Gary Herbig and Ernie Watts (jazz and blues saxophonist)
trumpet:
Jerry Hey
vocals:
Chaka Khan and Tony Maiden
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 403)
recording of:
Ain’t Nobody
lyricist and composer:
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:41
55Get Tough
Kleeer8:21
56We Care a Lot
recording engineer:
Matt Wallace (US producer & engineer)
assistant engineer:
Jim "Watts" Verecke
producer:
Steve Berlin, Faith No More and Matt Wallace (US producer & engineer)
congas and drums (drum set):
Mike Bordin (American drummer)
electric bass guitar [bass]:
Billy Gould
electric guitar [guitars]:
Jim Martin (ex-Faith No More guitarist)
keyboard [keyboards]:
Roddy Bottum
background vocals [backing vocals]:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
lead vocals [vocals]:
Chuck Mosely
phonographic copyright (℗) by:
Slash Records (US label, founded in 1978 in LA originally focused on local punk bands, now distributed by Warner Bros. Records.) (in 1987)
recorded at:
Control Center in Los Angeles, California, United States and Studio D in Sausalito, California, United States
mixed at:
Studio D in Sausalito, California, United States
music videos:
We Care a Lot by Faith No More and We Care a Lot (Official Music Video) by Faith No More
recording of:
We Care a Lot
lyricist:
Roddy Bottum and Chuck Mosely
composer:
Mike Bordin (American drummer), Roddy Bottum, Chuck Mosely, Faith No More, Billy Gould and Jim Martin (ex-Faith No More guitarist)
publisher:
Big Thrilling Music (Music publishing company) and Faith No More Music (Faith No More publishing company)
Faith No More4.34:04
57The Cutter
engineer:
David Bascombe, Colin Fairley, Paul Cobald, Steve Prestige, Steve Short (sound engineer & producer) and Dave Wooley
producer:
Kingbird
bass:
Les Pattinson
drums (drum set):
Pete de Freitas
guest strings:
Shankar (L. Shankar)
guitar:
Ian McCulloch (Echo & the Bunnymen) and Will Sergeant
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
Echo & the Bunnymen43:53
58Boogie DownAl Jarreau4:01
59Hangin’
recording of:
Hangin'
composer:
Bernard Edwards and Nile Rodgers
Chic5:12
60Love Changes (Everything)
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:28
61Bad Habits
recording of:
Bad Habit
writer:
Allen George (Songwriter - producer - keyboards player) and Fred McFarlane
publisher:
Captain Keyboard Music and Song a Tron Music
Jenny Burton5:29
62Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Shinko Music Entertainment Co., Ltd., Universal Music Publishing, Synch Division and Universal Music–MGB Songs
Christopher Cross44:36
63Off on Your Own (Girl)
Al B. Sure!4:09
64Baby I’m Scared of You
Womack & Womack5:38
65Drivin’ My Life Away
Eddie Rabbitt3:15
66Gimme Your Love
New Edition4:12
67Forever Young
additional recording engineer:
Uli Rudolf
recording engineer and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
programming:
Wolfgang Loos
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (Alphaville song, “I want to be forever young”) (from 1984-07 until 1984-08)
orchestrator:
Wil Malone
lyricist:
Marian Gold
composer:
Marian Gold, Bernhard Lloyd and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Downtown DMP Songs and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:47
68Salsa House (edit)
Richie Rich3:54
69The Best
producer:
Dan Hartman and Tina Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 4) and Cachitos Nochevieja 2022 (number: 154)
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.655:33
70Never Ending Story
producer:
Giorgio Moroder
background vocals:
Beth Andersen
lead vocals:
Limahl
performer:
Limahl
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
lyricist:
Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Limahl3.353:30
71The Harder I TryBrother Beyond13:29
72I’m on My Way
The Proclaimers3:46
73Glory of Love
engineer and mixer:
Terry Christian and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント, ピアーミュージック (Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部, コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Peter Cetera4.24:18
74Two of Hearts
recording of:
Two of Hearts
writer:
Sue Gatlin, Tim Greene and John Dixon Mitchell
publisher:
On The Note Publishing (in 1986) and Tim Green Music (publisher) (in 1986)
Stacey Q43:58
75It’s My Life (edit)
recording of:
It’s My Life
writer:
Tim Friese‐Greene and Mark Hollis
publisher:
Universal‐Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc. and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Talk Talk3:37
76St. Elmo’s Fire (Man in Motion)
producer:
David Foster (Canadian music producer, arranger and composer)
brass [horns] arranger:
David Foster (Canadian music producer, arranger and composer) and Jerry Hey
recording of:
St. Elmo’s Fire
writer:
David Foster (Canadian music producer, arranger and composer) and John Parr
publisher:
Foster Frees Music Inc. and Gold Horizon Music Corp.
John Parr4.354:09
77Love WarsWomack & Womack4:02
78Owner of a Lonely Heart
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Chris Squire (Yes bassist) (in 1983)
drums (drum set):
Alan White (Yes drummer) (in 1983)
guitar:
Trevor Rabin (South African musician and score composer) (in 1983)
keyboard:
Tony Kaye (in 1983)
lead vocals:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
SARM Studios in London (Greater London), England, United Kingdom (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
writer:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) and Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Rights Management (UK) Ltd. (not for release label use!), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), エイベックス・ミュージック・パブリッシング 第7出版事業部, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
