Pagliacci

~ Release by Leoncavallo; Luciano Pavarotti, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Prologo: 1. Si puo? Si puo? (Tonio)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Prologo. Preludio (from 1977-03 until 1977-04)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo
recording of:
Pagliacci: Prologo. “Si può? Si può?” (Tonio)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo
Ruggero Leoncavallo7:52
2Atto Primo: 2. Son qua! Son qua! Ritorno! (Coro di uomini e donne
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
choir vocals:
Finchley Children’s Music Group (from 1977-03 until 1977-04) and London Opera Chorus (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
chorus master:
Terry Edwards (British choir director) (from 1977-03 until 1977-04) and John Andrews (conductor and chorus master) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Eh! Son qua! Ritornano” (Canio, Coro, Beppe) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:12
3Atto Primo: 3. Un grande spettacolo a ventirè ore (Canio)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
choir vocals:
Finchley Children’s Music Group (from 1977-03 until 1977-04) and London Opera Chorus (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
chorus master:
Terry Edwards (British choir director) (from 1977-03 until 1977-04) and John Andrews (conductor and chorus master) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Mi accordan di parlar?” … “Un grande spettacolo” (Canio, Coro, Tonio, Beppe) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo2:51
4Atto Primo: 4. Un tal gioco, credetemi (Canio)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
choir vocals:
London Opera Chorus (from 1977-03 until 1977-04)
other vocals [Un contadino]:
Pacho Panocia (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
chorus master:
Terry Edwards (British choir director) (from 1977-03 until 1977-04) and John Andrews (conductor and chorus master) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Un tal gioco, credetemi” (Canio, Nedda, Coro) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo2:41
5Atto Primo: 5. I zampognari!...Don din don (Ragazzi e donne)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
choir vocals:
Finchley Children’s Music Group (from 1977-03 until 1977-04) and London Opera Chorus (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
chorus master:
Terry Edwards (British choir director) (from 1977-03 until 1977-04) and John Andrews (conductor and chorus master) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “I zampognari!” … “Don, din don, … din don, suona vespero” (Ragazzi, Coro di contadini e contadine) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo4:20
6Atto Primo: 6. Qual fiamma avea nel guardo! ...Stridono lassù (Nedda)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
recording of:
Pagliacci: Atto I. “Stridono lassù” (Nedda) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo5:09
7Atto Primo: 7. Sei là? credea che te ne fossi andato! (Nedda)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Sei là! Credea che te ne fossi andato” … “So ben che difforme, contorto son io” (Nedda, Tonio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo4:54
8Atto Primo: 8. Nedda! Silvio! a quest'ora! (Silvio, Nedda)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
bass vocals [Silvio]:
Lorenzo Saccomani (baritone) (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Nedda!” - “Silvio! A quest'ora” (Silvio, Nedda) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo11:57
9Atto Primo: 9. Cammina adagio e li sorprenderai! (Tonio)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
bass vocals [Silvio]:
Lorenzo Saccomani (baritone) (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Cammina adagio” (Tonio, Nedda, Canio, Silvio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo4:59
10Atto Primo: 10. Recitar!... Vesti la giubba (Canio)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Recitar!” - “Vesti la giubba” (Canio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo4:08
11Atto Primo: 11. Intermezzo
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. Intermezzo (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto I
Ruggero Leoncavallo3:26
12Atto Secondo: 12. Ohè! ... Ohè! Presto! Presto affrettiamoci (Donne e uomini)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
bass vocals [Silvio]:
Lorenzo Saccomani (baritone) (from 1977-03 until 1977-04)
choir vocals:
London Opera Chorus (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
chorus master:
Terry Edwards (British choir director) (from 1977-03 until 1977-04) and John Andrews (conductor and chorus master) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto II. “Ohè! ... Ohè! Presto, affrettiamoci” (Coro, Tonio, Silvio, Nedda) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
Ruggero Leoncavallo4:21
13Atto Secondo: 13. Pagliaccio, mio marito (Colombina)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto II. “Pagliaccio, mio marito” (Colombina) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
Ruggero Leoncavallo3:54
14Atto Secondo: 14. È dessa! Dei, com'è bella! (Taddeo)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto II. “Di fare il segno convenuto” … “È dessa! Dei, come è bella” (Colombina, Taddeo, Arlecchino) (from 1977-03 until 1977-04)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
Ruggero Leoncavallo3:31
15Atto Secondo: 15. Arlecchin! Colombina! (Colombina, Arlecchino)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto II. “Arlecchin!” - “Colombina!” (Colombina, Arlecchino, Taddeo, Pagliaccio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
Ruggero Leoncavallo1:50
16Atto Secondo: 16. Versa il filtro ne la tazza sua! (Arlecchino)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto II. “Versa il filtro ne la tazza sua!” … “Coraggio! Un uomo era con te” (Pagliaccio, Colombina, Taddeo, Arlecchino) (from 1977-03 until 1977-04)
composer:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
Ruggero Leoncavallo2:49
17Atto Secondo: 17. No. Pagliaccio non son (Canio)
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Richard Beswick
producer:
James Mallinson (producer)
baritone vocals [Silvio]:
Lorenzo Saccomani (baritone) (from 1977-03 until 1977-04)
baritone vocals [Tonio (Taddeo)]:
Ingvar Wixell (baritone) (from 1977-03 until 1977-04)
choir vocals:
Finchley Children’s Music Group (from 1977-03 until 1977-04) and London Opera Chorus (from 1977-03 until 1977-04)
soprano vocals [Nedda (Colombina)]:
Mirella Freni (soprano) (from 1977-03 until 1977-04)
tenor vocals [Beppe (Arlecchino)]:
Vincenzo Bello (tenor) (from 1977-03 until 1977-04)
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (tenor) (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (conductor) (from 1977-03 until 1977-04)
chorus master:
Terry Edwards (British choir director) (from 1977-03 until 1977-04) and John Andrews (conductor and chorus master) (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto II. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Atto II
Ruggero Leoncavallo6:00