Yes44:24
79Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
background vocals:
Mazarati
lead vocals:
Prince (“The Artist Formerly Known as…”)
performer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince2.853:47
80Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer, enginner, UK, 60’s–80’s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
WB Music Corp. (1929–2019), Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Whitesnake4.24:44
81Baby Jane (2008 remaster)
engineer:
George Tutko (engineer, producer)
co-producer:
Jim Cregan (Producer & member of Family) and George Tutko (engineer, producer)
producer:
Tom Dowd and Rod Stewart
mixer:
Jim Cregan (Producer & member of Family), Tom Dowd and George Tutko (engineer, producer)
recording of:
Baby Jane
lyricist:
Rod Stewart
composer:
Jay Davis (guitarist)
Rod Stewart4:43
82We Built This CityStarship44:56
83They Say It’s Gonna Rain
Hazell Dean3:57
84I Keep Forgettin’ (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
version of:
I Keep Forgettin’
Michael McDonald4.253:42
85Casanova
recording of:
Casanova
lyricist and composer:
Reginald Calloway
LeVert6:12
86Nite and Day
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
writer:
Al B. Sure! and Kyle West
Al B. Sure!53:58
87Don’t Wanna Fall in Love
Jane Child4.54:08
88West End Girls (2001 remaster)
engineer:
David Jacob
producer:
Stephen Hague
additional vocals:
Helena Springs
background vocals, lead vocals and spoken vocals:
Neil Tennant
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985, in 1991)
recording of:
West End Girls (in 1985)
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM), Cage Music Ltd. (from 1984 to present) and CBS, Inc. (US broadcasting company; file no releases here!) (from 1984 to present)
Pet Shop Boys3.84:05
89It Started With a Kiss
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown
publisher:
BMG Music Publishing Ltd.
Hot Chocolate34:02
90Major Tom
engineer:
Frank Reinke (Germany based Engineer) (in 1982) and Peter Schmidt (recording engineer) (in 1982)
assistant producer:
Frank Hieber (in 1982)
producer:
Armin Sabol (in 1982) and Peter Schilling (German synthpop musician) (in 1982)
mixer:
Holger J. Magnussen (in 1982)
drums (drum set):
Curt Cress (in 1982)
electric bass guitar:
Günther Gebauer (in 1982)
electric guitar:
Armin Sabol (in 1982)
keyboard [keyboard solo]:
Gonzo Bishop (in 1982)
lead vocals:
Peter Schilling (German synthpop musician) (in 1982)
arranger:
Peter Schilling (German synthpop musician) (in 1982)
recorded at:
Peer Studio in Hamburg, Germany (in 1982)
recording of:
Major Tom (Völlig losgelöst) (in 1982)
lyricist and composer:
Peter Schilling (German synthpop musician)
publisher:
Peer Musikverlag GmbH (in 1982)
Peter Schilling5:00
91Orinoco Flow
engineer:
Ross Cullum and Nicky Ryan
co-producer:
Ross Cullum and Enya
producer:
Nicky Ryan
mixer:
Jimbo Barton (Australian/US producer/engineer, fl. 1990's-2020's)
instruments and vocals:
Enya
arranger:
Enya and Nicky Ryan
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (from 1988 to present)
recorded at:
Orinoco Studios in Southwark, London (Greater London), England, United Kingdom
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
music videos:
Orinoco Flow by Enya
recording of:
Orinoco Flow
lyricist:
Roma Ryan
composer:
Enya
publisher:
Aigle Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI Music Publishing Ltd. (PRS-affiliated) and EMI Songs Ltd.
Enya4.24:25
92You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer-songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer-songwriter and score composer)
publisher:
WB Music Corp. (1929–2019)
Joe Cocker34:15
93Biggest Part of MeAmbrosia5:24
94You’re the Inspiration (2006 remaster)
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago3:49
95Veronica
engineer and mixer:
Kevin Killen
acoustic guitar:
T‐Bone Burnett (american musician, songwriter and producer)
bass guitar:
Paul McCartney (The Beatles)
chamberlin and electric piano:
Mitchell Froom
drums (drum set):
Jerry Marotta
electric guitar and lead vocals:
Elvis Costello
glockenspiel and timpani:
Michael Blair (American drummer/producer/songwriter based in Sweden)
piano and piano spinet [Baldwin spinet]:
Benmont Tench
recording of:
Veronica
writer:
Declan Patrick MacManus and Paul McCartney (The Beatles)
Elvis Costello4.653:09
96Twist and Shout
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Robert Mellin Ltd., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
David Lindley2:45
97Nothing’s Gonna Stop Us Now
performer:
Starship (continuation of Jefferson Starship)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
writer:
Albert Hammond and Diane Warren (US songwriter)
Starship4.154:30
98Got to Get
performer:
Leila K (Swedish Eurodance singer)
recording of:
Got to Get
lyricist:
Leila El Khalifi (Swedish Eurodance singer) and Martin Carboo
composer:
Rasmus Lindwall, Martin Carboo and Robert Waatz
Rob n Raz feat. Leila K2.53:21
99Love on the Line
Diana Ross4:23
100Prove It
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
electric guitar:
Richard Lloyd (American guitarist and singer, Television)
solo electric guitar and lead vocals:
Tom Verlaine
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Prove It
lyricist and composer:
Tom Verlaine
Television45:01

Credits

Release

phonographic copyright (℗) by:Rhino UK (company credits only; do NOT use as release label) (in 2019)
stream for free:https://open.spotify.com/album/5Oyqflkptj0439nD1WkPxm [info]
https://www.deezer.com/album/108945152 [info]
streaming page:https://music.apple.com/gb/album/1484826852 [info]

Release Group

part of:Top 100 (Rhino web series) (order: 1)